Author Archives: weirdestband
Wolf Eyes’ nightmarish mix of avant-garde noise, drone and post-industrial doom rock hasn’t gotten any less aggressive or unsettling, even as the band has approached something like mainstream status with releases on Sub Pop Records and tours with the likes of Andrew W.K. and Sonic Youth. Their latest album, No Answer: Lower Floors, came out last year and is, according to the Moogfest website, something like their 150th release. Here’s the video for opening track “Choking Flys,” which I believe doubles as a tutorial for how to gather firewood in post-apocalyptic (i.e. today’s) Detroit, Michigan.
Wolf Eyes play Moogfest on Thursday, Apr. 24th, as part of the festival’s most must-see lineup for fans of weirdness: Also playing the New Earth main room that night are electronic noise legends Black Dice, synth-jam master Dan Deacon and avant-electro oddballs YACHT. For more info, visit the Moogfest official site.
Next up in our ongoing celebration of Moogfest‘s weirdest artists: New York rapper Le1f. We’ve already featured the man born Khalif Diouf as our Weird Band of the Week, but he deserves another shout-out, because nobody else right now is making hip-hop that’s simultaneously this provocative and (potentially) commercial. If any gay hip-hop artist can break the genre’s homophobia barrier, it’s Le1f.
Here’s his latest video, for the track “Boom” off his recently released Hey EP. Would you like fries with that?
Le1f plays Moogfest on Saturday, Apr. 26th. For more info, visit the official Moogfest site.
Today’s Moogfest performer needs no introduction, but I’ll do one anyway: Kraftwerk, unarguably the most influential electronic musicians of all time. Without their pioneering, all-synths version of krautrock, it’s fair to say that most of today’s strains of electronic music wouldn’t exist.
To this day, Kraftwerk live shows operate on two levels: as a purist expression of button-pushing electronica at its most mechanical, and as a sly commentary of the increasingly mechanical, button-pushing nature of modern life in general. I’m not sure if they’re still trotting out their robot doppelgangers for “We Are the Robots” these days, but I do know they’ve got some crazy 3D projections and are digging pretty deep into their catalog, playing classic albums like Autobahn and Trans-Europe Express in their entirety.
Kraftwerk plays three shows at Moogfest, one on Thursday, Apr. 24th and two on Friday, Apr. 25th. Visit the official Moogfest site for more details.
I’ve been a huge fan of the Tuareg nomad group Tinariwen ever since somebody put a copy of the album Aman Iman: Water Is Life in my hands about seven years ago. Their fusion of American-style psych-rock guitar with the loping grooves of West African folk music was mesmerizing; the layered guitars seemed to swirl around each other like dust devils, evoking the vastness of the Saharan Desert and the heartache of life in a war-torn part of the world.
Tinariwen tours often enough now that I’ve had many opportunities to see them, but somehow I never quite got around to it. I think part of me was afraid their live show couldn’t possibly live up to my mental image of the band, way out there in deserts of northern Mali, jamming far into the night around a campfire on a stolen generator.
Well, there was no desert sky or campfire at the Belasco Theater, a new/old venue in downtown Los Angeles that recently reopened after a major renovation. But the stately old Gothic/Spanish theater, a former burlesque house opened in 1926, was a surprisingly fitting place to experience Tinariwen’s music, which has its own kind of grandeur and sense of history to it.
Tinariwen has been around long enough that their de facto leader, Ibrahim Ag Alhabib, is too old to tour. But the rest of the band’s core remains intact, and their newest member, a handsome young dude named Sadam Iyar Imarhan, ably fills in Ag Alhabib’s guitar parts and many of his vocals. At the Belasco, he shared guitar and vocal duties with veteran members Abdallah Ag Alhousseyni and Alhassane Ag Touhami, while younger Tinariweners Elaga Ag Hamid, Eyadou Ag Leche and Said Ag Ayad backed them up on rhythm guitar, bass and percussion, respectively.
I had expected to hear layers upon layers of interlocking guitars, but to my surprise, the “frontmen” mainly took turns, each singing lead vocals and playing lead guitar for a song or two while the others stood to the side and sang backup vocals (or, in the case of the charismatic Ag Touhami, danced his ass off). At first, this disappointed me a little—I wanted a guitar army! A Phil Spector of the Sahara wall of sound! But I quickly realized that each player’s leads were so intricate that they would have been lost in more complex arrangements. All of them play beautifully, but I was especially entranced by new member Imarhan, who adds a little rock ‘n’ roll to the band’s mesmerizing sound. There were a few times where he and bassist Ag Leche (who plays a Fender bass upside down and left-handed, like a badass) locked grooves and I thought the mostly mellow crowd was going to start freaking out like they were at a My Morning Jacket concert.
The Belasco has great sightlines, so I was able to wander around and get some decent photos from nearly every angle. Obviously, in their traditional robes and turbans, Tinariwen are a visually arresting band, but watching them live, you forget about their appearance pretty quickly. What you’re left with is the music, which is some of the most hypnotic you’ll hear from any part of the world.
Tinariwen recorded their latest album, Emmaar, not far from L.A. in Joshua Tree. They’re actually back there tonight at a little desert nightclub called Pappy and Harriet’s. Now that must be an amazing place to see them. Maybe next time.
The rest of Tinariwen’s 2014 tour dates are listed after the photos. Whether or not you’re a fan of so-called “world music,” I highly recommend checking them out. I know we say this a lot of this blog, but there is truly no one else like them.
Tinariwen 2014 world tour:
21 APRIL 2014 – PHOENIX (AZ), US : MIM MUSIC THEATER
22 APRIL 2014 – EL PRADO (NM), US : TAOS MESA BREWING
24 APRIL 2014 – NEW ORLEANS (LA), US : HOUSE OF BLUES
25 APRIL 2014 – LAFAYETTE (LA), US : FESTIVAL INTERNATIONAL DE LOUISIANE
26 APRIL 2014 – LAFAYETTE (LA), US : FESTIVAL INTERNATIONAL DE LOUISIANE
29 APRIL 2014 – CRETEIL, FRANCE : MAISON DES ARTS DE CRETEIL
30 APRIL 2014 – LUXEMBOURG, LUXEMBOURG : ROCKHAL
03 MAY 2014 – CHELTENHAM, UK : CHELTENHAM JAZZ FESTIVAL
04 MAY 2014 – BELFAST, UK : MARQUEE FEST, CUSTOM HOUSE SQUARE
05 MAY 2014 – BRISTOL, UK : ST GEORGE’S
06 MAY 2014 – LEEDS, UK : OPERA NORTH
10 MAY 2014 – UMEA, SWEDEN : MADE FESTIVAL
27 JUNE 2014 – GLASTONBURY, UK : GLASTONBURY FESTIVAL
28 JUNE 2014 – CORK, IRELAND : CORK OPERA HOUSE
29 JUNE 2014 – WESTPORT, IRELAND : WESTPORT FESTIVAL
01 JULY 2014 – DUBLIN, IRELAND : NATIONAL CONCERT HALL
03 JULY 2014 – SAINT ETIENNE, FRANCE : FESTIVAL DES 7 COLLINES
04 JULY 2014 – AMSTERDAM, NETHERLANDS : PITCH FESTIVAL
11 JULY 2014 – BARCELONA, SPAIN : CRUÏLLA BARCELONA
12 JULY 2014 – AIX-LES-BAINS, FRANCE : MUSILAC
18 JULY 2014 – CARHAIX, FRANCE : LES VIEILLES CHARRUES
19 JULY 2014 – SOUTHWOLD, UK : LATITUDE FESTIVAL
23 JULY 2014 – BRECON, UK : THEATR BRYCHEINIOG
24 JULY 2014 – CARDIFF, UK : SAINT DAVID’S HALL
29 JULY 2014 – WESPORT, UK : WESTPORT FESTIVAL
01 AUGUST 2014 – SAINT-NAZAIRE, FRANCE : LES ESCALES
07 AUGUST 2014 – GOTHENBURG, SWEDEN : WAY OUT FESTIVAL
08 AUGUST 2014 – HELSINKI, FINLAND : FLOW FESTIVAL
09 AUGUST 2014 – NR. WINCHESTER, UK : BOOMTOWN FESTIVAL
13 AUGUST 2014 – FRAISANS, FRANCE : NO LOGO FESTIVAL
15 AUGUST 2014 – ESCOT PARK DEVON, UK : BEAUTIFUL DAYS FESTIVAL
16 AUGUST 2014 – TRUYES, FRANCE : FESTIVAL COSMOPOLITE
23 AUGUST 2014 – CHARLEVILLE-MÉZIÈRES, FRANCE : CABARET VERT
24 AUGUST 2014 – SAINT-CLOUD, FRANCE : ROCK EN SEINE
30 AUGUST 2014 – NAMUR, BELGIUM : LA FÊTE DES SOLIDARITÉS
31 AUGUST 2014 – NR. SALISBURY, UK : END OF THE ROAD FESTIVAL
Next up on our countdown to Moogfest (Apr. 23-27 in the bucolic mountains of North Carolina): Baltimore synth ninja Dan Deacon. Deacon first gained attention in the mid-’00s with a sound and performance style that married the raw energy of punk with the danceable, programmed beats of techno and synth-pop. He probably also helped make giant glasses and beards popular with hipsters, but try not to hold that against him.
On more recent albums like 2012′s America, Deacon’s been incorporating more live instrumentation; he even toured with a 14-piece band for 2009′s Bromst. But he remains best-known for synth freakouts like this seizure inducer from 2007′s Spiderman of the Rings. (Apologies for the poor quality; YouTube was a primitive place in 2007.)
Dan Deacon plays Moogfest on Thursday, Apr. 24th. For more info, visit the official Moogfest site.
If you’re not godless heathens like Jake and me, you’re probably celebrating the Resurrection of Our Lord & Savior this weekend by painting some hard-boiled eggs and biting the heads off chocolate rabbits. But even if you don’t celebrate Easter, you’re sure to enjoy Miss Von Trapp‘s new ode to the season, “Taxidermy Chocolate Bunny (Oh dear what can the matter be).” In fact, the less you give a shit about Easter, the more likely you are to enjoy it. Unless you hate ukuleles. Then you’re screwed.
Miss Von T. also has quite a few shows coming up this summer. If you live in England and anything steampunk-related is happening near you, chances are she’ll be there. Do check her out, won’t you?
23-26 May – Plymouth – Volksfest Cabaret Tent 2014
14 June – Devon – The Carnivale of the Peculiar
20-22 June – Bristol – Brass Brunel Steampunk Convention
25 June – Plymouth – Pennycomequick Arts present ‘Black Books’
5 July – St. Austell – Steampunk Ball, The Market House
14-18 Aug. – Kettering – Alt-Fest: The Steampunk Experience (hosted by our friends BB Blackdog)
27 Sept. – Exeter – Steampunk Cabaret with Professor Elemental, The Tobacco House
11 Oct. – Exeter – Rogues Gallery: A Neo-Vaudeville Night of Delights
For more info and tickets, visit Miss Von Trapp’s official site.
Next week, Asheville, North Carolina will play host to Moogfest, an annual electronic music, technology and art festival honoring synthesizer pioneer (and longtime Asheville resident) Robert Moog. The festival is one America’s best when it comes to booking leftfield artists, so every day leading up to the festival, we’ll share some of the weirdest entries on Moogfest’s packed, five-day (Apr. 23-27) lineup.
First up: San Francisco-based singer/composer Holly Herndon, who creates ethereal, abstract soundscapes formed almost entirely out of her looped and processed vocals. Herndon’s hardly the only electronic voice artist on the scene these days, but she’s certainly one of the most innovative, as this wildly disorienting video for “Chorus” illustrates.
Herndon appears at Moogfest on Saturday, Apr. 26th. For more info, visit the official Moogfest site.
Sometimes when we do our monthly Weird Band Poll, a band gets robbed. Any other month, they would have crushed it, but they had the bad luck to be up against someone super-popular, super-weird or possibly just super-unethical when it comes to repeat voting. (We try to prevent it, but let’s face it, this is the Internet we’re talking about. Most of you could probably use Bitcoin to buy blow and download a thousand Prince bootlegs right now if you weren’t such fine, upstanding citizens.) Such a band is Toxic Chicken, who narrowly lost out last month to Well Worn Boot. And while WWB totally deserved the win, TC gave them a run worthy of a belated Weird Band of the Week shout-out.
Toxic Chicken is the work of a Dutch guy named Kai Nobuko, who currently resides in Bangkok. When pressed for details on his backstory, Mr. Chicken obliged us with a rambling and highly entertaining bio, which we’ll attempt to condense here. Long story short: Like a lot of weird bands, the whole thing started as sort of a joke and now it’s his main gig. (Not unlike the story of this very blog, actually. But that’s a tale for another time.)
Kai wrote his first Toxic Chicken track as a joke submission for a music contest in the Netherlands. “It was a track I made by using the phonebook and calling random numbers,” he recalls. “Unfortunately the contest people liked it.” As a finalist, he had to come in and perform, so he hired a metal band and had them just stand around while he played a tape and made sandwiches for the audience.
After that, every Toxic Chicken performance was a little different, but always featured food in some way. Someone stole his synths early on so he mostly just performed on a laptop, occasionally making chicken noises into a megaphone “as that feels so good to get things out of the system.”
His only regret from that era? “I regret playing too much with chocolate because it is a pain to remove it between the tiny gaps of the keys of the craptop.” Preachin’ to the choir, buddy!
Here’s a sample track from those early days, called “You are my dog.” Yes, it’s a love song addressed to a dog. Try not to read too much into, OK? The guy in the song just really loves his dog. That’s all. Probably.
Eventually Toxic Chicken moved to London where, inspired by a punk-rock show, he decided to trash his laptop as part of a performance. “It was satisfying at the time but regretted it later because I lost a lot of music,” he admits now. These days he uses cheap laptops and backs up his files.
He also occasionally does songs with his sister under the name Jointriders, which are, if anything, even crazier than his Toxic Chicken stuff. Here’s a sample:
“Basically every gig was one disaster after another,” is how The Toxic One describes this period. Our favorite story from this phase involves a show in Belgium where he got a “nice guy called Hamtaro” to dress up in a chicken costume and perform his entire set “so I could hang at the bar and perhaps dance to show that it’s possible.”
Sometime after that, Toxic Chicken got heavily into the “lobit” scene, in which electronic musicians deliberately compress their music to make it easier to stream and download—and, if you’re into the bright, tinny quality of compressed music, sound better, too. “It makes everything sound better,” TC insists. “Even terrible noise sounds like pretty ambient in a lobit rate.” Lobit artists tend to post their music for free on sites like Archive.org and Toxic Chicken is no exception. Here’s an EP from 2010 called GIFKIP ORCHESTRA that’s actually quite lovely. I have to admit I was skeptical about the whole “things sound better in lobit” argument, but it’s really true that by compressing his synths, Kai’s able to make them sound more convincingly like a chamber orchestra than any Prophet or Roland synth I’ve ever heard on a major-label release.
When lobit artists release physical product, they tend to prefer “obsolete” technologies like cassettes and floppy discs. Toxic Chicken went one better in this department when he released an EP called Baby Boom Disk that came on a floppy disc wrapped in a dirty diaper. (For the squeamish among you, you can now listen to the EP poop-free on Bandcamp.) He also claims to have released a “floppy compilation” encased in recycled elephant shit and a project called Flop-Pee that’s just field recordings of his musician friends pissing. Those sound kind of made-up to us but with this guy, who knows?
Toxic Chicken’s crowning achievement in the lobit scene may have been when he and his sometime partner-in-crime Graham (who runs a label called Wrieuw Recordings, which just put out the latest TC release, an EP called My Cat) organized a lobit music festival that took place entirely online, even though all the festival info said it was taking place in Lobith, the Netherlands. Sure enough, some unwitting souls actually showed in Lobith looking for the music, not realizing that Kai and Graham were just broadcasting the whole thing from a hair salon in England.
We’ll leave you with one Toxic Chicken classic and one of his more recent works. First, the recent stuff: This is a track from the My Cat EP, another touching love song called “If you are my cat I will be your chicken.” As the kids used to say: It’s got a great beat and you can dance to it.
And finally, one of Toxic Chicken’s crowning achievements, from way back in 2007: “Biscuits With Jesus,” the best video you will ever see that features Hitler doing a puppet show.
Today’s weirdness comes to us from reader GeeEs and the year 2007. Back then, a dude from Portland named Charlie Salas-Humara (that’s him on the left) made an album of awkward hipster lo-fi disco under the name Panther called Secret Lawns. He later added a drummer, Joe Kelly (that’s him on the right), and signed to indie label Kill Rock Stars, but he only managed one more album of Panther stuff before putting the project on ice. He now does psychedelic synth-rock under the name Grapefruit.
Panther didn’t leave much of a web footprint, but the project did produce at least one video that’s kind of genius: “You Don’t Want Your Nails Done.” This takes dancing around your room with a hairbrush pretending to be Justin Timberlake to a whole new level. Enjoy.
Here’s the Panther catalog on Amazon.com.