It’s been awhile since we’ve heard anything from Twink, our favorite toy-based band. So we were delighted to learn a few days ago that, to celebrate the launch of his revamped website, Twink mastermind Mike Langlie is giving away a free, nine-track LP of new music. The collection is called Miniatures Volume 1 and it has the distinction of being the first album ever created entirely with the Yellofier iPhone/iPad app. Yellofier, for those of y’all not familiar, is a music-making sampler/sequencer app created by Boris Blank, one-half of the Swiss electronic duo Yello. Never heard of them? Oh yeah you have. Get it? Cuz the song is called “Oh Yeah”? Oh, we crack ourselves up.
Anyhoo, to download your copy of Miniatures Volume 1, scurry on over to Twink.net. You can also name your price if you feel like throwing Mike a little extra coin.
The Yellofier app is not free, but at $2.99, it’s still a steal. You can read more about it and watch a demo video here.
If you’re a try-before-you-buy type, feel free to preview the album below. It’s a veritable symphony of plinks, plunks and plastic beats.
We got a little present in our inbox yesterday, and for once it didn’t involve penis enlargement or Russian prostitution rings. Toronto weirdos and former Weird Band Poll winners Barbara have made a short film, and while it doesn’t technically involve any music, it’s too random not to share.
It’s a little story…sorry, a fuckin’ story…about a pair of dreamsters who escape from a sink and wind up exploring the “taupe catacombs” of a shopping mall. If you have no idea what any of that last sentence meant, don’t worry…neither do we.
Watch and be fuckin’ amazed.
If you like your avant-garde rock delivered with all the pomp and bombast of a full orchestra, and you happen to be in L.A. this coming week, we highly recommend scoring yourself a ticket to see the “world premiere” of 200 Motels, Frank Zappa‘s 1970 rock opera opus based on the early touring days of The Mothers of Invention. I put “world premiere” in quotation marks because, of course, there’s been a perfectly good film version of 200 Motels in circulation since 1971—and available in its entirety on YouTube since 2012, But according to the Los Angeles Philharmonic, which is mounting the one-night-only performance, this will be the “first complete realization of Zappa’s musical vision.” This version will be based on the first live performance of the complete 200 Motels score, which also featured the LA Phil. Zappa was not happy with conductor Zubin Mehta’s interpretation of his music, so 43 years later, the Phil is giving itself a do-over.
This time around, the LA Phil will be conducted by Esa-Pekka Salonen, who in the classical world is a bit of a rock star in his own right. It will also feature former Mothers of Invention sax/keys player Ian Underwood and a cast of vocalists that includes Michael Des Barres, Rich Fulcher of The Mighty Boosh and Frank’s youngest and least weirdly named offspring, Diva Zappa. The program lists lighting, scenic and wig designers, so apparently there will be some production values, although we’re not sure if the whole thing will be fully staged.
Oh yeah, you might need to know the date, huh? It all goes down this coming Wednesday, Oct. 23rd at Walt Disney Concert Hall—which, amazingly, is not the first time the names Disney and Zappa have been associated with one another. Frank’s son Ahmet conceived and produced the Disney film The Odd Life of Timothy Green. Bet you didn’t see that random factoid coming, did you?
Tickets are $25-$83 and can be secured via the LA Phil website.
We’ll leave you with a fan favorite from the 200 Motels film soundtrack, “Magic Fingers.” Take it away, Ringo!
Good news for fans Eastern European electro-industrial performance art rock: Laibach have announced the impending arrival of Spectre, their first proper studio album since 2006′s Volk. And this week, you can download three songs off the forthcoming album for free from their website. It’s their gift to you, Laibach fans! Either that, or they’ve secretly been communists this whole time.
A press release from the band’s label, Mute Records, claims that Spectre will be their most overtly political album to date. But based on these three advance tracks, it’s not so much political as observational. On “Eurovision,” for example, Milas Fras growls, “Europe is falling apart”—which is obviously true to anyone who’s been watching the news, but it’s hard to tell whether Milas considers this a tragedy or an awesome excuse to break stuff.
The new EP, called simply S, also features a live cover of Serge Gainsbourg’s “Love on the Beat.” To hear that track, you gotta buy the whole package. If you just want the free shit, hit the Laibach website before Oct. 21st.
Here’s a trailer for Spectre, which is due out February 2014. Clearly, if Milas has to dance, he doesn’t want to be part of your revolution.
After planting their flag on YouTube with their epic $5 video series, Your Fuzzy Friends, North Carolina’s greatest puppet-based band, are getting in on the “give our music away for free” action with a new EP called Some of My Best Friends Are Gay Unicorns. (Does this mean they’ve been kicking it with fellow weird band Army of Gay Unicorns? If so, we look forward to the drillcore remix of “Don’t Touch My Mustache.”) It’s available now for $0 (or name your price, if you’re feeling magnanimous) via Bandcamp. Check it out.
This week we’re adding another band to the Weird List that many of you have been clamoring for: Steven Stapleton’s venerable experimental/industrial/sound collage project, Nurse With Wound. For over three decades, Stapleton and his many collaborators have been producing some of the creepiest (and, on occasion, funniest) music ever to come out of the U.K.—which, considering the Brits also gave us such influential noise mongers as Throbbing Gristle and Current 93, is saying something.
From their very first album, recorded live as a trio in 1978, NWW announced themselves as something completely different. Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella was a jarring mix of squiggly electronics, prog/psych guitar freakouts, primal howls and ominous, ambient noise. Though originally released in a run of just 500 copies, it made quite a splash in the emerging London industrial scene—and not only because of its BDSM cover art.
One of the more interesting aspects of Chance Meeting was the inclusion of the now-legendary Nurse With Wound List, an eclectic, expansive catalog of the band’s many influences, from Throbbing Gristle and Cabaret Voltaire to Stockhausen and Tangerine Dream—though most of the name-checks were far more obscure than those. A handful of bands on our own Weird List appear, including American rock primitivists Cromagnon and French avant-garde accordionist Ghedalia Tazartes. But overall, I have to admit: When you do a blog like ours, reading through the NWW List is a humbling experience. Clearly we’ve got some catching up to do.
By 1981, founding NWW members John Fothergill and the excellently named Heeman Pathak had left the group, leaving Stapleton to forge ahead as a solo act. Enlisting the help of a live drummer and his friend J.G. Thirlwell of Foetus, Stapleton recorded an album called Insect and Individual Silenced that he himself has since dismissed as “terrible.” Then, after a collaboration with power electronics pioneers Whitehouse (a very bleak and atmospheric record called The 150 Murderous Passions, released with the liner note, “This record may be played at any speed”), Stapleton hit his stride with 1982′s Homotopy to Marie, the album he has since referred to as the first “real” NWW release. Full of tape manipulations and dread, Homotopy became the blueprint for what remains Nurse With Wound’s signature style: abstract, slow-moving, cinematic, occasionally abrasive and even more occasionally terrifying. Depending on your disposition, it’s either music that should only be listened to in the dark—or it’s music you should never listen to in the dark.
As weird as eerie noise epics like “The Schmürz (Unsullied by Suckling)” can get, what really makes Steven Stapleton a world-class weirdo are his twisted and often hilarious spins on mainstream music and pop culture. Take, for example, 1985′s The Sylvie and Babs Hi-Fi Companion, an early experiment in sampling, NWW-style. Yes, that’s really the cover art on the YouTube clip. And yes, this track really is called “You Walrus Hurt the One You Love.”
Over the decades, Stapleton has released more than 40 albums and countless collaborations (with everyone from Current 93 to Sun 0))) to Stereolab), singles, EPs and compilation tracks, all exhaustively cataloged on the Nurse With Wound website and much of it now available via Bandcamp. More recently, he’s brought back a touring version of the band, with a rotating supporting cast that includes longtime collaborators Colin Potter and Diana Rogerson (Stapleton’s wife) along with newer cohorts like sound collage artists Matt Waldron and Andrew Liles.
It would be asinine to try to summarize a career like Stapleton’s with a single video—all the more so because he hasn’t released any “official” Nurse With Wound music videos. (A few short films have used NWW music, including this one, but they’re not music videos in any traditional sense.) But this fan-made clip for the 2008 track “The Bottom Feeder,” using the stop-motion art of Czech filmmaker Jiří Barta, actually does a pretty great job of encapsulating all that is spooky and brilliant about Nurse With Wound’s best work.