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Behold Vulvatron, GWAR’s awesome new female lead singer

Vulvatron

The post-Oderus incarnation of GWAR continues to exceed our expectations. Instead of replacing the irreplaceable entity that was Oderus/Dave Brockie, the band’s reportedly totally revamped their stage show and added not one, but two new lead vocalists fill Oderus’ massive platform boots.

After unleashing Blothar on the unsuspecting masses at the GWAR-B-Q, they presented his female counterpart, Vulvatron, at Riot Fest in Chicago this past weekend. And she is pretty much everything one could hope for in a lady GWAR demon. She’s hot. She shoots blood from her massive breasts. She takes great selfies. And she fucks shit up with the boys. We’re sold.

Vulvatron’s human counterpart is one Kim “Kylla” Dylla, who’s just as much of a badass IRL, as the kids all say these days. Just check out her CV on her website: degrees in art and computer science, a painter and costume designer, wrestler, frontwoman of her own metal band Thismeansyou. She’s going to have human filth lining up around the block after every GWAR show hoping to be her disposable sex slaves.

Speaking of GWAR shows: The band’s also announced a massive, 45-date tour that’s also being billed as the band’s quest to find the missing Oderus. Here’s what guitarist Balsac the Jaws of Death says about the tour on the GWAR website:

“Dark clouds of war and ill omen have gathered around GWAR. In our hour of greatest peril, Oderus has left us and our enemies stand poised, ready to strike while they sense weakness. But we shall no longer cower in our Antarctic stronghold, awaiting Destiny’s final blow. This Fall GWAR sets out on the most trying quest of our career. We shall scour our leader’s favorite stomping ground, North America, leaving no city unsearched, no venue unraised, and no sheep unmolested. GWAR will venture to the depths of Hell or to the very end of Time itself, and though I fear what we may encounter out there, I know that we can never return home until we have the answer we seek: ‘Where is Oderus Urungus?’”

So what say you, GWARmy? Do you stand ready to help your demon overlords in their hour of need? Are you ready to get sprayed with blood from the almighty udder of Blothar and the unspeakable breasts of Vulvatron? Goddamn right you are.

Here are the dates:

GWAR W/ Decapitated and American Sharks:

10/15: Norfolk, VA @ The Norva
10/16: Sayreville, NJ @ Starland Ballroom
10/17: Stroudsburg, PA @ Sherman Theater
10/18: Worcester, MA @ The Palladium – “Rock and Shock Festival”
10/19: Buffalo, NY @ The Town Ballroom
10/21: Louisville, KY @ Expo Five
10/22: Memphis, TN @ New Daisy Theater
10/23: Dallas, TX @ Gas Monkey Live
10/24: New Orleans, LA @ House of Blues
10/25: Austin, TX @ Emo’s – “Housecore Horror Film Festival*
10/26: Houston, TX @ Warehouse Live
10/28: Oklahoma City, OK @ Diamond Ballroom
10/29: Sauget, IL @ Pop’s Nightclub
10/30: Lawrence, KS @ Granada Theater
10/31: Denver, CO @ The Summit Music Hall**
11/1: Albuquerque, NM @ Sunshine Theater
11/2: Tempe, AZ @ The Marquee
11/3: Santa Ana, CA @ The Observatory
11/4: Reno, NV @ Knitting Factory Concert House
11/5: San Francisco, CA @ The Regency Ballroom
11/6: Hollywood, CA @ House of Blues
11/7: Las Vegas, NV @ Hard Rock Live
11/8: Magna, UT @ The Great Salt Air
11/10: Boise, ID @ Knitting Factory Concert House
11/11: Portland, OR @ Roseland Theater
11/12: Seattle, WA @ Showbox SODO

GWAR W/ TBA and American Sharks:

11/14: Vancouver, BC and Commodore Ballroom

GWAR W/ Corrosion of Conformity and American Sharks:

11/15: Spokane, WA @ Knitting Factory Concert House
11/16: Calgary, AB @ MacEwan Hall Ballroom
11/17: Edmonton, AB @ Union Hall
11/19: Fargo, ND @ The Venue
11/20: Minneapolis, MN @ Skyway Theater
11/21: Milwaukee, WI @ The Rave
11/22: Detroit, MI @ Harpo’s
11/23: Grand Rapids, MI @ The Intersection
11/25: Indianapolis, IN @ The Vogue
11/26: Cleveland, OH @ House of Blues
11/28: Charlotte, NC @ Tremont Music Hall
11/29: Philadelphia, PA @ Electric Factory
11/30: New York, NY @ Irving Plaza
12/2: Nashville, TN @ Exit/In
12/3: Asheville, NC @ The Orange Peel
12/4: Pensacola, FL @ Vinyl Music Hall
12/5: Orlando, FL @ Firestone Live
12/6: Atlanta, GA @ The Masquerade
12/7: Columbus, OH @ Newport Music Hall
12/8: Millvale, PA @ Mr. Smalls Theater
12/9: Toronto, ON @ Opera House
12/10: Montreal, QC @ Virgin Mobile Corona Theater
12/11: Clifton Park, NY @ Upstate Concert Hall
12/12: New Haven, CT @ Toad’s Place
12/13: Baltimore, MD @ Baltimore Sound Stage

*No American Sharks
** Havok plays on this show

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Weird of the Day: Melvins, “The Talking Horse”

Melvins

In our write-up for Tera Melos, our reigning Weird Band of the Week, we noted that all of their brilliant music videos are the work of one man, a director named Behn Fannin. We decided to dive into the rest of Fannin’s catalog in search of further gems of weirdness and came up with this classic from punk/sludge metal legends the Melvins, from their 2006 album, (A) Senile Animal. Our new favorite video director Fannin’s been doing twisted things with creepy puppets and visual non sequiturs for a long time, it seems.

If you want to see more of Fannin’s work, check out his Vimeo channel.

Weird of the Day: Hardcore Anal Hydrogen, “COI”

Hardcore Anal Hydrogen

I know we’ve been doing “Flashback Fridays” around here lately but I don’t care. This video is too fucking good to wait till Monday. Besides, it came out in February, so that counts as a flashback, right? Ah, Feb. 2014. The good old days, before Ferguson and ISIS and Robin Williams and Christ, what a depressing summer this has been.

Anyway, this is yet another French band from Apathia Records, the same lunatics who brought you Pryapisme. Hardcore Anal Hydrogen aren’t quite that out there, especially on this track, which is pretty straight-up post-hardcore with some fun tempo changes and electronic elements. But the video kills me every time. I almost hope the next metal band I see just sends cardboard versions of themselves onstage. It would probably be more entertaining than some shows I’ve been to.

You can find out more about Hardcore Anal Hydrogen on the Apathia Records website.

Weird of the Day: Nudist Priest

Nudist Priest

Photo by Toni Wells

We really need to get out more. Apparently one of the most awesome cover bands of all time was based right here in Los Angeles up until 2007 and we missed them. I’m talking about Nudist fucking Priest.

So OK, this is one of your basic one-joke cover bands, but you gotta admit, it’s a pretty balls-out joke. Literally.

Here’s video from their farewell show. All I can say is, I really hope the drummer brought his own stool.

I’m not ashamed to admit that credit for introducing us to this band must go to the Comedy Central show @Midnight, which did a whole segment on weird cover bands a few nights back. They even included our pint-sized pals in The Mini Band, who we kinda hope never see this post. At least whoever shot that video of Nudist Priest’s farewell show was thoughtful enough to scramble the naughty bits.

The Von Deer Skulls

Von Deer Skulls

France is kicking ass this week. Not only did they win their group in the first round of the World Cup, they also won the even more prestigious* Weird Band Poll. How do you say “Congratulations!” in French? It’s basically just the sound of a champagne cork popping, right?

The winner of the June Weird Band Poll is a mysterious trio from a town whose name makes giggle, because I am a 44-year-old adolescent boy: Brest. (Heh.) They’re called The Von Deer Skulls and unfortunately, there are no breasts in their music videos, just lots of creepy people in skull masks sitting around drinking absinthe under blacklight to a soundtrack I’m gonna call ambient doom rock. Plus some claymation. That part’s almost as cool as breasts. Actually, the whole thing is pretty cool in a David Lynch sorta way. It makes me think of severed ears and Pabst Blue Ribbon.

The Von Deer Skulls aren’t related, at least not by birth. Leader/guitarist Peter Von Deer Skull is from Canada and is “the son of the Shadows of the Canadian forest,” according to the band’s Facebook bio. Bassist/screamer Hektor Von Deer Skull is an “androgynous, semi-deer/semi-wild boar, he comes from Schwarzwald in Germany.” Their drummer/lead singer is actually two people: Freke and Freyja Von Deer Skull, twin brother and sister, one a wolf and one a lynx, from the Faroe Islands, halfway between Norway and Iceland.

Does all of this sound like it might be totally made up? Yeah, well, that’s possible. Peter Von Deer Skull has shared a few secrets with us about the inner workings of the band, which we can’t reveal here. Let’s just put it this way: Hektor isn’t actually a wild boar/deer hybrid. That’s all we’re gonna say.

The Von Deer Skulls have released an EP on Bandcamp called It’s Time to Paralyze that reveals some other sides to their sound. They rock out pretty hard on occasion, like on this track “The Way to the Shadow.” It takes awhile to get going but trust me, it’s worth the wait.

We’ll leave you with their most recent video, which is even more mysterious and spooky than “Bitches of the Wood.” What’s coming at the end of 2014? Tell us, Von Deer Skulls! Why must you toy with us so?

*Kidding! Our polls are totally not more prestigious than the World Cup. But maybe they would be if we only had them once every four years.

Links:

 

Public memorial for Dave Brockie set for Aug. 15th, one day before the GWAR-B-Q

This amazing Dave Brockie photo lifted from this even more amazing

This amazing Dave Brockie photo lifted from this even more amazing Metal Sucks article

GWAR fans still shattered over the death of their hero, Oderus Urungus, now have something to look forward to: On Friday, Aug. 15th in Richmond, Virginia, a public memorial service will be held honoring Oderus and the crazy, incredible dude behind him, Dave Brockie.

The memorial happens one day before the 5th annual GWAR-B-Q, which might be a slightly more solemn affair this year. Although let’s hope not, because I’m sure Oderus would’ve wanted his minions partying till they puke in his honor. Maybe they can puke first and then cry later. That seems like the way to go here, I think.

In a video statement, the surviving and unmasked members of GWAR also announced that they’re creating the Dave Brockie Foundation, a charity that “will be a resource for artists in the fields of music, film, literature and all visual arts who cannot find funding through mainstream channels.” So basically, every single band we’ve ever blogged about should apply.

You can read more about the Dave Brockie Foundation here and get updates on the GWAR-B-Q here. So far the only band that’s been announced is…GWAR! GWAR without Oderus? Can such a thing be possible? Maybe they can get Joan Jett to be like Oderus’ long-lost sister or something. She did a pretty good job subbing in for Cobain with Nirvana, I hear.

Here’s that video statement. Mark your calendars, GWARmy!

Dwarr speaks! Duane Warr sets the record straight on his “canceled” tour.

Dwarr

Turns out we really should read the comments on this thing more often. Ten friggin’ days ago, Duane Warr himself, the mysterious garage-metal hero behind Dwarr, posted a comment and we only just saw it this weekend. Sorry, Duane! Day jobs and shit. I’m sure you can relate.

Anyway, it turns out that Dwarr’s ill-fated 2012 comeback tour, which was described all over the interweb as having been totally canceled (including by us…oops), was only partially canceled. Duane did manage to squeeze out two shows in Texas before the whole thing went sideways. He even provided the video evidence to prove it. You can read his entire comment over on this page but allow us to provide the highlights:

The tour started in Austin, and it sounds like the first show went OK, even though Duane had literally only met his touring band the day before. “We had a really rough first practice. We practiced again Saturday around lunchtime. We went on last Saturday night. It was really bad, but everybody loved it.”

The first signs of trouble surfaced in Houston: “I was told I couldn’t use the Fender amp anymore because it was old and I might blow it up.” But the show went on anyway, and even sounded pretty good, despite early signs of road fatigue: “The music was a lot tighter in Houston but my 2 guys were tired. I think they stayed up late in Austin. At the bottom of my set list they wrote ‘BEDTIME.’ Pretty Hilarious.”

Duane drove by himself to the next gig in New Orleans, and showed up right on time for load-in, only to be greeted by the cook and the bartender. “Nobody else showed up for 2 hours,” he relates.

When they did arrive, I was told I had to shorten my set. I told them I only had 5 nights and really needed to play my whole set, I was trying to get a 2 disc live package with a CD and DVD. When I was told “This is Jennifer’s Tour and if she says you get 45 minutes, you get 45 minutes” that was it for me. Adios Amigos.

Jennifer, by the way, is Jennifer Herrema, formerly of Royal Trux and now gigging under the name Black Bananas. Black Bananas was the headliner, so I guess she pulled rank.

So there you have it…the true story of Dwarr’s only partially, not totally, canceled tour. I guess the two-disc live package will have to wait, but at least there are some sweet videos from the tour up on YouTube. Here’s our favorite, for a track called “Tears You Cry.” Yeah, it’s a little rough, but we owe Duane Warr a serious apology for bagging on his musical skills in an earlier post. Clearly the man can shred. And he rides that wah peal like it’s a stolen Ferrari.

Brace yourselves, Japan: GWAR is about to get Godzilla on your ass

GWAR

In their 28 years on our pathetic excuse for a planet, GWAR has cut a pretty wide swath of destruction. But for reasons that remain murkier than the inside of Oderus’s codpiece, Japan has been spared…until now.

This March, GWAR will play their first-ever* shows in the nation that gave us a shrimp-themed jazz/funk band and a J-pop trio that looks like this. So I’m gonna go out on a limb here and say that the Scumdogs of the Universe will be a big hit in Osaka and Tokyo. Plus, they’re apparently bringing their pet T-Rex Gor-Gor with them, and we all know that if there’s one thing Japanese people love, it’s getting their asses kicked by giant dinosaurs. That and metal played by schoolgirls. Maybe new guitarist Pustulus Maximus can wear a plaid skirt for the occasion.

Even space-traveling demon-gods need to plan their tours efficiently, so GWAR will also be swinging through Australia to play the Soundwave Festival, a touring punk/rock/metal festival with a lineup so good I almost don’t mind that it includes Panic! At the Disco. Almost.

Anyway, for all you folks on the other side of our pathetic excuse for a planet, here are the full dates:

GWAR Australia/Japan Tour

2/22/14: Soundwave Festival Brisbane
2/23/14: Soundwave Festival Sydney
2/28/14: Soundwave Festival Melbourne
3/1/14: Soundwave Festival Adelaide
3/3/14: Soundwave Festival Perth
3/6: Osaka, Japan @ BIG CAT
3/7: Tokyo, Japan @ Akasaka BLITZ

In other news we meant to tell you about sooner: GWAR released their latest album, Battle Maximus, last fall. You can score yourself a copy here and watch the video for “Madness at the Core of Time” below. We can attest from personal experience that yes, that’s really what a GWAR show looks like. Except it’s even grosser in person. Can’t let Oderus spew his demon spunk all over that expensive camera equipment.

*That concert DVD Live From Mt. Fuji? “Recorded in the future!” according to Oderus. Or Pittsburgh, according to Wikipedia.

Van Canto defeat evil and save heavy metal in their new video, “Badaboom”

Van Canto

Sure, you laugh now at Van Canto, the German a cappella metal band that does all their drop-D riffs with voices instead of guitars. But when the shit hits the fan, you’re gonna need these guys. Because only a cappella metal can defeat the forces of evil that are conspiring to keep you from banging your head as nature intended.

In their new video for the awesomely titled “Badaboom”…which we can only hope will soon be followed by a prequel song/video called “Badabing”…Van Canto must save the day when an evil scientist and his Matrix-like horde of shades-and-suits henchmen decide to rid the world of heavy metal by stealing every heavy band’s guitars. They start right at the top with Sabbath and Metallica, then they skip further down the list to Swedish power metalers Sabaton, I guess because they needed to represent Northern Europe somehow and no one actually knows what Opeth looks like. Anyway, Van Canto come to the rescue because, of course, they don’t need no stinkin’ guitars…although they do have a drummer, because everyone knows that mouth percussion is retarded.

“Badaboom” is the first single from Van Canto’s fifth album, Dawn of the Brave, which comes out next February on Napalm Records. You can pre-order that shit here, and catch them on tour if you happen to live in Europe. If you live in America, like us, well I guess there’s always a chance Glee might do an all-metal episode. But let’s hope not.

Van Canto 2014 tour dates after the clip. By the way, which impersonator in this video is worse: fake Ozzy or fake Hetfield? Discuss!

Van Canto “Dawn of the Brave” Tour:
14.02.2014 RUS – Moscow / Klub Volta
15.02.2014 RUS – St. Petersburg / Zal Ozhidaniya
21.02.2014 FR – Strasbourg / La Laiterie
22.02.2014 CH – Pratteln / Gallery
23.02.2014 DE – Nuremnberg / RoFa
06.03.2014 IT – Milan / Factory
07.03.2014 DE – Munich / Backstage
08.03.2014 CZ – Prague / Nova Chmelnice
09.03.2014 DE – Ludwigsburg / ROFA
21.03.2014 DE – Aschaffenburg / ColosSaal
22.03.2014 DE – Hamburg / Grünspan
23.03.2014 DE – Hamelin / Sumpfblume
02.04.2014 GB – London / Underworld
03.04.2014 NL – Tilburg / O13
04.04.2014 DE – Bremen / Aladin
05.04.2014 DE – Cologne / Live Music Hall
10.04.2014 DE – Berlin / Lido
11.04.2014 DE – Glauchau / Alte Spinnerei
12.04.2014 DE – Düsseldorf / Pitcher
13.04.2014 DE – Dortmund / FZW

Weird Interview: Haunted Garage

Haunted Garage new lineup

Haunted Garage in 2013 (left to right): Brian Beaver, Dukey Flyswatter, Erik Erath, Andy Chavez, Sean Fodor

From about 1985 to 1993, Haunted Garage was one of the most demented acts in the L.A. underground rock scene, famous for their elaborate, prop-heavy stage shows and frenetic, horror-themed punk/metal songs. But after releasing their one and only album, Possession Park, and touring the U.S. and Europe with The Cramps, the band called it quits. Mostly.

Since 1993, frontman Dukey Flyswatter (also famous as a B-movie actor in films like Hollywood Chainsaw Hookers and Surf Nazis Must Die, sometimes credited under his real name, Michael Sonye) has made several attempts to bring Haunted Garage back to life. The first two reunions produced only a handful of shows, but it’s looking like the latest incarnation of Haunted Garage may stick around for awhile. Formed just a few months ago, the new lineup features lead guitarist Erik Erath (who first joined the band for a reunion show back around 2001), rhythm guitarist (and professional makeup effects artist) Andy Chavez, bassist Sean Fodor and drummer Brian Beaver. With this new supporting cast, Dukey is more excited about Haunted Garage than he’s been in years. “These guys, they believe in the band,” he says. “They like the theatrics.”

Recently, I got to visit the band in their rehearsal space at Francisco Studios, in the industrial L.A. suburb of Vernon. I listened while they tore through a full rehearsal set, then we chatted for about a hour, drinking Jack Daniels and swapping stories. Portions of that interview wound up in an LA Weekly article previewing their gig at the Long Beach Zombie Walk. But I just had to reprint the full interview (with a few minor edits) here on TWBITW, because the story of Dukey Flyswatter and Haunted Garage hasn’t really been told enough.

Weirdest Band: Can you talk about how this version of the band came together?

Dukey: I’ve been trying to put together different versions of Haunted Garage for awhile now. If I lay fallow too long, I go crazy. I have bipolar disorder and I just can’t work a normal job with normal people for too long. I’ve just gotta unleash this pent-up energy.

WB: Were you working a normal job for awhile?

Dukey: Yeah, for a little while. I had a gig with Dinah Cancer and this other girl at a movie company’s daycare center. And then one of the women there—I put her kid into time out. You know, I was weird-looking; I had green hair and everything. So she started this rumor that I was yelling at her kid and yelling at all the other kids. That’s the time that sent me into my second nervous breakdown. I had one breakdown when the band quit and then right afterwards there was the [Northridge] earthquake. And then right after that, my brother blew his brains out. And then right after that, my Mom tried to overdose. So that was just a lot. It was just too much. So yeah, I do better on my own and being creative and staying up late at night—I’ve got insomnia a lot.

We’ve tried to do several versions of [Haunted Garage]. Funnily enough—we used to play this place in San Francisco a lot called the Chatterbox. It was a tiny little place. When the bands came in at night, they would take the pool table and stack the amps on it and put a piece of plywood on top of it—and that’s where the bands would play. And Erik walked in in a stupor one night and we were throwing blood and stuff around. And he was like, “I don’t need to see this crap.” And walked out! [laughs]

And then about 12 years ago, me and Gaby [Godhead, guitarist from the “classic” Haunted Garage lineup], we had a big party at a friend’s house, and we got these guys from O.C. [Orange County, California] to be the rhythm section. They were blown away by the [number of] people that came to the gig. So the next time we saw them, they were dictating to us what they were gonna get paid for each gig. They just decided to hold the band for ransom. So that didn’t fly.

That Gaby got offered a gig with the guys from Bottom 12, and [that] morphed into Virginia City Revival. So I was able to do one more revamp of Haunted Garage for one night only at Safari Sam’s a little over five years ago.

WB: That was with Gaby?

Dukey: That was with Gaby. We were going to keep it semi-regular, and I was booking some gigs, but he wanted to make sure that Virginia City Revival was going to be first and foremost. I could see the writing on the wall: Rehearsals were gonna keep on getting canceled. So that didn’t fly.

Trying to find reliable band members when you don’t have any money to tempt them with is like trying to pull teeth, you know? [laughs] You got money, you can get any hotshot kid to go with you on tour. If you don’t have any money to start something, it’s gotta appeal.

So it was just the right time that I hit Erik—and Erik and I are friends anyway. The rest of the people—it’s kinda like it was the first time with Gaby and those guys. It just fell in my lap. I’ve known Beaver before from this band Insecto. And I met Sean at this club where we were doing this cover band Undead Kennedys with Erik, which was Dead Kennedys covers all in zombie makeup. And then Andy I’ve known for awhile…

Andy: From Mondo Video.

Dukey: Yeah, from Mondo Video. Used to go there and see them shooting porno. They had all these weird bands there like Extreme Elvis and The Kids From Widney High, which were all these disabled kids. He saw the Safari Sam show and he really enjoyed it, so when he saw on the Facebook page that I was looking for a guitarist, he jumped on it. Plus this is the first time we’ve ever had an actual makeup man, an effects guy, in the band. The rest of the guys didn’t bother learning how to do that stuff.

Andy: Yeah, I work for a costume company.

Dukey: And his wife does, too. And I can do some. And these guys are starting to learn, too. Erik used to do his own zombie makeup and stuff.

Erik: Yeah, I did it in the Redwood one night with no mirror. It turned out OK.

Dukey: You do what you gotta do. One night, I think it was after we made the Cramps’ dressing room way too bloody in Europe—we were playing in Germany, I forgot where. Stuttgart, maybe. Anyway, we couldn’t use the dressing room. So we had to go up on these catwalks that were way high above the audience. We had to change our clothes up there and have little flashlights and little mirrors. No one even knew we were up there, it was so frickin’ high up. So you do what you gotta do.

WB: You said earlier that you have bipolar disorder. So is it when you get the manic energy that you get an itch for getting this band back together again?

Dukey: Absolutely. Being creative, period. I’ve been doing other things. But some things just don’t pan out, you know? I’ve been commissioned to write about three scripts, but they’re just kinda laying there.

WB: I checked your IMDb page and see you’ve still been acting occasionally.

Dukey: Yeah, I had a small role in a film called Reel Evil not too long ago. Me and Johnny Angel Wendell—he’s a musician and an AM talk show host, one of the few liberal ones—five years ago we were commissioned to write Blood Feast: The Musical. And we did, and the first draft turned out pretty good. But they haven’t gotten anybody to finance it yet.

WB: Were you always into music as well as the film stuff?

Dukey: No, I was always interested in acting. I always liked music. I love rock ‘n’ roll music. Me and my friends—it might’ve even been my birthday party—we’re all sitting around drinking beer, and we were just talking about some of the bad movies we liked, and the songs in them. And we were like, wouldn’t it be great if there was a band that played all those bad songs that we remember from those movies? You know, “The South Is Gonna Rise Again” from Two Thousand Maniacs!, and Strange Pursuits and Hideous Sun Demon and The Blob and stuff like that. And then the bass player called me up and said, “Dude, we’re gonna do the band. And you’re gonna sing.” And I went, “Oh, shit.” I hadn’t done any singing, except being drunk.

So you know, it just kinda took off for awhile. And then we found out that not as many people knew about the songs and they thought we were just making them up. So we started to make them up. And then as the band morphed, it just got more and more aggressive. It started out kinda bluesy, then it went kinda psychedelic. And then straight-on metal and punk.

WB: Do all your stage props live somewhere else?

Dukey: Yeah, they live at my house. They’re just building up now. Andy was able to score some stuff, and I’m asking around. We’re getting stuff sometimes right off the junk pile. I just had our corpse reserviced—you know, patched her up and everything.

WB: Does she have a name?

Dukey: Amber’s [Dukey’s girlfriend] just been calling her my wife. I think I’ve called her Monica. We’re gonna put a Miley Cyrus wig on her or something like that.

Sometimes it was hard to get the guys in the old band to fork over the money for the show. ‘Cause they were musicians first and they were showmen way second. But these guys like every part of it. So they’re willing to put some money forth in the beginning to at least get the show going. People expect some kind of a show, but we’re not up to where we used to be. ‘Cause on the last couple of shows [pre-breakup] we destroyed everything.

But the best thing about these guys is, they wanna do it. Sometimes it was like twisting the other guys’ arms. I had difficulty just getting them out of town, like to San Francisco. [puts on a gruff grouchy voice] “Why do we have to tour?” And then when they found out it was a gay bar in the daytime: [gruff voice] “Goddamn, look at all these queers hangin’ around here. We have to play this place?” They changed their tune later on. They were good guys.

Brian: Are you doing the bass player right now?

Dukey: [laughs] No, none of them…no, actually, I was doing the old drummer.

Brian: The bass player you guys had [King Dinosaur], he looked like Ted Nugent. Was he a total redneck or did he just look that way?

Dukey: You know, we made him that way. He was a total San Diego surfer guy. And we were like, this is not gonna fly. We were like, you gotta grow your hair, put on a leather jacket. I had the conversation for weeks to get a leather jacket. And when he finally got it, he’d never take that thing off.

And Gaby, the first time Gaby came in, he was dressed up like a hippie with a Nehru jacket and a peace sign. “You know, that doesn’t quite work.” And he says, “Oh, OK. I think I know what I’m gonna do.” And he just showed up at this club, the Zombie Zoo, about 15 minutes before we were gonna go on, in like a total Catholic schoolgirl outfit with this weird kabuki makeup. Brilliant. He stayed that way ever since. In his other bands, he’s still dressing that way.

I was lucky to start the band at a time in Los Angeles when the club scene was very vital. There were a lot of bands that were doing stuff like that, like Pigmy Love Circus, Celebrity Skin, Christy McCool. Tons of different bands.

Erik: I mean, just your average rock band was throwing shapes onstage and wearing weird clothes. It was quite a time.

Dukey: That’s true.

WB: Does this version of the band have the blessing of Gaby and those other guys?

Dukey: Well, the other guys and I don’t talk very much. But Gaby wished me luck in an email. There’s some resentments with one or two other members, but that’s the way it goes.

WB: You’re the sole original member—the sole survivor.

Dukey: You know, I hated doing that. That’s another reason I waited so long. I didn’t want to like, cheapen it, you know? Here’s Fear and the only one in it is Lee Ving or here’s this other band and the only one in it is so-and-so. All the bands that only have one member left.

Erik: It was hard to imagine Haunted Garage without Gaby …

Dukey: Yeah, he’s so dynamic. So when he was doing the revivals with me, it was fine, because it was me and Gaby. But after that it was like, I don’t know. I didn’t know whether it would work or not. But I had to just give it a shot, because I needed to do something.

WB: What’s the story with Peter Rottentail?

Erik: Yeah, what is the story? The first time I saw that thing, it starts grabbing me.

Sean: It almost knocked me over, dude.

Dukey: We used to have a demon suit for that, for “Welcome to Hell.” But we don’t got no demon suit no more. So my girlfriend is like a borderline furry. She’s got some furry costumes and stuff like that  She decided to give me that costume for my birthday one night.

At the La Habra Bowl, they have furry bowling on Saturday afternoon. She wants to go, but she works on Saturday. So we might start one out here.

WB: That can’t be easy to bowl in a full furry costume.

Erik: I was gonna say, they must put the bumpers up or something.

Dukey: You know, I think they just roll it [mimes throwing a ball from between his legs] like that.

WB: So was that Amber in the rabbit costume?

Dukey: No, that was a friend of ours. Nick, from the Radioactive Chicken Heads. But I may put Amber in the flying monkey suit.

WB: Whatever happened to the demon costume?

Dukey: Oh, that foam rubber just deteriorates.

WB: I always wondered how the GWAR guys handle that.

Dukey: Well, they have VacuForm machines. They just make another one.

WB: Did you ever play with those guys?

Dukey: You know, they say we have and I swear we didn’t. But we’re friends with them. We were at their shows.

WB: I know you played with The Cramps…and you’ve probably also played with The Misfits, Butthole Surfers

Dukey: Right. Screamin’ Jay Hawkins.

WB: Oh, really?

Dukey: Yeah. That was amazing.

WB: He’s one of your influences, I understand.

Dukey: Absolutely.

WB: As far as the sound of the band goes…I was listening to Possession Park earlier today and it sounds pretty close to what you were just playing. But do they kind of bring their own flavor to it?

Dukey: They can play with it. It’s pretty close in structure as long as they get all the chords right and everything like that.

WB: There were a few things that sounded a little more Sabbath-y…

Sean: Yeah, everything’s down a whole step.

Dukey: And the solos are very whatever they feel like doing.

WB: Are there plans to release any more Haunted Garage material? Old demos or any new stuff?

Dukey: Yeah, two people and Sean, too, want to record for us.

WB: Oh, so it’ll be new recordings?

Dukey: Yeah. Basically doing each other a favor so they can have production credits. So new material will be coming out. And then there are a few more songs of the old band that I want these guys to learn.

Andy: “Little Green Men.” I’ve been seeing it on all the threads.

WB: Had any of you guys done stuff like this in your previous bands, with costumes and all? Or is this pretty new?

Andy: I was more black metal/thrash type stuff.

Brian: I might enjoy being in Haunted Garage because of my prop-rock pedigree.

Erik: Besides being in Haunted Garage 12 years ago, 22 years ago, I walked out on the band in San Francisco. It was just too much for me. I was like, these guys are too fuckin’ crazy, so I actually walked out on the band that I’m in now.

WB (to Dukey): Do you have to do things differently now to take care of your voice and your body?

Dukey: Yeah, I have to do a lot more stretching and back exercises and stuff like that. And I used to be all over the fuckin’ stage and I can’t do that so much anymore. But, this one person I’m seeing for my health says I’m still not too old to reverse some of the aging process. Sixty is the new forty, I guess.

WB: How old are you, if you don’t mind me asking?

Dukey: I’m pushing sixty. I’ll be sixty next April. But I only feel it in my joints.

WB: I have to ask, how did the mousetraps on the face come about?

Dukey: You gotta just [make] do with what’s around. There used to be a big prop house in Hollywood and I would go raid their trash cans at night. I got all these papier mâché cow heads one night from the trash there and we stuck ‘em up on this wall and threw the wall into the audience and had people smash them. We found this old antique fat shaker machine on somebody’s lawn and just went and used that for “Torture Dungeon.” Stuff like that.

Brian: People used to think those made you lose weight?

Dukey: Yeah, but they don’t. [laughs] I was doing that shit every night for two months and never lost a single pound. It was really fun when you put it up high—you could sing like the munchkins.

So anyway, I knew a lot of people in the S&M club scene that was just starting to come up at that time. It was just like, what am I gonna do with [all] these things? I don’t know how the idea came into my head, but it was like…OK, mousetraps.

WB: It’s an intense image.

Dukey: It’s not that bad. The rat traps after awhile hurt but the mousetraps are not that bad. I did play pierce my eye bags one night. That was kinda gnarly.

Erik: That’s a very delicate area.

Dukey: It was. I got shiners afterwards. [sounds of disgust from the band]

WB: Did you do that in a show or in the comfort of your own home?

Dukey: In a show. I’ve got it on film.

WB: That’s intense.

Dukey: It was intense.

Erik: More or less intense than a roman candle up your ass?

Dukey: Yeah, that was at a party. [laughs] I’ve still got the scar from that. I just don’t think like other people do. I don’t want to put myself in a certain league, but other artists that I like a lot think different, too, like Doug Stanhope, Sam Kinison, Frank Zappa, Captain Beefheart

WB: Screamin’ Jay Hawkins.

Dukey: Screamin’ Jay Hawkins. When I was a kid, I saw some puppets do “I Put a Spell on You” and I was fuckin’ blown away. “Mom! Get me this record!”

WB: What’s the craziest live show any of you have been to?

Andy: I think Rammstein, when the guy came out on fire shooting lasers out of his eyes. That was pretty badass.

Sean: I have to think. I’ve seen so many shows so I have to clear the cobwebs. I don’t know, I mean, for me, that wasn’t really my cup of tea. I was more of a musician. I would go see musician bands. Like, everybody was into Kiss and I was into Queen at that time. Fuck Kiss, I hate that band. They suck.

Erik: They do. They’re terrible.

Sean: My very first concert that I ever went to in my entire life was Judas Priest when I was like seventeen years old. I saw them on the Defenders of the Faith tour in 1983. They had this huge stage thing with the monster with the claw that came out. [Rob Halford] comes out on a Harley. They opened with “Love Bites” and it was ridiculously loud. I was probably 15 feet from the stage. They hit that first note and I turned to my buddy and was like, “We are not standing here.” It felt like somebody was squeezing my head. So much sound pressure. It was insane. But they were great.

There’s a band out of Kalamazoo, Michigan called the God Bullies that’s pretty wild. There’s a really famous place in Kalamazoo called Club Soda. The Stooges used to play there back in the day. When I saw the God Bullies there, the bass player came out in a full clown outfit and stood with his back to the audience the whole time. The lead singer, I remember he had on these super-tight patent white leather pants and super-tight patent white leather jacket. No shirt. And he had this huge bulge, like down to his knee. And halfway through the show, he opens up his pants and pulls it out, and it’s a rotten squash. And he took this rotten squash and squashed it all over his body. They were really good musicians, too, but that’s probably the closest thing to this band that I’ve seen.

WB: Brian, what about you?

Brian: Strangely, I didn’t see many performance-type bands before I was in Insecto. But being in bands, I’ve always been kind of obsessed with musical power. Like you know, certain bands just seem to have that laser focus. My favorite band from my youth is Jane’s [Addiction]. They always had that. It was four people just musically focused [who] would punch you in the face every time you saw a show. From a musical standpoint, that’s always my goal, to have that wall of power.

WB: Erik?

Erik: Oddly enough, Judas Priest back when I was a kid in high school, too. I saw them in ’78, on the Hell Bent for Leather tour, with the motorcycle on the stage. And then the next time they came around [was] Screaming for Vengeance. That was the first time I took a full dose of acid, too. My ears were ringing the next day. The twin guitars…

Andy: Yeah. K.K. Downing, Glenn Tipton. You can’t beat those guys.

Erik: As far as what I can actually pull off playing, K.K.’s the guy, you know? Delay, whammy bar, wah pedal and just a lot of spirit.

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