Polish hip-hop duo Donatan and Cleo went back down to the farm for their latest single/video, “BRAĆ,” and you know what that means: More high-sterical combinations of Polish rural life and hip-hop video clichés. Sexy vixens washing an old tractor like it’s a Bentley? Check! Old Polish dudes doing vodka shots like they’re sipping Cristal in the club? Check! Roosters wandering around for no reason? Checkity-check-check, baby. Slavschool in full effect!
The new video also features a new collaborator: A Polish/Ukrainian band called Enej, who bring the requisite Slavic folk flavor to the proceedings by way of a little gypsy-punk accordion and horns. Here’s what they usually sound like, so we gotta say, Donatan does a good job recasting them in a hip-hop context.
Our friend Kai from Toxic Chicken sent us this bonkers track by a Canadian producer working under the name Funturistic, on which very formal, almost Baroque-sounding music is performed entirely using sampled animal sounds. It’s called “Rural Kerfuffle” and it’s a 10-minute epic with movements and everything. It is, admittedly, not far removed from those stupid Christmas novelty records where cats meow “Silent Night” or whatever, but taken to a pretty crazy extreme. Enjoy.
So our last Weird Band Poll™ got a little…contentious, let’s say. In the end, L.A.Drones! won by a pretty wide margin, but not before freaking out and accusing this week’s weird band, Shibboleth, of cheating. To which we say: Maybe they did, maybe they didn’t. We’re not high-tech enough to track every last vote. We believe in the honor system.
But however they got all their votes, Shibboleth deserve an “A” for effort and a belated, runner-up shout-out as our Weird Band of the Week. In most months, they would’ve won the poll. Not because our polls are that easy to game…more just because it doesn’t take all that many votes to win one.
So who or what is Shibboleth? Actually, we’re still not sure. We know they’re from Ireland, there seems to be three of them, and one of them is named Jonathan. We know one of them plays a banjo. We know they like to wear masks and weird sunglasses. We know they have a four-song EP called Farewell and they followed that up just a few weeks ago with a new song called “Crooked Frame.” We think the other two guys might be named John and Joshua. And that’s about it, really. Like a lot of good weird bands that haven’t been around long, they’re a bit shrouded in mystery.
Musically, Shibboleth veer between creepy, ambient doom-rock and full-blown, guitar-bashing noise. Throw in that banjo and some backwards vocals and they’re like a Celtic bluegrass version of Sun O))).
Here’s the video for their song, “The Cannibal’s Standpoint”:
And here’s their video response to the Great Weirdest Band Cheating Scandal of 2014, which we’re pretty sure is the first time any band has made a video specifically in response to something that happened on this blog:
After we saw that, how we could not make them Weird Band of the Week?
Any kid who’s ever gone to Disneyland has probably been dragged by their parents to the park’s least entertaining attraction, Great Moments With Mr. Lincoln, at which a creepily dead-eyed Abe Lincoln animatronic intones bits and pieces of the celebrated president’s most famous speeches. If you were ever one of those kids, you’ll probably get a kick out of Negativland‘s latest bit of pop-culture appropriation, “Right Might,” which uses chopped-up outtakes from Disney’s Lincoln voice recordings to deliver a goofily incoherent and frequently interrupted imperialist screed.
The backstory of “Right Might” is maybe even more entertaining than the track itself (which you can stream below). A few years ago, a Disney insider offered to send Negativland a bootleg copy of the Disney audio archives, which included outtakes from most of Disneyland and Disney World’s various theme park ride soundtracks. The corporate prankster eventually sent the Negativland guys nearly 100 CD-R’s filled with sound effects and voiceovers from decommissioned Disney rides, as well as various outtakes, bloopers and alternate takes from rides still in use. Among the treasures never before heard outside the Mouse House: hours of raw, unedited studio recordings of actor Royal Dano declaiming what would become the speeches for Great Moments With Mr. Lincoln.
“Right Might” will appear on Negativland’s first album in six years, It’s All in Your Head, out Oct. 28th on the band’s own Seeland Records.
MC Frontalot‘s new album Question Bedtime mostly features fairy tales unfamiliar to us folks raised on Mother Goose and the Brothers Grimm. On those few occasions when the good MC does take on a more well-worn story, he always flips the script on it. Case in point: “Gold Locks,” which imagines what the story of Goldilocks and the Three Bears would sound like as a bedtime story told to young bears. Needless to say, from the bears’ perspective, Goldilocks (played by rapper Jean Grae) is a horrible monster who, if you’re not good, will sneak into your house and eat all your food. And you, if you’re not careful.
For now, the video is an Entertainment Weekly exclusive, so you’ll have to cruise over to EW.com to watch it there. It’s OK, boo, you’re allowed to see other websites.
In other Frontalot news: Having just conquered America, he’s off to Europe next. Here are those dates:
9/24 in Southampton, EN @ Talking Heads
9/25 in Newton Abbot, EN @ The Jolly Farmer
9/26 in Perranporth, EN @ Watering Hole
9/28 in Bristol, EN @ Thekla
9/29 in Swansea, Wales @ Sin City
9/30 in Stourbridge, EN @ The River Rooms
10/1 in St. Albans, EN @ The Horn
10/2 in High Wycombe, Buckinghamshire @ Bucks Student Union
10/3 in Bedford, EN @ Esquires Beford
10/4 in Hatfield, EN @ Forum Hertfordshire
10/8 in Cork, IR @ Cyprus Avenue
10/9 in Dublin, IR @ Café En Sein
10/10 in Newry, UK @ Magnet Young Adult Center
10/11 in Sligo, IR @ 5th on Teeling
10/13 in Holyhead, EN @ Canolfan Ucheldre Centre
10/14 in Liverpool, EN @ East Village Arts Club
10/15 in Manchester, EN @ Manchester Academy
10/16 in Wakefield, EN @ Warehouse 23
10/17 in Cleethorpes, EN @ The Beachcomber
10/18 in Newcastle upon Tyne @ Think Tank in Riverside
10/19 in Glasgow, Scotland @ O2 ABC 2
10/20 in Blackburn, Lancashire @ King Georges Hall
10/21 in Stoke on Trent @ The Sugarmill
10/22 in Guilford, EN @ Boileroom
10/23 in Southend On Sea, EN @ Chinnery’s
10/24 in London, EN @ The Garage
10/25 in Milton Keynes @ The Craufurd Arms
I’ve just started reading Rip It Up and Start Again: Postpunk 1978-1984, author Simon Reynolds’ very convincing argument for considering the six years following the breakup of The Sex Pistols to be among the most wildly creative in pop music history. I’m only a few chapters in, but already it’s reacquainted me with, or introduced me to, a slew of fantastic music from that era that doesn’t get the recognition it deserves.
I’d put The Normal in that overlooked category. Although it’s certainly a project familiar to anyone who grew up in the U.K. in those years, or went to industrial and EBM clubs in the ’80s, most younger fans have probably never heard of Daniel Miller’s post-Kraftwerk experiment in clinically stark electronic music—in part, because Miller only put out two songs as The Normal, before he got more interested in releasing other artists through his label, the influential (and still going strong) Mute Records.
Both of The Normal’s two songs are pretty weird. “T.V.O.D.” is all about sticking TV antennas into your veins, but “Warm Leatherette,” inspired by the J.G. Ballard novel Crash, is about fucking someone who’s just been in a car crash right before they die. So just in terms of creep factor, “Warm Leatherette” wins. There’s also something about its electro-shock synths that still sounds futuristic, even after four decades (it was released in 1978).
Some of my best friends are Christians. Some of my best friends are also heathens and Satanists, so cocktail party conversation at my place can get pretty interesting. But to my Christian friends, I just want to say: When I proceed to make fun of the video I’m about to show you, I’m not making fun of all Christians. Just the ones with bad pitch and dorky breakdance moves.
This video is from a New Agey Christian ministry based in Ohio called The Way International. On YouTube, it’s marked copyright 2007, so I really hope it was actually made in 2007, because that would make it even more awesome. As it is, it seems like the kind of thing that was probably done in the early ’90s when white people from Ohio were just discovering synthesizers and breakdancing, but who knows? Maybe the folks at The Way International took a bit longer to catch on to such innovations.
Actually, you know what? I’m not even gonna make fun of this video. I’m just going to show it to you, because it’s the kind of thing that speaks for itself. And speaks for itself with a really dramatic echo effect.
Another Weird Band Poll is in the books here at Weird Band HQ, and the band poppin’ bottles this time is from right here in our hometown of Los Angeles. So give an imaginary high-five to L.A.Drones! I wasn’t shouting, by the way…their name has an exclamation point at the end. Just thought I’d clear that up.
L.A.Drones! (not shouting, I swear) are a synth duo who perform wearing black bandit masks because one version of their name, “ladrones,” means “thieves” in Spanish. And because, as they told us, “we steal samples from the music we like.” I thought that was pretty much every synth band these days, but maybe L.A.Drones! are more thievish than most.
In another version of their name, it means “Los Angeles drones,” which could be a reference to the droning sound of their music, or the fact that we Angelenos increasingly live in a police surveillance state. Seriously, the cops here have drones. Which are supposedly not in use at the moment, but if there’s one thing every halfway intelligent American just learned in the wake of all that shit that went down in Ferguson, it’s that we should not trust our local police forces with all their new high-tech gadgets. You may as well give a box of fireworks to a bunch of 10-year-old boys and say, “Now you be sure to find a grown-up and get permission before you light these.”
Anyway, where was I? Oh, right. L.A.Drones! So far, the duo of Vulcanito and Tormentas Gonzalez has only released one track, an ass-shaking little jam called “Horrible Dreams,” which you can watch in the performance clip below and also buy on Bandcamp for less than a cup of gas station coffee.
When we asked if they had any other songs, Vulcanito explained that L.A.Drones! really has to be experienced live. “Horrible Dreams” is just the first part of a 45-minute “capsule” of music called “The Dreamlike World of the Midnight Walker,” which they never perform the same way twice, and any versions of it they release online will just be recorded live in the studio. They’re working on other “capsules” of music, each of which will be played at a different BPM. “Midnight Walker” is at 127 BPM, apparently.
Here’s a live clip of the second part of “The Dreamlike World of the Midnight Walker,” which is called “Give Up.” Musically, they’re not the weirdest band we’ve ever featured, maybe. But I do dig that their music is kind of freeform and dancey at the same time, and the whole concept of an electronic act that never plays anything the same way twice. Some of the “live” dance music acts Andy’s dragged me to over the years should really take a page from that playbook.
So congrats again to L.A.Drones! for winning the poll. I believe that makes them the first L.A. band ever to win a Weird Band Poll. About damn time somebody represented!
Polish dance music is an endless fount of weirdness, at least to those of us who aren’t Polish. One of these days we’ll devote an entire post to the accordions-on-ecstasy subgenre called disco polo, but in the meantime, we’d like to share with you another Polish dance-pop artist called MC Diva. We discovered her via an online article called “Short Guide to Four Decades of Disco” (warning: it’s not actually that short) on the very cool website Culture.pl, a guide to all things artsy in Poland. (Shout-out to Kasia from Culture.pl, who wrote to us and shared the article.) That article describes MC Diva’s sound as “power dance”:
No one made [power dance] more popular than MC Diva (Krystyna Stolarska). Her music brought together European hi-nrg from the label ZYX Records and American dance hits. She was a Polish star but she also had followers in the U.S. She performed with DJ Bobo, Fun Factory and E-Rotic. The Polish element in “Dziewczyna z St. Pauli (Girl from St.Pauli)” is the subversive violin.
I don’t know if I’d call the violin on this track (played by Stolarska herself) “subversive,” but it sure is fun. And the video, in which the Diva dances around with buff shirtless dudes, looking like the Polish Sandra Bernhard, is even more fun. (The song and video, by the way, appear to be from around 1994 or ’95, although we couldn’t pin down the exact release date.)