Weird of the Day: Crime Killz, “FTW”

Crime Killz

Photo by spaghetto

I am not having a good day. Too much government bureaucracy, not enough booze. Fortunately, Crime Killz are here to help. They’re a punk/rap duo from Tucson, Arizona, now based here in L.A., whose label Hit + Run calls their stuff “gameboy punk.” It’s like your old childhood videogames got sent to juvie and picked up some gang tattoos and bad habits. In the middle of the day I’m having, this “FTW” track is providing me a much-needed anger release valve.

There, now don’t you feel better?

For more Crime Killz, check out their website.

“Devo Hardcore Live!” is coming via PledgeMusic

DEVO

Remember when we told you about how awesome the Hardcore DEVO tour was? Still bummed that you missed it? Or you went, but you just can’t get enough “Bamboo Bimbo” and “Clockout”? Well, good news: DEVO documented one of the shows on the tour and is gearing up to release the whole thing in a variety of formats via MVD Entertainment and the crowdfunding site PledgeMusic.

For as little as $10, you can get a digital download of Devo Hardcore Live!—or you can spring for a little extra and get the soundtrack on CD or vinyl, as well as the film itself on DVD or Blu Ray. There are also goodies like signed T-shirts, concert posters and set lists. The trailer for the film posted on the PledgeMusic site looks pretty sharp, so this should be a great memento for you hardcore Devo-tees out there.

The campaign is already nearly 50% funded (PledgeMusic doesn’t reveal total dollar amounts), but don’t think of this as a donation. It’s more like a glorified pre-order.

We’ll leave you with a more lo-fi glimpse of the Hardcore DEVO tour. This is “Jocko Homo,” from the Seattle stop of the tour, just a few days before they filmed the whole thing in Oakland. Yep, still pretty weird after all these years.

Weird of the Day: Avey Tare, “Laughing Hieroglyphic”

Avey Tare

Maybe it’s because they’re one of those bands hipsters lose their minds over, but we’ve never been able to get into Animal Collective. They’re fine; we’ve just never thought their stuff was as good or as weird as their reputation might suggest. But in 2010, Animal Collective member Avey Tare released a solo album called Down There that is everything we’ve always hoped Animal Collective would do more of. It’s murky but melodic, soulful but alien and distorted, filled with what could probably be called pop songs if they weren’t performed on instruments that seemingly never before existed. Even if you, like us, have never gotten on the Animal Collective bandwagon, it’s worth checking out. Here’s the opening track.

You can hear more of Down There and/or buy it on Spotify or Amazon.

This year’s GWAR-B-Q with feature a Oderus-less incarnation of GWAR

GWAR-B-Q 2014

So apparently GWAR will be performing at the fifth annual GWAR-B-Q in Richmond, Virginny, on Aug. 16th. And I’m not gonna lie…I have mixed feelings about this. When GWAR front-monster Oderus Urungus ditched Earth back in March, I kinda assumed it was the end of the line for his merry band of blood-spewing thrash-heads. But they’ve decided to carry on without him, which strikes me as the worst idea since Loutallica. But hey, talk me down from my ledge, Jizmak Da Gusha (from an interview with Metal Insider):

We have Mike Bishop, the original Beefcake bass player of GWAR. He’s coming back to fold to do some singing duties, but Balsac, Pustulus, Beefcake, they’re all singing. Cyborg, Destructo, Bone Snapper, all the GWAR characters have songs to fill in, and we’ve kind of taken the idea back to the original, old school, Scumdogs idea. Where Oderus, he was just the anchor, there were so many characters and so many different people singing songs, and so much action and gore and death on the stage in the old days that it wasn’t like it was more recently, where we stripped away all of that and made Oderus the focal point. The old Scumdogs of GWAR, there’s chaos everywhere, and Oderus is just the anchor to it. So we’re kind of going back to the old format, embracing it… I think people are going to respond to it. No one would respect us if we just threw another guy in the costume and said “Oh here’s Oderus’ replacement.” There is no way to replace Dave Brockie, not in a million years.

OK, I’m less scared now. A reunion of all former GWAR Scumdogs, with everyone taking turns on lead vocals? This could be good. It could be like a big GWAR circus, all honoring Dave/Oderus’ memory. OK, I’m totally in! Also, I may have just teared up a little. Sorry, GWAR makes me sentimental.

In addition to GWAR 2.0, the GWAR-B-Q is also going to feature such skull-crushing experts at Hatebreed, Goatwhore, The Misfits, The Meatmen, and fuckin’ Ice-T and Body Count. For tickets, go here.

In other GWAR news: Plans are moving ahead to open the first GWARbar in Richmond, featuring “intergalactic gourmet junk food” and, of course, GWAR-brand beer (start with the Impaled Pale Ale and switch to the Killsner when you’re too drunk to stand). GWAR’s own Mike Derks, aka Balsac the Jaws of Death, will be the chef. By the way, if you click that GWARbar link at the top of this paragraph, you will see that the name “Balsac the Jaws of Death” just got printed in the Washington Post. This makes us happy.

I’m going to play this post out with a classic clip of GWAR on The Joan Rivers Show sometime around 1990, partially because it gives you a chance to see Mike Bishop, the original Beefcake, in action. But mostly because it’s funny as fuck.

Weird of the Day: Moebius Neumeier Engler, “Anabolica”

Moebius Neumeier Engler

We were catching up over the weekend on some old shows by our friend Bepi Crespan, CiTR-FM Vancouver’s leading weird music deejay, and were immediately intrigued by the playful electronic soundscapes of Moebius Neumeier Engler, an improvised collaboration between pioneering German/Swiss electronic music composer Dieter Moebius, jazz/krautrock drummer Mani Neumeier and industrial rock icon Jürgen Engler of Die Krupps. Unfortunately, you can only hear snippets online of their brand-new album, Another Other Places, but its 1996 predecessor, Other Places, has a few tracks streaming on YouTube. Here’s one of the more ominous numbers, a mix of industrial stomp and swarm-of-bees synths called “Anabolica”:

For more on Moebius Neumeier Engler, visit their label site, Bureau B.

Zammuto gets microscopic in new “Great Equator” video

Zammuto

Nick Zammuto is quite the renaissance man. When the Ex-Books multi-instrumentalist isn’t making music or tinkering on the house he and his wife built, he’s designing 36-foot-tall trebuchets or laser projectors that respond to bass frequency. I think it’s fair to say that after the Apocalypse hits, the best parties in what was once the state of Vermont are gonna be at the Zammutos’ place.

Nick’s latest accomplishment that makes us feel like total slackers is a video for “Great Equator,” a track his band Zammuto‘s forthcoming sophomore album, Anchor. Shot on two microscopes, one that uses visible light and one that reads electrons, the video reveals a beautiful world of intricate patterns hidden within LP vinyl, USB electronics, coins, insects and other stuff you’d probably never think to stick under a microscope.

If you want to pre-order a limited-edition, splattered-vinyl copy of Anchor direct from Nick himself, go here. If you just want the boring old CD or digital version, try Amazon. Anchor is due out Sept. 2 on Temporary Residence.

Primus are doing their take on “Willy Wonka and the Chocolate Factory”

Primus and the Chocolate Factory

Primus’ next album might be, at least conceptually, their weirdest yet: They’re doing their own spin on the music from the immortal 1971 film Willy Wonka and the Chocolate Factory. The album, called Primus & the Chocolate Factory (with the Fungi Ensemble), is set for release Oct. 21st on ATO Records and features the “definitive” Primus lineup: Les Claypool, guitarist Larry LaLonde and returning drummer Tim Alexander, with help from members of the Les Claypool Frog Brigade (operating, we presume, under the name Fungi Ensemble). It’s the first time the Claypool/LaLonde/Alexander lineup has recorded a full-length album together since 1995’s Tales From the Punchbowl.

In discussing his motivation for doing a Willy Wonka-inspired album, Claypool doesn’t mince words: According to the press release, he was largely inspired by his hatred of the 2005 Tim Burton film version of Roald Dahl’s classic children’s book. “I think like a good portion of the planet, we were all pretty put off by the remake of the Willy Wonka movie — the Tim Burton version,” says Claypool. “Look, I love me some Tim Burton, when he writes his own stuff, and I respect what Johnny Depp has done over the years.  Hell, Ed Wood is one of my favorite films, but that (Charlie and the Chocolate Factory) is just unwatchable and believe me I’ve tried…twice as a matter of fact. Even my kids hated it.”

I’m not exactly sure how Primus’ Zappa-esque take on songs like “Pure Imagination,” which you can hear below, is any truer to the spirit of the original Gene Wilder film version of Chocolate Factory…but I gotta admit, it’s unlike anything Primus has ever done before. Have a listen.

In other Primus news: The band shared an update via Facebook yesterday on the condition of Tim Alexander, who underwent heart surgery a couple weeks back. Sounds like the surgery was a success and he’s doing well. Here’s the full text of the post (which also includes mention of some cancelled September dates):

Tim has been home from the hospital for about 5 days and is making great progress. Thanks to all Tim’s friends in the music community and the fans for having Tim in their thoughts over the past two weeks. He is up walking around, starting some physical therapy and his wits about him as well. Unfortunately, we had to cancel the 2 set shows in Maplewood, Fargo and Clive as Tim wont be ready to play 2 sets in September. Tim is resting up at home and getting ready for his return to the stage on Oct 22nd at the Tower Theater in Philadelphia. We’ll be making a special announcement about both Riot Fest shows sometime in the near future.

That Oct. 22nd date marks the start of the Primus & the Chocolate Factory tour, which runs through November, with more dates to be announced. As Claypool says, “it gives me an excuse to wear a purple velvet waistcoat and brown top hat for the next 18 months.”

Primus & the Chocolate Factory tour dates:

10/22 – Tower Theatre – Upper Darby, PA
10/24 – Palace Theatre – Albany, NY
10/25 – Orpheum Theatre – Boston, MA
10/26 – Flynn Center for Performing Arts – Burlington, VT
10/28 – Palace Theater – Waterbury, CT
10/29 – Hippodrome – Baltimore, MD
10/31 – Beacon Theatre – New York, NY
11/01 – State Theatre – New Brunswick, NJ
11/02 – Main Street Armory – Rochester, NY
11/03 – The Fillmore Detroit – Detroit, MI
11/05 – Peabody Opera House – St. Louis, MO
11/07 – Taft Theatre – Cincinnati, OH
11/08 – Tabernacle – Atlanta, GA
11/09 – Hard Rock Live – Orlando, FL
11/11 – The Fillmore Miami Beach at The Jackie Gleason Theater – Miami Beach, FL
11/12 – Ruth Eckerd Hall – Clearwater, FL
11/14 – Hard Rock Hotel & Casino – Biloxi, MS
11/15 – ACL live at the Moody Theater – Austin, TX
11/16 – The Majestic Theatre – Dallas, TX
11/17 – Majestic Theatre – San Antonio, TX
11/19 – Orpheum Theatre Phoenix – Phoenix, AZ
11/21 – Orpheum Theatre LA – Los Angeles, CA

August Weird Band Poll: Vote for Aeron’s Wake, Astral Knife, Britches, Heiter bis Wolkig or Plankton Dada Wave

How is it August already? These polls are supposed to be monthly. Oops. Well, better late than never, right? Plus this month’s batch was worth the wait, I think.

Regular readers know the drill but we’ll explain it again anyway: Voting ends midnight Sunday, Aug. 10th (California time). Based on your votes, one of these lucky, lucky bands will be named our next Weird Band of the Week. So choose carefully! The integrity of our blog rests in your twitchy little hands.

[Sorry, this poll has closed. Check back here Wednesday, when the winner will be revealed. And bookmark this page to partake of future polls. We do a new one every month(ish).]

For more on this month’s bands, read on:

Aeron’s Wake

Aeron's Wake

Photo by Ray Akey

Aeron’s Wake is an instrumental Celtic metal band from Ontario, Canada with a violinist who totally shreds. Here’s their Bandcamp page and here they are doing a live Metallica cover.

Astral Knife

Astral Knife

Astral Knife is a band from New York that does experimental noise and abstract soundscapes. They sometimes do guerrilla performances at art galleries, which is really the only way any self-respecting band should ever play an art gallery, in my opinion. They’re headed up by a gal with the fairly awesome name of Jenny Gonzalez-Blitz. Here’s their SoundCloud page and here’s an excerpt of their ninja art gallery gig. I bet the art patrons were doing spit takes with their Chardonnay.

Britches

Britches

Britches are a noise-rock band from St. Louis who seem to be one of those “no two shows are alike” acts. Sometimes they play wearing stuffed-animal masks; sometimes they play in the dark (no video available); sometimes they play covered in bedsheets. Here’s their Bandcamp page, which features a five-track sonic assault appropriately titled Demolition.

Heiter bis Wolkig 

Heiter bis Wolkig

A guy named Marco sent us this stuff in an email with the subject line, “Weird German Cabaret Bullshit.” Marco, you had us at “Weird German.” They’ve got sort of a HGich.T thing going on where they do pop and dance music parodies with guerrilla videos where they run around terrorizing people in fat suits and shit. It’s good fun. Here’s their YouTube channel and here’s a direct link to “Gaga Gogo,” which is their most entertaining clip.

Plankton Dada Wave

Plankton Dada Wave

These guys contacted us via Facebook with a link to a video for their song “Dope Without Hope,” which is sorta sounds like a combination of ska-punk and an Italian version of Mr. Bungle. Their SoundCloud profile is all in Italian, which we can’t read, but one part says “come i Ramones live a Teletubbilandia,” which I’m pretty sure means something like “it’s what The Ramones would sound like if they were Teletubbies.” Check out their EP Haus of Dada on Bandcamp and see if you agree.

So there you have it. Remember to cast your vote before midnight Sunday, Aug. 10th, and may the weirdest band win.

Weird of the Day: The Godz, “Contact High with the Godz”

The Godz

We rarely post entire album streams on this site, for a variety of reasons: a.) Most of the full album streams on YouTube are of questionable provenance, and we don’t wanna get sued; b.) We have very short attention spans; and c.) Most albums are, let’s face it, not compelling enough to listen to from beginning to end. But The Godz’s 1966 debut, Contact High with the Godz, is too amazing not to share in its entirety. So with apologies to the great ESP-Disk label, which reissues all sorts of great half-forgotten freakery from the ’60s (including the tribal noise pioneers Cromagnon), we present Contact High with the Godz in all its glory. Enjoy!

A bit of backstory as you listen: The Godz emerged from the same underground New York folk-rock scene as The Fugs. They went on to release three more albums before breaking up in 1973, although they did reunite a few times in recent years. As the ESP-Disk website says, “There was no precedent for what they did. The weirdest and most far-out bands around at that time were the Monks and the Mothers of Invention. The first albums of the Velvet Underground, the Stooges, and the Grateful Dead all lay in the future.” They also pre-dated Cromagnon and The Shaggs by several years. So whatever you want to call what they’re doing—freak folk, psych-folk, avant noise-rock, proto-punk—they were pretty much inventing it out of whole cloth.

A tip of the hat to reader Lowell Brams for suggesting we do a Godz post. Lowell, incidentally, runs a fantastic label called Asthmatic Kitty that many of you are probably familiar with. If you’re not familiar, please check them out.  The new My Brightest Diamond video is especially stunning (not in a weird way, just in a lovely way—think of it as a palette-cleanser after 25 minutes of Godz).

Weird of the Day: Viranesir, “Not Alone”

Viranesir

I don’t think we’ve ever featured any music from Turkey on this blog. That’s fucked up. I went to Turkey once and it was awesome. So let’s get them in on the weirdo action right now.

This Viranesir project is the work of a guy named Emir Toğrul and it’s basically a cross between noise rock and doom metal, but played entirely on drums and synthesizers. It’s like listening to Wolf Eyes on acid. Here’s the video for “Not Alone,” the lead track off the project’s third album, Shoot On Mom’s Corpse. Which is like the greatest album title ever, until you find out Viranesir’s previous album was called Kill Your Repulsive Child, which is ever greater.

Shout-out to Merdümgiriz, who is both the insanely chaotic drummer for Viranesir and the guy who emailed this project to us. Not sure how you found us, Merdümgiriz, but I’m glad you did.

You can stream Shoot On Mom’s Corpse on Bandcamp or better yet, buy the damn thing. It’s only $4 to download the whole 49-minute album. I’m pretty sure it’s worth at least that much just to have the title Shoot On Mom’s Corpse show up in your iTunes occasionally.

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