If you’re not godless heathens like Jake and me, you’re probably celebrating the Resurrection of Our Lord & Savior this weekend by painting some hard-boiled eggs and biting the heads off chocolate rabbits. But even if you don’t celebrate Easter, you’re sure to enjoy Miss Von Trapp‘s new ode to the season, “Taxidermy Chocolate Bunny (Oh dear what can the matter be).” In fact, the less you give a shit about Easter, the more likely you are to enjoy it. Unless you hate ukuleles. Then you’re screwed.
Miss Von T. also has quite a few shows coming up this summer. If you live in England and anything steampunk-related is happening near you, chances are she’ll be there. Do check her out, won’t you?
23-26 May – Plymouth – Volksfest Cabaret Tent 2014
14 June – Devon – The Carnivale of the Peculiar
20-22 June – Bristol – Brass Brunel Steampunk Convention
25 June – Plymouth – Pennycomequick Arts present ‘Black Books’
5 July – St. Austell – Steampunk Ball, The Market House
14-18 Aug. – Kettering – Alt-Fest: The Steampunk Experience (hosted by our friends BB Blackdog)
27 Sept. – Exeter – Steampunk Cabaret with Professor Elemental, The Tobacco House
11 Oct. – Exeter – Rogues Gallery: A Neo-Vaudeville Night of Delights
For more info and tickets, visit Miss Von Trapp’s official site.
When the Tiger Lillies take the stage tonight at the West Yorkshire Playhouse in Leeds, England, I really hope lead singer Martyn Jacques begins the show by declaring, “This is a play Lou Reed and Metallica stole from Frank Wedekind—we’re here to steal it back!”
Yes, the Tiger Lillies’ latest opus, a 19-song suite called Lulu – A Murder Ballad, is based on the same source material as the ill-fated “Loutallica” collaboration Lulu from a few years back. Both draw their inspiration from a pair of pitch-black plays by the German playwright Frank Wedekind, about a dancer-turned-prostitute named Lulu who endures a series of abusive sexual relationships in turn-of-the-century Berlin, Paris and London on her way to an untimely demise. With all due respect to the late, legendary Lou Reed—truly one of the greatest artists ever to wield a black leather jacket and an electric guitar—I’m going to go out on a limb and say the Tiger Lillies’ version will be the better of the two. At the very least, it will almost certainly not feature any songs in which Jacques declares himself to be a table.
The Lillies have already been performing Lulu – A Murder Ballad elsewhere around Europe, but tonight marks the show’s premiere performance in their native Blighty. It also marks the first release of the show in album form.
For now, the only places you’ll be able to see Lulu are Leeds, Coventry and Manchester—for full dates, visit the Tiger Lillies’ website. But Martyn and the boys tour more or less non-stop, so I’m sure they’ll be mounting further presentations of it (complete with visuals by Mark Holthusen) elsewhere around the demimonde in the months ahead.
We’ll leave you with the first official video from from Lulu: “Jack,” an eerie meditation on the mind of Jack the Ripper. Not only was Jack a character in Pandora’s Box, the second of the two Lulu plays; he was played in the original production by the playwright Wedekind himself. No wonder the Tiger Lillies were drawn to this guy’s work.
Our favorite Brechtian punk cabaret trio, The Tiger Lillies, have been playing a bunch of dates in Europe and Asia this year, promoting their latest album Either/Or as well as their musical adaptation of Coleridge’s The Rime of the Ancient Mariner. The video below is from a show they performed in Greece back in April, and we only have one thing to say about it: Come play Los Angeles, guys! We promise to post a rapturous review of the performance that never once calls Martyn “chubby.”
Sadly, we Americans will have to content ourselves with the U.S. premiere of Ancient Mariner in New York City on July 18th. And with obsessively watching this performance of “Teardrops,” a mournful piano ballad off Either/Or, over and over and over again. More bands really need to incorporate the musical saw.
If you like dark, twisted nursery-rhyme songs performed with a cello and a Mary Poppins accent, then head over to Bandcamp now and get your mitts on a copy of Songs to Die For, the new record from Miss Von Trapp. It features nine little nuggets of dark whimsy, including rewrites of “Daisy Daisy” and “Rule Brittania” (renamed “Cruel Brittania”) that reveal those old chestnuts to be the sick, depraved anthems we always knew them to be.
All this will set you back five quid, as the Brits like to say, which we believe translates to something like 10 bucks. Although by the time you read this, the whole American economy may have collapsed because of that whole sequester thing. So maybe it’ll be more like 20 bucks.
Here’s that Bandcamp link again. Enjoy!
So it appears that while we were mucking about with Facebook polls and Valentine’s Day playlists, the Tiger Lillies released their new album. It’s called Either Or and it’s available now in good old-fashioned CD form on the band’s website. You can preview snippets of all 16 tracks on Last.fm, but it appears the only way to hear the whole thing is to buy it. What a novel concept!
The Lillies describe it as one of their weirdest-sounding albums, and based on what we’ve heard so far, we can’t argue. It’s loosely based on the writings of philosopher Søren Kierkegaard, specifically a portion of his 1834 work Either/Or called “The Seducer’s Diary,” which sets forth the notion that pleasure-seeking is the noblest pursuit and “all evil deeds are justified as long as they give meaning to people’s existence.” (Jake will be thrilled to hear this, since it’s pretty much how he’s lived his whole life anyway.) On many of the songs, Martyn Jacques seems to be using less of his trademark falsetto, and guest multi-instrumentalist David Coulter provides some new sounds and textures by playing everything from banjo, ukulele and violin to nose flute, jew’s saw, weeping saws, maracas, omnichord and clackamore. (We’d never heard of that last one, either; apparently it’s a kind of jew’s harp.) The album is also the first to feature new drummer Mike Pickering.
In support of Either Or, the Tiger Lillies have put together something new and different (would you expect anything less?): the “Either/Or Cabaret,” set in 1937 Shanghai, which was nicknamed “Sin City” because of its decadent nightclubs. The cabaret features not just the Lillies themselves but 10 Danish and Chinese actors playing various chanteuses, dancers and nightclub patrons. Unfortunately, as of now, the only place you can see the show is in, well, Shanghai—where it’s running now through March 3rd at the Shanghai Dramatic Arts Centre. After that, the Lillies have a few upcoming performances in France, Britain, Germany and Istanbul, which you can learn more about here. No further dates for the Either/Or Cabaret have been announced, but something tells us we haven’t seen the last of it.
Till then, we’ll tide you over with this Either/Or Cabaret promo video. Looks pretty decadent, all right.
Well, after a humdinger of a Facebook poll, we are ready to crown our first Weird Band of the Week of 2013. Or maybe we’ll crown the severed head that accompanies her at most of her shows. Apparently the head is named Anne Boleyn, so that seems more appropriate.
Miss Von Trapp is the stage persona of one Lizzi Fugeman. She hails from England, plays the cello and sings Goth-Victorian folks songs about children being poisoned by eels and the inner musings of Jack the Ripper and other such cheery subjects. She also wears stripey stockings and creepy doll makeup. She calls her music “Murderously Quirky Dark Cello Cabaret” and “performance poetry to revolt and entertain.” She’s kind of Rasputina meets the Tiger Lillies meets the room this old spinster named Priscilla kept full of creaky antique toys on the street where I grew up. If that room had had a soundtrack, I bet it would’ve sounded exactly like Miss Von Trapp. Come to think of it, what the hell was I ever doing in that room? My parents did not inculcate me with a proper sense of Stranger Danger. If I were the subject of a Miss Von Trapp song, I surely would have met an untimely end.
Miss Von Trapp has a new album called Songs to Die For coming out later this year, which you’ll no doubt be able to read all about here, as soon as we can wheedle a copy out of her. Meantime, here she is performing a pair of original songs, “Tragic Moments” and “Roses Are Red,” at something called the Dolly Delights Burlesque Peep Show and Cabaret. Oh, those saucy Brits and their salacious peep shows, featuring buxom cello players in doll makeup and granny glasses. Be still my boiling tea bags!
- Miss Von Trapp official site
- Miss Von Trapp’s LiveJournal
- Miss Von Trapp on Facebook
- Miss Von Trapp on Soundcloud
P.S. We’re still recuperating from our latest Facebook poll, but we’ll have a new one soon. Promise.
Our favorite Brechtian punk cabaret trio The Tiger Lillies are currently on tour in some pretty far-flung places (they play Bucharest this week), but thanks to the miracle of the Internet, we can keep tabs on them just as easily as if they were playing down the street. On Halloween, for example, they played a gig at a recently opened venue in Moscow called Oldich Dress & Drink. Oldich is a vintage clothing shop by day and a bar with DJs and live music by night. Yes, this is in Moscow, not Brooklyn. Apparently there are Russian hipsters, too.
Some enterprising soul videotaped portions of Tiger Lillies’ Halloween set and among the things they captured was a performance of a brand-new song called “Sailor,” which the Lillies have confirmed (via Facebook) will appear on their next album, Either Or. No word yet on an Either Or release date. Early 2013, perhaps? We can only hope.
We’ve got the Tiger Lillies’ remaining far-flung tour dates (OK, Berlin isn’t that far-flung, but we’re ‘Mericans and don’t get out much) after the clip. This is a highly NSFW song, but then it’s the Tiger Lillies, so you already knew that, right?
12/11/2012 – Bar jeder Vernunft, Berlin, Germany
13/11/2012 – Bar jeder Vernunft, Berlin, Germany
15/11/2012 – Odeon Theatre , Bucharest , Romania (concert and The Cabinet of Dr Caligari production)
16/11/2012 – Kleinkunsttheater Crambolage , Bolzano, Italy
19/11/2012 – KOSMONAVT CLUB, St.Petersburg,, Russia
20/11/2012 – 16 Tons Club, Moscow, Russia
28/11/2012 – TREIBHAUS, Innsbruck, Austria
29/11/2012 – TREIBHAUS, Innsbruck, Austria
30/11/2012 – TREIBHAUS, Innsbruck, Austria
03/12/2012 – Rockhouse Salzburg, Salzburg, Austria
05/12/2012 – CINEMA PARADISO, St. Pölten, Austria
06/12/2012 – CONGRESS CENTER – VILLACH, Villach, Austria
07/12/2012 – Szene Wien, Vienna, Austria
08/12/2012 – Röda, Steyr, Austria
09/12/2012 – Landestheater Linz, Linz, Austria
11/12/2012 – Tvornica Kulture, Zagreb, Croatia
12/12/2012 – Kino Šiška Centre for Urban Culture, Ljubljana, Slovenia
13/12/2012 – Grabenhalle, St.Gallen, Switzerland
14/12/2012 – Moods, Zurich, Switzerland
15/12/2012 – Moods, Zurich, Switzerland
This week’s weird band was suggested by a reader named Thomas, aka Dr. Benway, whose profile on deviantART.com is really cool but also makes us hope we never run into him in a dark alley. Fortunately, he lives in South Africa, so we’re probably safe.
Thomas recommended that we check out the Tiger Lillies, a London trio who have been doing the whole Brechtian punk cabaret thing since before the Dresden Dolls were even a gleam in Amanda Palmer’s heavily mascara’d eye. Truly, these guys are pioneers, and they don’t really get the credit they deserve, probably because they’re morbid and British and the lead singer is a chubby guy in whiteface who plays the accordion and sings in a castrati-style falsetto. They’re too scary for the old-timey/hot jazz crowd and not sexy and/or edgy enough for the goth/steampunk crowd. But they’re kinda cooler than either of those scenes, and at least twice as original.
The Tiger Lillies were founded in 1989 by Martyn Jacques, a
classically trained self-taught opera singer and accordion player who, according to his official bio, lived above a brothel in London’s Soho district. Jacques joined forces with percussionist Adrian Huge and, eventually, bassist/Theremin/musical saw player Adrian Stout, who came on board in 1995. Together they developed a style of music that mixed jazz, punk, English music hall, gypsy folk, French chanson, show tunes, Threepenny Opera and Tom Waits-ish musical primitivism, all held together by a jet-black sensibility (most of their songs are about criminals, pimps, prostitutes, drugs, murder, suicide, and children meeting untimely ends; they’ve done an entire album inspired by Edward Gorey stories, if that gives you an idea) and Jacques’ squeezed-nads falsetto, which one reviewer described as sounding “as though a dove has flown out of his throat. A mangled, bloody dove but still.”
The Tiger Lillies are ridiculously prolific, having recorded more than 30 albums during their 20-odd-year career. But they’re probably best-known for their musical, Shockheaded Peter, which won a pair of Olivier Awards when it ran on London’s West End (England’s version of Broadway) in 2002. Based on a series of gruesome children’s stories written by a German lunatic asylum doctor in the 1840′s, the songs are all equal parts horrifying and hilarious, with lots of lyrics about what happens to “naughty romping girls and boys/Who tear their clothes and make a noise.” (No, they don’t just get sent to the naughty step. Mostly, they meet untimely ends.)
Live, the Lillies seem like some kind of strange Victorian carnival act come to life, with Jacques done up in grotesque clown paint and all three dressed like 19th century gangsters. Decent live clips of them on YouTube are frustratingly hard to come by, but here’s a TV show perfomance of “Bully Boys,” one of the songs from Shockheaded Peter, that gives you a pretty good idea of what they’re ab0ut. Klaus Nomi meets Tom Waits meets Jacques Brel? Something like that.
(P.S. The Lillies’ latest project premieres in Paris next month: a stage adaptation of Coleridge’s epic poem, The Rime of the Ancient Mariner. We’ll post a full report on the show after it opens; in the meantime, you can get updates on “ROAM” by visiting the blog of its visual artist, Mark Holthusen.)