Weird of the Day, Moogfest Edition: Le1f

Le1f

Next up in our ongoing celebration of Moogfest‘s weirdest artists: New York rapper Le1f. We’ve already featured the man born Khalif Diouf as our Weird Band of the Week, but he deserves another shout-out, because nobody else right now is making hip-hop that’s simultaneously this provocative and (potentially) commercial. If any gay hip-hop artist can break the genre’s homophobia barrier, it’s Le1f.

Here’s his latest video, for the track “Boom” off his recently released Hey EP. Would you like fries with that?

Le1f plays Moogfest on Saturday, Apr. 26th. For more info, visit the official Moogfest site.

The lesson of Chimney Crow’s new “Sarah Kristina” video is: Don’t accept a ride home from Chimney Crow

Chimney Crow, "Sarah Kristina"

Hey, Chimney Crow! How’s it hanging? Hey, listen, I love what you guys have been doing lately with the Muppets and Deee-Lite covers and all, but I gotta be honest: Your latest video is freaking me out a little. Are you OK, Chimney Crow? I mean, do we gotta send in an FBI unit to pull up your floorboards and shit? ‘Cause you’re sounding a little…well, just listen to yourself, man!

But hey, I’m sure you don’t really know anyone named Sarah Kristina, right? This is all just an artful meditation on the alienation of modern life or some shit, right? I really hope so, because I don’t want to have to hide all my drug paraphernalia when the detectives show up on my doorstep asking, “So, how did you know the suspect?”

Weird of the Day, Moogfest Edition: Kraftwerk

Kraftwerk

Today’s Moogfest performer needs no introduction, but I’ll do one anyway: Kraftwerk, unarguably the most influential electronic musicians of all time. Without their pioneering, all-synths version of krautrock, it’s fair to say that most of today’s strains of electronic music wouldn’t exist.

To this day, Kraftwerk live shows operate on two levels: as a purist expression of button-pushing electronica at its most mechanical, and as a sly commentary of the increasingly mechanical, button-pushing nature of modern life in general. I’m not sure if they’re still trotting out their robot doppelgangers for “We Are the Robots” these days, but I do know they’ve got some crazy 3D projections and are digging pretty deep into their catalog, playing classic albums like Autobahn and Trans-Europe Express in their entirety.

Kraftwerk plays three shows at Moogfest, one on Thursday, Apr. 24th and two on Friday, Apr. 25th. Visit the official Moogfest site for more details.

Weird Live Review: Tinariwen

Tinariwen

I’ve been a huge fan of the Tuareg nomad group Tinariwen ever since somebody put a copy of the album Aman Iman: Water Is Life in my hands about seven years ago. Their fusion of American-style psych-rock guitar with the loping grooves of West African folk music was mesmerizing; the layered guitars seemed to swirl around each other like dust devils, evoking the vastness of the Saharan Desert and the heartache of life in a war-torn part of the world.

Tinariwen tours often enough now that I’ve had many opportunities to see them, but somehow I never quite got around to it. I think part of me was afraid their live show couldn’t possibly live up to my mental image of the band, way out there in deserts of northern Mali, jamming far into the night around a campfire on a stolen generator.

Well, there was no desert sky or campfire at the Belasco Theater, a new/old venue in downtown Los Angeles that recently reopened after a major renovation. But the stately old Gothic/Spanish theater, a former burlesque house opened in 1926, was a surprisingly fitting place to experience Tinariwen’s music, which has its own kind of grandeur and sense of history to it.

Tinariwen has been around long enough that their de facto leader, Ibrahim Ag Alhabib, is too old to tour. But the rest of the band’s core remains intact, and their newest member, a handsome young dude named Sadam Iyar Imarhan, ably fills in Ag Alhabib’s guitar parts and many of his vocals. At the Belasco, he shared guitar and vocal duties with veteran members Abdallah Ag Alhousseyni and Alhassane Ag Touhami, while younger Tinariweners Elaga Ag Hamid, Eyadou Ag Leche and Said Ag Ayad backed them up on rhythm guitar, bass and percussion, respectively.

I had expected to hear layers upon layers of interlocking guitars, but to my surprise, the “frontmen” mainly took turns, each singing lead vocals and playing lead guitar for a song or two while the others stood to the side and sang backup vocals (or, in the case of the charismatic Ag Touhami, danced his ass off). At first, this disappointed me a little—I wanted a guitar army! A Phil Spector of the Sahara wall of sound! But I quickly realized that each player’s leads were so intricate that they would have been lost in more complex arrangements. All of them play beautifully, but I was especially entranced by new member Imarhan, who adds a little rock ‘n’ roll to the band’s mesmerizing sound. There were a few times where he and bassist Ag Leche (who plays a Fender bass upside down and left-handed, like a badass) locked grooves and I thought the mostly mellow crowd was going to start freaking out like they were at a My Morning Jacket concert.

The Belasco has great sightlines, so I was able to wander around and get some decent photos from nearly every angle. Obviously, in their traditional robes and turbans, Tinariwen are a visually arresting band, but watching them live, you forget about their appearance pretty quickly. What you’re left with is the music, which is some of the most hypnotic you’ll hear from any part of the world.

Tinariwen recorded their latest album, Emmaar, not far from L.A. in Joshua Tree. They’re actually back there tonight at a little desert nightclub called Pappy and Harriet’s. Now that must be an amazing place to see them. Maybe next time.

The rest of Tinariwen’s 2014 tour dates are listed after the photos. Whether or not you’re a fan of so-called “world music,” I highly recommend checking them out. I know we say this a lot of this blog, but there is truly no one else like them.

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Tinariwen 2014 world tour:

21 APRIL 2014 – PHOENIX (AZ), US : MIM MUSIC THEATER
22 APRIL 2014 – EL PRADO (NM), US : TAOS MESA BREWING
24 APRIL 2014 – NEW ORLEANS (LA), US : HOUSE OF BLUES
25 APRIL 2014 – LAFAYETTE (LA), US : FESTIVAL INTERNATIONAL DE LOUISIANE
26 APRIL 2014 – LAFAYETTE (LA), US : FESTIVAL INTERNATIONAL DE LOUISIANE
29 APRIL 2014 – CRETEIL, FRANCE : MAISON DES ARTS DE CRETEIL
30 APRIL 2014 – LUXEMBOURG, LUXEMBOURG : ROCKHAL

03 MAY 2014 – CHELTENHAM, UK : CHELTENHAM JAZZ FESTIVAL
04 MAY 2014 – BELFAST, UK : MARQUEE FEST, CUSTOM HOUSE SQUARE
05 MAY 2014 – BRISTOL, UK : ST GEORGE’S
06 MAY 2014 – LEEDS, UK : OPERA NORTH
10 MAY 2014 – UMEA, SWEDEN : MADE FESTIVAL

27 JUNE 2014 – GLASTONBURY, UK : GLASTONBURY FESTIVAL
28 JUNE 2014 – CORK, IRELAND : CORK OPERA HOUSE
29 JUNE 2014 – WESTPORT, IRELAND : WESTPORT FESTIVAL

01 JULY 2014 – DUBLIN, IRELAND : NATIONAL CONCERT HALL
03 JULY 2014 – SAINT ETIENNE, FRANCE : FESTIVAL DES 7 COLLINES
04 JULY 2014 – AMSTERDAM, NETHERLANDS : PITCH FESTIVAL
11 JULY 2014 – BARCELONA, SPAIN : CRUÏLLA BARCELONA
12 JULY 2014 – AIX-LES-BAINS, FRANCE : MUSILAC
18 JULY 2014 – CARHAIX, FRANCE : LES VIEILLES CHARRUES
19 JULY 2014 – SOUTHWOLD, UK : LATITUDE FESTIVAL
23 JULY 2014 – BRECON, UK : THEATR BRYCHEINIOG
24 JULY 2014 – CARDIFF, UK : SAINT DAVID’S HALL
29 JULY 2014 – WESPORT, UK : WESTPORT FESTIVAL

01 AUGUST 2014 – SAINT-NAZAIRE, FRANCE : LES ESCALES
07 AUGUST 2014 – GOTHENBURG, SWEDEN : WAY OUT FESTIVAL
08 AUGUST 2014 – HELSINKI, FINLAND : FLOW FESTIVAL
09 AUGUST 2014 – NR. WINCHESTER, UK : BOOMTOWN FESTIVAL
13 AUGUST 2014 – FRAISANS, FRANCE : NO LOGO FESTIVAL
15 AUGUST 2014 – ESCOT PARK DEVON, UK : BEAUTIFUL DAYS FESTIVAL
16 AUGUST 2014 – TRUYES, FRANCE : FESTIVAL COSMOPOLITE
23 AUGUST 2014 – CHARLEVILLE-MÉZIÈRES, FRANCE : CABARET VERT
24 AUGUST 2014 – SAINT-CLOUD, FRANCE : ROCK EN SEINE
30 AUGUST 2014 – NAMUR, BELGIUM : LA FÊTE DES SOLIDARITÉS
31 AUGUST 2014 – NR. SALISBURY, UK : END OF THE ROAD FESTIVAL

Weird of the Day, Moogfest Edition: Dan Deacon

Dan Deacon

Next up on our countdown to Moogfest (Apr. 23-27 in the bucolic mountains of North Carolina): Baltimore synth ninja Dan Deacon. Deacon first gained attention in the mid-’00s with a sound and performance style that married the raw energy of punk with the danceable, programmed beats of techno and synth-pop. He probably also helped make giant glasses and beards popular with hipsters, but try not to hold that against him.

On more recent albums like 2012′s America, Deacon’s been incorporating more live instrumentation; he even toured with a 14-piece band for 2009′s Bromst. But he remains best-known for synth freakouts like this seizure inducer from 2007′s Spiderman of the Rings. (Apologies for the poor quality; YouTube was a primitive place in 2007.)

Dan Deacon plays Moogfest on Thursday, Apr. 24th. For more info, visit the official Moogfest site.

Weird of the Day, Moogfest Edition: Flying Lotus

Flying Lotus

Next up in our ongoing celebration of the ultra-weird lineup at Moogfest (Apr. 23-27 in Asheville, North Carolina): L.A.-based electronic music innovator Steven Ellison, better known as Flying Lotus. For nearly a decade, FlyLo has been at the forefront of a new style of electronica called simply beat music, which mixes distorted, tumbling hip-hop beats with spacey synths and jazz-influenced keyboards and basslines. Ellison himself is jazz royalty of a sort; he’s the great-nephew of Alice and John Coltrane. A ton of producers make this style of music now, many of them for FlyLo’s Brainfeeder label. But Ellison remains beat music’s lone Jedi master.

Here’s a track from his 2010 album Cosmogramma featuring frequent collaborator and Native American headdress enthusiast Thundercat.

Flying Lotus appears at Moogfest on Wednesday, Apr. 23rd. For more info, visit the official Moogfest site.

And now, an Easter song from Miss Von Trapp

If you’re not godless heathens like Jake and me, you’re probably celebrating the Resurrection of Our Lord & Savior this weekend by painting some hard-boiled eggs and biting the heads off chocolate rabbits. But even if you don’t celebrate Easter, you’re sure to enjoy Miss Von Trapp‘s new ode to the season, “Taxidermy Chocolate Bunny (Oh dear what can the matter be).” In fact, the less you give a shit about Easter, the more likely you are to enjoy it. Unless you hate ukuleles. Then you’re screwed.

Miss Von T. also has quite a few shows coming up this summer. If you live in England and anything steampunk-related is happening near you, chances are she’ll be there. Do check her out, won’t you?

23-26 May – Plymouth – Volksfest Cabaret Tent 2014
14 June – Devon – The Carnivale of the Peculiar
20-22 June – Bristol – Brass Brunel Steampunk Convention
25 June – Plymouth – Pennycomequick Arts present ‘Black Books’
5 July – St. Austell – Steampunk Ball, The Market House
14-18 Aug. – Kettering – Alt-Fest: The Steampunk Experience (hosted by our friends BB Blackdog)
27 Sept. – Exeter – Steampunk Cabaret with Professor Elemental, The Tobacco House
11 Oct. – Exeter – Rogues Gallery: A Neo-Vaudeville Night of Delights

For more info and tickets, visit Miss Von Trapp’s official site.

Weird of the Day, Moogfest Edition: Holly Herndon

Holly Herndon

Next week, Asheville, North Carolina will play host to Moogfest, an annual electronic music, technology and art festival honoring synthesizer pioneer (and longtime Asheville resident) Robert Moog. The festival is one America’s best when it comes to booking leftfield artists, so every day leading up to the festival, we’ll share some of the weirdest entries on Moogfest’s packed, five-day (Apr. 23-27) lineup.

First up: San Francisco-based singer/composer Holly Herndon, who creates ethereal, abstract soundscapes formed almost entirely out of her looped and processed vocals. Herndon’s hardly the only electronic voice artist on the scene these days, but she’s certainly one of the most innovative, as this wildly disorienting video for “Chorus” illustrates.

Herndon appears at Moogfest on Saturday, Apr. 26th. For more info, visit the official Moogfest site.

Weird of the Day: Thor, king of ’80s muscle rock

Thor

What happens when you cross a metal band with a bodybuilding competition? I’m so glad you asked. You get Thor, scourge of ’80s metal and bender of metal bars WITH HIS FUCKING TEETH. And OK, a towel, which kind of detracts from the drama, but still. I bet all the other ’80s metal were all like, “Well, shit, we can’t compete with that. Guess we’ll just have to settle for more Spandex and Aquanet.”

Public memorial for Dave Brockie set for Aug. 15th, one day before the GWAR-B-Q

This amazing Dave Brockie photo lifted from this even more amazing

This amazing Dave Brockie photo lifted from this even more amazing Metal Sucks article

GWAR fans still shattered over the death of their hero, Oderus Urungus, now have something to look forward to: On Friday, Aug. 15th in Richmond, Virginia, a public memorial service will be held honoring Oderus and the crazy, incredible dude behind him, Dave Brockie.

The memorial happens one day before the 5th annual GWAR-B-Q, which might be a slightly more solemn affair this year. Although let’s hope not, because I’m sure Oderus would’ve wanted his minions partying till they puke in his honor. Maybe they can puke first and then cry later. That seems like the way to go here, I think.

In a video statement, the surviving and unmasked members of GWAR also announced that they’re creating the Dave Brockie Foundation, a charity that “will be a resource for artists in the fields of music, film, literature and all visual arts who cannot find funding through mainstream channels.” So basically, every single band we’ve ever blogged about should apply.

You can read more about the Dave Brockie Foundation here and get updates on the GWAR-B-Q here. So far the only band that’s been announced is…GWAR! GWAR without Oderus? Can such a thing be possible? Maybe they can get Joan Jett to be like Oderus’ long-lost sister or something. She did a pretty good job subbing in for Cobain with Nirvana, I hear.

Here’s that video statement. Mark your calendars, GWARmy!

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