The creator of today’s weirdness is primarily an animator, but he also writes nifty little electro-bleep music loops for his original videos, including the mind-bending clip below. He’s also created videos for artists like Bloc Party, Flying Lotus and Bonobo. He does most of his animations using Photoshop and After Effects, which is kind of amazing considering how clever and highly detailed they can get.
If you have a few hours to kill, go and get lost on his website. But we’re not kidding about the “few hours” part. His clips are highly addictive.
Our favorite Brazilian tecno brega trio Banda Uó is back with a new music video. This one’s called “Catraca” and while it’s not quite as bizarre as earlier clips like “Gringo” and “Shake de Amor,” it does feature shots of Candy Mel getting off on a washing machine, a woman’s ass covered in googly eyes, and somebody getting drowned in milk and Froot Loops. Y’know, a typical Brazilian house party, at a fancy house everyone broke into.
Incidentally, guest rapper Mr. Catra is not actually a little person. He’s this guy. But no Brazilian house party is complete without a rapping little person, I guess.
“Catraca” is available via iTunes in both its original form and a Bonde do Rolê remix.
It’s fitting that today’s weirdo, Mr. Vast, looks a little hungover in his promo photo. He’s from Germany and presumably that entire country is a bit bleary-eyed today after celebrating their historic World Cup win.
It’s also fitting that the track we’re going to share from Mr. Vast is called “Ease and Speed,” because that pretty accurately describes how the Germans dispatched Brazil yesterday. He’s actually got weirder music, but “Ease and Speed” just seemed too timely to pass up. Plus the video is jam-packed with the kind of green-screen tomfoolery we just never tire of, and Mr. Vast comes on like a groovy cross between Gary Numan and Mr. B the Gentleman Rhymer. It’s good shit.
[Update: Turns out we’re full of shit and Mr. Vast is English. But he’s based in Germany. And the shit we wrote about the World Cup is funny, so we’re leaving it. Sorry, Brazil.]
For more Mr. Vast, visit his official website.
Radioactive Chicken Heads, The Rhythm Coffin and the Satanic Puppeteer Orchestra are playing our first-ever Weird Band Night
[Update: Due to circumstances beyond our control, Haunted Garage had to cancel their appearance. The Rhythm Coffin will be rockin’ Weird Band Night in their place. Our apologies to all you Dukey Flyswatter fans out there. We’ll try to book them for the next one.]
So how’s this for sweet? After many months of trying to track down a venue
dumb cool enough to host a show for us, we finally hooked up with the good people at the California Institute of Abnormalarts to bring you our very first Weird Band Night. It’s all going down on Friday, July 11th, so if you plan on being anywhere in the greater Los Angeles area that night, get your ass down to the CIA or I will personally hunt you down and make you watch One Direction videos until you’re begging for the sweet release of death.
Our lineup is pretty excellent for our first time out, if I do say so myself. Co-headlining are legendary poultry punks the Radioactive Chicken Heads and monster rockers The Rhythm Coffin. And to open the show, we’ve got the unholy man/machine duo of the Satanic Puppeteer Orchestra, up from San Diego and making their L.A. debut. All this for a mere 10 bones, and possibly a dry cleaning bill if you stand too close to the stage.
For more info or to RSVP, check out our event page on Facebook. Not that you have to RSVP or anything. It’ll be first-come, first-served at the door the night of the show. But RSVP anyway so we can show our parents that some people actually take this blog at least somewhat seriously.
And now, to help you get as pumped as we are, here are some videos from our bands. You know you gotta come out and see this shit.
[Update: At the moment, YFF’s “Six Offender” video has been removed from YouTube due to a terms of service violation. As soon as it’s restored, we’ll update the link. In the meantime, we apologize for the disappointment.]
Today here at Weird Band HQ, we take another tiny step closer to resembling an actual, legit music blog. Say hello to our first-ever world premiere video, bitches! And make sure the kids are in the other room, because it features tons of graphic robot sex.
The video comes courtesy of our pals and former Weird Band Poll champs, Your Fuzzy Friends, still North Carolina’s leading plushie electro-pop jam band. It’s for the song “Six Offender,” from their new, yet-to-be-named album, which they are slaving away at as we speak. Well, all of them except YFF member Mono the Gay Unicorn, who since the making of the “Six Offender” video has been getting treatment for addiction to robot porn. It’s tragic, really.
(Guest post by Kai Nobuko)
Harry Merry is a living underground legend from the Dutch harbor city of Rotterdam. Dressed up in a sailor’s tunic and styled with an iconic haircut, he is out there to flabbergast with his unique brand of entertainment. His favorite keyboard is subjected to his own wild arrangements, full of odd chord changes and a tone scale of its own. Add Harry Merry’s unique, heavily accented voice and your ears will witness a match made in weirdo heaven.
Harry Merry has released a couple of LPs and a free downloadable 7″ single, “Village Life in 1905.” Coming from his Well… Here’s Another Nice Mess You’ve Got Me Into album is one of his more popular songs that attempts to stay in your head. The promotional video clip for it has been around on the Internet for quite a while, but in case you missed it (or lost a few brain cells and erased it by accident): Here is Harry Merry’s music video for “Stevie Storm.”
For more Harry Merry, visit his website.
We got an update a few days ago that our favorite batshit billionaire Sir Ivan had released another of his flower power dance remixes on Spotify. We were all set to blog about how his “chillout club mix” of The Beatles’ “Here Comes the Sun” was the feelgood insult to George Harrison’s memory of the summer, but it turns out you can only hear it on Spotify, so instead we’ll help you start your three-day weekend* with this amazing video for Sir Ivan’s 2012 smash hit (no, seriously, it cracked the Billboard Top 40) “La La Land,” which we overlooked until now because, as regular readers know, we are bad at our jobs. Happy Memorial Day, everyone!
*For our non-U.S. readers: This coming Monday is Memorial Day, a holiday on which we ostensibly honor our troops and military veterans. But mostly we just grill things and/or get stuck in horrible traffic jams on the way to the beach.
Mister D. is the musical alter ego of Polish author Dorota Masłowska, who at the age of 31 already has several immensely successful novels and plays to her credit, including the international bestseller Snow White and Russian Red. We’re inclined to hate her for this—since we’re old, bitter and far less successful—but she seems to tackle everything she does with such fearlessness and self-deprecating humor that it’s impossible to stay mad at her.
Case in point: The below video for “Chleb” off Mister D.’s debut album, Społeczeństwo jest niemiłe (Society Is Mean). How can you not love the cute yet awkward girl with the scrawny love interest who constructs a fantasy world in which Scrawny Boy is a macho bodybuilder with a pet tiger and she herself is Polish supermodel Anja Rubik (played in the video by the actual Anja Rubik)? Stay with it, it gets crazier as it goes on.
Thanks to reader ghyarlae for recommending this one. When it comes to eye-popping music videos, Poland just keeps on killing it. (See also: Donatan.)
Do you love chocolate? I know I do. But it turns that all this time, I’ve been an amateur chocolate lover. In his new video, Zayde Buti demonstrates how it’s really supposed to be done.
Zayde describes “Sacred Chocolate” as “the newest addition to my ongoing artistic exploration of food issues. As the title suggests, ‘Sacred Chocolate’ explores reverence for food (in this case, cacao) and the ceremonial art of eating.”
So next time you’re scarfing down a Snickers, remember: Eating chocolate should be a goddamn ceremony. Sing that Snickers bar a little song before you devour it. It’s what our ancestors who first harvested the mighty cacao bean would have wanted.
“Sacred Chocolate” is also available on Zayde’s Bandcamp page for a mere $0.99. Which is a penny less than what they charge for a Snickers bar in the vending machine at my office. So it’s a bargain. And listening to it over and over again won’t make you fat. Or will it?
I was still a good two blocks away from The Satellite, where I would be attending the camp-pop explosion that is Leslie Hall and her band Leslie & The LYs, when I spotted my first pair of gold spandex booty shorts. It was the first clue that a.) this show was going to be a people-watching bonanza and b.) I had clearly under-dressed for the occasion.
I needn’t have worried about the second part, though. The whole message of Leslie Hall’s goofy, celebratory music is that we’re all fabulous, no matter what size our asses are or what we chose to clad them in when we left the house. Yes, there were shiny and sparkly Leslie fans in abundance inside The Satellite—but some of us were just shiny and sparkly on the inside.
The show began with a knowingly awkward, low-budget video about Leslie and her sidekicks time-traveling into the future on a quest to obtain the Golden Beats. (No, I’m not telling whether or not they succeeded—no spoilers! You’ll just have to go to the show and see for yourself.) Then Leslie emerged, resplendent in gold and macrame, and launched into “Blame the Booty,” the first of several songs about her “lower regions,” as she delicately put it.
Nothing else about Leslie Hall is the least bit delicate, which is what makes her so awesome. She’s a big, loud Midwestern gal, with a personality at least 10 times larger than her dress size. During and between songs, she worked the crowd with banter that would put any stand-up comedian to shame, over-sharing about everything from her flat ass (“If you bring a pillow to a three-hour movie, I feel you”) to her crafting addiction (“When you need to rent one of those storage units and you’re still in your twenties…”).
Her stage set was, as she put it, “Vegas-style production at Midwest prices.” It started out just looking like some stage flats draped in gold fabric. Then her backup singers rotated the whole thing sideways to reveal a bedazzled Leslie visage, which then split in two to reveal her whole band. The effect was pretty delightful considering the whole thing probably fits in one of those little U-Haul trailers.
Leslie & the LYs are touring in support of Songs in the Key of Gold, a dance remix collection of Leslie’s greatest hits. (Remember how fantastic it was when that used to be a thing? I still have the Billy Idol dance remix collection on cassette somewhere and I stand by that purchase 100%.) This was good news for us because it meant that Les was there to play the hits and play them for maximum danceosity. Although I suspect that’s pretty much what she does on all her tours.
The only real break in the action came when Leslie invited several fans up on stage for a little gem sweater fashion show. The girl who won—who did indeed have a pretty spectacular sweater—was so excited I thought she might start shrieking like a nine-year-old at a One Direction concert. But she managed to hold it together enough to dance along to “Craft Talk,” the best-known of Leslie Hall’s many musical paeans to the art of bedazzling.
There was a tribute to Leslie’s cat Shania, “#1 Cat in America,” which was also an excuse for her to have audience members pass up their cell phones to share their cat pictures. (I immediately regretted that I switched wallpapers awhile back and no longer had this to share.) That number also featured a set of giant cardboard cat legs that rose up behind the stage while someone pretending to be Shania squeaked into an offstage microphone: “Hi, Mom! I hid inside your luggage!”
In lieu of a conventional encore (“We don’t have any more songs,” Leslie said apologetically. “Besides, it’s Monday. Don’t you all have lives? Jobs?”), she and the LYs led the crowd in a little impromptu post-show dance party. “This is the dance started it all!” she declared over Britney Spears’ “Toxic,” busting out a move she called “scooping the driveway.”
At the very end of the show, her minions rotated the backdrop again to reveal a toll free phone number. “I do check my messages,” she assured the crowd, before heading backstage to soak her feet and have some pizza: “I need to float these feminine ankles in the old Epsom bath.”
The song that maybe best epitomizes the Leslie Hall mojo was her finale: “Shazam I’m Glamorous”: a call-and-response anthem in which Leslie entreats her fans to tell her she’s glamorous—and of course they do, fervently. And every time they do, her face scrunches up with delight and she squeals “Thank you!” with complete sincerity. The positive feedback loop between Leslie Hall and her fans is a beautiful thing to behold. I think we all left the show feeling a bit more glamorous—even those of us who were only sparkly on the inside.