I’m probably a bachelor for life at this point, but on the off chance I ever do meet “The One,” she’s going to have to accept that at the wedding reception, we’re just going to play “Groove Is in the Heart” on continuous loop for three hours. This little nugget of 1990 disco goodness is not just a great dance party track…it is the only dance party track in history that doesn’t totally suck. Well, that and “Give Up the Funk,” but when white people play P-Funk at a wedding reception, it’s just embarrassing.
Well, my hypothetical bride-to-be is in luck. We can now alternate between the Deee-Lite version and this sweet cover by our friends Chimney Crow. So yeah, I’m pretty much going to have the most awesome wedding ever.
Thank Christ for Google Translator, because otherwise I would have nothing to tell you about this week’s band. They’re a “performance collective” from Germany…and I guess “performance collective” is German for “crazy art freaks making deliberately stupid techno” because that’s what these guys do. They make bad techno and sing over it like a bunch of people pretending to be retarded, as if to say, “Look how retarded this music is!”
Then they shoot videos that are even weirder and dumber than the music. In this one, a bunch of white girls strut around trying to look hard while eating candy bars in front of a gas station. In this one, a nerdy guy masturbates slowly and tenderly to a bad painting. In this one, two of the collective’s members, Tutenchamun and Maike Schönfeld, just dance like idiots in various public places.
They seem to release a new video every month or so. In their latest one, released just last week, a girl dances on a chair for four minutes while a fat biker dude flips off the camera and opens his mail. I know that sounds incredibly stupid, and it is, but the video is fucking great. Trying to describe a HGich.T video is like trying to explain to your wife that the funniest thing you’ve ever seen in your life was when your best friend in college spontaneously moonwalked across an entire frathouse basement because he was trying not to puke on his shoes. It was the funniest thing you’ve ever seen but…you just had to see it.
One of the best things about binge-watching HGich.T videos is all the recurring characters you can follow. There’s the obvious star of the show, Tutenchamun, who’s like a German parody of that douchebag from The Prodigy, if said douchebag had forgotten to take off his yellow safety vest after ditching his picking-up-trash-by-the-highway community service stint. There’s Dr. Diamond, who seems to spend a lot of time hanging out in his room and having arguments with his mother. There’s
Pussy Cat Diddel, who wears cat mouse makeup. And of course there’s my personal favorite, Dietrich Kuhlbrodt, aka Opa16, the group’s creepy old man in residence. I have a soft spot for creepy old men, being only a few years away from becoming one myself.
The video they’re most famous for is “Tutenchamun,” sometimes mistakenly referred to as “Goa Goa MPU” (we had this totally backwards, and also failed to realize that Diddel was supposed to be a mouse, until reader Iesus set us straight—thanks, Iesus!). In it, Tutenchamun rides around with Maike on a motorbike with broken shocks and tells a long, increasingly surreal story about getting pulled over by a cop, played by the least cop-like man in all of Germany, Dr. Diamond. Like all HGich.T videos, it’s incredibly stupid and you might not be able to stop watching.
So I think we can all agree that from here on out, anytime anyone tries to tell a long, rambling story about how fucking hard they partied last night, we’re going to say “Ja?” every five seconds in a bored monotone until they stop. Right? Ja?
As great as “Goa Goa MPU” is, the HGich.T clip that’s my favorite so far…and I say “so far” because they have like 60 some odd videos and I never quite got baked enough to watch every single one…is “die letzten titten von betlehem.” This one has everything: Drugs, vandalism, jailbait, wasteful use of toilet paper, an oddly creepy sequence in which a dude terrorizes a girl with a Sharpie. It’s like a German rave meets a scared-straight after-school special meets a Fellini film. Plus the track fucking goes off.
So anyway…next time I go out dancing, I really hope the DJ plays a HGich.T track so I can storm into the ladies’ bathroom and do my best Tutenchamun impersonation. I am so getting laid with that action.
Just because Macklemore sang “Same Love” at the Grammys (more on him in a minute), don’t think that hip-hop in 2014 isn’t still rife with homophobia. But a handful of ballsy performers are starting to change that—none ballsier, or weirder, than Mr. Khalif Diouf, better known as Le1f.
Le1f (pronounced “Leaf”) first made his name as a producer, making beats for fellow oddball New York rap duo Das Racist. You know that annoying/awesome song “Combination Pizza Hut and Taco Bell“? That’s a Le1f joint. Even then, Le1f was already subverting hip-hop culture; he borrowed the track’s start-stop rhythm from “The Ha Dance,” a gay house anthem from the early ’90s, when the “vogue” scene made famous by Madonna was in full swing. “I was tricking them into rapping over a vogue beat,” Le1f gleefully bragged to Spin.
But punking his straight friends was the least of Le1f’s tricks. In April of 2012, he released his debut mixtape, a 21-track head trip of a record called Dark York. What immediately jumped out at most fans and critics—maybe because Le1f prefers to keep his vocals tantalizingly buried in the mix—was not the rapper’s out-and-proud lyrics, but his polyamorous relationship with genres. Dark York knocks boots with everything from dark electro and experimental beat music to the menacing, trunk-rattling sounds of the Dirty South—all of it tied together by Le1f’s syrupy flow and a vaguely stoned, psychedelic quality, as if all the music is coming at you through a bong-smoke haze. Or maybe it’s bathhouse steam?
Then came the videos. Starting with “Wut,” Le1f has created a visual style all his own, patched together from gay club culture, avant-garde modern dance (he has a degree in dance from Wesleyan University—my alma mater! holla!), neon-colored hipster fashion, and a dash of Pokemon. It’s playful, eye-popping and will probably make the most hetero among you extremely uncomfortable.
Side note about “Wut” and the aforementioned Mr. Macklemore: When Macklemore won at the MTV Video Music Awards last year for his pro-gay marriage anthem “Same Love,” Le1f launched into a tirade on Twitter, accusing the straight white rapper of cynically co-opting gay pride and style-biting the horn-driven hook on “Wut” for his other big hit, “Thrift Shop.” “[T]hat time that straight white dude ripped off my song then made a video about gay interracial love and made a million dollars,” one of the tweets read. “Wut” is hardly the first time anyone built a rap beat around a saxophone loop, but the timing is more than a little suspicious; “Thrift Shop” came out a little over a month after the video for “Wut” showed up on YouTube, and the similarities are hard to miss. But that’s way more space than Macklemore deserves in any post on this blog, so let’s move on.
Since the release of Dark York, Le1f has been on a tear, churning out EPs and mixtapes that seem to get better (and weirder) every time. He’s also created a live persona that’s a mesmerizing combination of hip-hop aggression and ball culture camp. And he has fantastic hair. (Watch until about the 5:30 mark; that’s when he really starts putting Willow Smith to shame.)
We’ll leave you with what is probably Le1f’s weirdest and/or sexiest (depending on what you’re into) video to date: “Soda,” from a 2012 collaborative EP with producer Boody called Liquid. Oh, and an important disclaimer: We are not making Le1f our Weird
Band Rapper of the Week because he’s gay. Thankfully, being a gay rapper is not as weird as it used to be, and there are plenty of examples of other hip-hop artists, from Big Freedia to Mykki Blanco* to Brooke Candy, making music that probably seems—to straight audiences, anyway—just as weird as Le1f’s. But he gets our vote because ultimately, even if you took Le1f’s sexual orientation out of the picture entirely, his music would still be weird. And we mean that, as we always do, in the best possible way.
*OK, yeah, Mykki Blanco deserves a spot on the Weird List, too. She’ll show up here eventually. Promise.
Friend of the blog Mike Langlie, the man behind Twink, the toy piano band, has been quite the prolific fellow of late. Just four months after his last album, Miniatures Volume 1—an album composed entirely on the Yellofier iPad app—Mike’s twinking out another new album. This one’s called Happy Houses and while he hasn’t shared his recording process with us, we’re pretty sure based on lead single “Close to Home” that toy pianos and banjos were involved.
Happy Houses doesn’t get here until Feb. 10th, but you can catch the video for lead track “Close to Home” right now—right here on this very page, in fact. We’re convenient like that. Rest assured that no cartoon houses were harmed in the making on this video. Although the dude who stars in it probably walked into a few walls and truck fenders because I don’t think he can actually see where he’s going.
So it seems that while the rest of us were unwrapping presents and/or going out for dim sum this past Dec. 25th, the folks over at weirdo label Electric Phantom were hard at work. They released two Christmas Day videos from their top artists, Petunia-Liebling MacPumpkin and Chimney Crow—but they also threw in a twist: Petunia does a Chimney Crow song, and the Chimney Crow does a MacPumpkin song! It’s like that Peter Gabriel Scratch My Back project, except that it’s actually worth listening to.
If you want the full story of how this little project came about, watch this video and all will be revealed. (You’ll also find out which member of Chimney Crow is obsessed with The Residents—I would’ve assumed they all were, but it turns out the other guys are more into horses and stuff.)
But let’s get right to the good bits. Here’s Petunia turning Chimney Crow’s “Teddybear and His Bullet” into a spooky, skeletal hymn:
And here’s Chimney Crow sneaking a nifty little dance groove in under the funhouse nursery rhymes of P.L. MacP’s “Houseplants.” With audio-visual aids, no less!
So thanks for these little surprise Christmas presents, Electric Phantom. We look forward to more of your inimitable weirdness in 2014.
French duo Gangpol & Mit have always been more of a multimedia project than a band. To fully appreciate them, you almost have to watch their cartoon videos, which are like Shag paintings brought to life by the creators of Aqua Teen Hunger Force. Well, now they’ve brought their distinctive visual aesthetic into three dimensions with a series of giant multimedia instruments—or “carved furnitures,” as they call them—as part of a project called “La Boîte.” Check out the video below and tell me you don’t want spend a day alone with these gadgets and your mind-altering substance of choice.
La Boîte—literally, “The Box”—will be turning up in various parts of France through February of 2014, after which we can only hope it eventually makes its way over here to the States. To learn more—and see an even cooler video of the instruments in action—visit Gangpol & Mit’s website.
Christmas came early here at Weird Band HQ this weekend, in the form of a brand new video from Chimney Crow, the mysterious electro-pop ensemble with the creepy basement. Previously, the only visual accompaniment for the über-funky “Run for My Life” was some found and highly distorted video of a bunch of B-boys, but now Chimney Crow have created an original stop-motion clip for the track, which features cartoon versions of the Crow crew busting some moves of their own.
By the way, in case you’re not familiar the song’s subject matter: DMT is a very powerful psychedelic substance that we don’t recommend ingesting while watching this video. Or at all, really, unless you’re accompanied by an experienced shaman and maybe an EMT or two.
It’s been awhile since we’ve heard anything from Twink, our favorite toy-based band. So we were delighted to learn a few days ago that, to celebrate the launch of his revamped website, Twink mastermind Mike Langlie is giving away a free, nine-track LP of new music. The collection is called Miniatures Volume 1 and it has the distinction of being the first album ever created entirely with the Yellofier iPhone/iPad app. Yellofier, for those of y’all not familiar, is a music-making sampler/sequencer app created by Boris Blank, one-half of the Swiss electronic duo Yello. Never heard of them? Oh yeah you have. Get it? Cuz the song is called “Oh Yeah”? Oh, we crack ourselves up.
Anyhoo, to download your copy of Miniatures Volume 1, scurry on over to Twink.net. You can also name your price if you feel like throwing Mike a little extra coin.
The Yellofier app is not free, but at $2.99, it’s still a steal. You can read more about it and watch a demo video here.
If you’re a try-before-you-buy type, feel free to preview the album below. It’s a veritable symphony of plinks, plunks and plastic beats.
Back while we were still on hiatus, we got an email from the enigmatic U.K. producer known only as Hanetration, informing us s/he had just released a new EP called Timelapse. Quoth the Hanetraitor: “It’s less ‘produced’ than my previous stuff; sparse mechanical experiments.” Perhaps to signal that it’s a bit of a departure, this is the first Hanetration EP whose title isn’t an anagram of Tenth Oar, the name of his/her debut EP. That spooky, droning set was followed by the equally spooky Torn Heat and Nae Troth. Maybe s/he will follow up Timelapse with Smile Peat?
Anyway, you can hear all of Timelapse on Hanetration’s Bandcamp page. Where Tenth Oar sounded like a walk on the moors, Timelapse is definitely a trip through urban wastelands, with lots of ominous industrial clangs, buzzes, creaks and metal-on-metal squeals. Even “Opal,” with its Indian overtones, sounds less like a trip down the Ganges than a 3 a.m. cab ride through the slums of Mumbai. It’s evocative stuff.