For “Frozen Fish,” the fifth video from her magnum opus, Fish Drive Edsels, Petunia-Liebling MacPumpkin enlisted a famous friend for help: Bill Mumy, aka Art Barnes, one-half of legendary comic rock duo Barnes & Barnes. According to our sources at Petunia’s label, Electric Phantom, the video is a dramatic reenactment of how she and Mumy actually met, when she sent him fan mail wrapped around an actual dead frozen fish in tribute to Barnes & Barnes’ most famous song, “Fish Heads.” While we cannot confirm how much of the story is actually true, it certainly makes for an entertaining video—although we’re glad we’re not watching it in Smell-O-Vision.
Art Barnes isn’t the video’s only cameo: Evil sock puppet Werman, who first appeared in Petunia’s video for “Aquatic Plumbing,” also drops by, as does the (as far as we know) nameless apparition that looks like a hand covered with eyeballs from “Lonely Lady,” which has picked up some mad keyboard skills since we saw it last. At this rate, Petunia-Liebling MacPumpkin’s videos are going to rival Pee-wee’s Playhouse when it comes to weird recurring characters.
For those of you keeping score at home: Petunia’s next video should be for the Fish Drive Edsels track “House Plants.” Here’s a taste.
(Guest post by Kai Nobuko)
Harry Merry is a living underground legend from the Dutch harbor city of Rotterdam. Dressed up in a sailor’s tunic and styled with an iconic haircut, he is out there to flabbergast with his unique brand of entertainment. His favorite keyboard is subjected to his own wild arrangements, full of odd chord changes and a tone scale of its own. Add Harry Merry’s unique, heavily accented voice and your ears will witness a match made in weirdo heaven.
Harry Merry has released a couple of LPs and a free downloadable 7″ single, “Village Life in 1905.” Coming from his Well… Here’s Another Nice Mess You’ve Got Me Into album is one of his more popular songs that attempts to stay in your head. The promotional video clip for it has been around on the Internet for quite a while, but in case you missed it (or lost a few brain cells and erased it by accident): Here is Harry Merry’s music video for “Stevie Storm.”
For more Harry Merry, visit his website.
Why does the Internet genius called TomCattt have
three four “T”‘s in his name? Because he’s a fucking stud, that’s why. He’s in his fifties (I’m guessing) and still rocks a mullet. He’s karate-kicking a keyboard in half on his website. He dances with not one, but TWO hot chicks in his videos, because one day-hire dancer is not enough to slake his unquenchable thirst for dancing with hot chicks. He’s basically the Chuck Norris of midlife-crisis DIY pop musicians. He even looks plausible in a black cowboy hat.
Our thanks to reader and Weird List inductee Army of Gay Unicorns for sharing with us the glory that is TomCattt and this song, “Yes Love,” that will now slowly eat away my brain from the inside. At least I’ll die laughing.
P.S. The album that this song comes from is called Hiiyaaaaaaaaaaa!, which I assume is supposed to be said like you’re just about to karate-kick a keyboard in half. The alternative is that it’s the sound TomCattt makes when he climaxes, but I don’t really want to contemplate that possibility.
The lesson of Chimney Crow’s new “Sarah Kristina” video is: Don’t accept a ride home from Chimney Crow
Hey, Chimney Crow! How’s it hanging? Hey, listen, I love what you guys have been doing lately with the Muppets and Deee-Lite covers and all, but I gotta be honest: Your latest video is freaking me out a little. Are you OK, Chimney Crow? I mean, do we gotta send in an FBI unit to pull up your floorboards and shit? ‘Cause you’re sounding a little…well, just listen to yourself, man!
But hey, I’m sure you don’t really know anyone named Sarah Kristina, right? This is all just an artful meditation on the alienation of modern life or some shit, right? I really hope so, because I don’t want to have to hide all my drug paraphernalia when the detectives show up on my doorstep asking, “So, how did you know the suspect?”
Our basement electronica pals Chimney Crow seem to be on a covers kick of late. Just a few weeks after rocking a down ‘n’ dirty version of Deee-Lite’s “Groove Is in the Heart,” they resurfaced yesterday with a just plain down version of “Rainbow Connection” that leeches all the wide-eyed wonder out of the Muppets original and turns it into something more like a Nurse With Wound outtake. As an unabashed fan of Kermit’s banjos-and-schmaltz version, I’m not sure how I feel about Chimney Crow’s, but I gotta admit, it’s unexpected. Between this and Dolchnakov Brigade’s “Bein’ Green,” this could be the beginning of a very weird Muppets tribute album. Maybe next we can convince Anklepants to do “Rubber Ducky.”
Outsider music goddess Petunia-Liebling MacPumpkin continues to take us on a funhouse video trip through her album Fish Drive Edsels. Up next in her ongoing series: “Green Glow,” a particularly off-kilter tune featuring hand-cranked synths and vocals that sound like they were delivered from the bottom of a well full of nitrous. The video features Petunia pursued through the forest by a creature apparently known as The Cooker, who kind of looks like a military camo tent come to life. Who will save her? Watch and find out:
Actually, I guess we’re still not sure what happened in that clip, but I believe we can safely surmise that The Cooker = bad, and Green Glow = good. And eggs are important. In some way.
Petunia’s still moving sequentially through Fish Drive Edsels‘ tracks, so her next video should be for one of our favorite tunes, “Frozen Fish.” Please to preview it below.
It’s been awhile since we heard anything from our favorite white Ohio rapper (sorry, Machine Gun Kelly), so we were tickled silly to discover that not only is our man Gary “Mission Man” Milholland still out there on his grind—now he’s doing it with company! Yep, Mission Man now has (for some gigs, at least) a full backing band. Watch your back, Roots!
We don’t have the full details yet, but apparently The Mish has even recorded a live album with said backing band and plans to release it later this year. It will be called RnR Playdate after the open mic night in Fairborn, Ohio where this crew, The RnR Playdaters, serve as the house band. Even before I knew about the whole open-mic element, I was sure these tattooed bros would take Mission Man’s defiantly weird music and turn it into bar-band dreck, but they actually stay pretty true to the herky-jerky rhythms and random slap basslines of the original material. They throw a gratuitous guitar solo in there, too, but Gary’s obviously loving it and hey, if he’s happy, we’re happy.
More news on Mission Man, his new posse and RnR Playdate as soon as we have it.
So here’s an idea Jake and I came up with after too much eggnog: On Sundays throughout 2014, we’ll be sharing some of our favorite weird things that come in non-band form: blogs, podcasts, magazines, record labels, books, films, radio shows, YouTube channels, visual artists and more. There’s just too much good weird shit out there that deserves more than the occasional retweet.
We’re kicking off this new series with one of our absolute favorites: Bepi Crespan Presents…, a weekly radio show and podcast broadcasting out of Canada on CiTR Radio (also home to legendary radio personality Nardwuar the Human Serviette). Host Bepi Crespan plays a self-described mix of “difficult music, harsh electronics, spoken word, cut-up/collage and general CRESPAN© weirdness.” He favors artists like Merzbow, Cabaret Voltaire, Einstürzende Neubauten, Negativland and Ryoji Ikeda, but also features tons of newer bands and composers who probably don’t get airplay on any other FM radio show in the world. He remains, to the best of our knowledge, the only FM radio DJ to regularly play the twisted art-pop of TWBITW favorites Chimney Crow and Petunia-Liebling MacPumpkin, and that alone makes him worthy of a hat-tip in our book.
Crespan broadcasts his show every Sunday morning from 6:00 to 9:00 a.m. on CiTR; if you live in the Vancouver area, you can find him at 101.9 FM, and if you live anywhere else, you can livestream his show on CiTR.ca. Past shows are posted in podcast form on the Bepi Crespan Presents… website. So next time you’re in need of a heavy dose of avant-garde noise, give one of his shows a spin. You’re pretty much guaranteed to discover something you’ve never heard before, which is more than we can say for 99.9% of terrestrial radio anymore.
Happy 2014, weirdos! Are you as hungover as we are? I hope not, because this week’s weird artiste can be tough to listen to with a throbbin’ noggin.
We were introduced to Jan Terri the same way most folks are: Someone sent us a link to a YouTube video called “Worst music video ever,” a badly ripped copy of Terri’s “Losing You” that’s gotten over 3 million hits. And while “Losing You” is not the worst music video ever by a long shot (as far as we’re concerned, Brokencyde still wears that crown), it’s not exactly a cinematic triumph. The camerawork could best be described as “easily distracted” and Terri has so little screen presence she’s upstaged at the 1:05 mark by a drainpipe. The tune itself is actually pretty catchy, but Terri sings it like someone at a karaoke bar trying to do a song she’s never heard before. At first glance, it’s a train wreck.
And yet…Jan Terri’s music sucks you in, and not just because it really is catchy. Like all great outsider music, there’s something pure and unaffected about it. Songs like “Losing You” and “Make It With You Babe” are such determined yet failed attempts to make slickly produced pop-rock that the failure itself becomes more compelling than actual slickly produced pop-rock.
Terri released two albums and a handful of videos on VHS tape in the early ’90s, but few people outside her hometown of Chicago knew about her until Marilyn Manson, of all people, became a fan. She opened for him in 1998 and appears in his God Is in the T.V. video collection. Soon after that, however, she stopped pursuing music to take care of her mother, who suffered from dementia and passed away in 2008. So when her videos started becoming viral hits on YouTube in the late ’00s, no one really knew what had become of her. She was even rumored to have died.
Instead, much to the delight of her growing fan base (and us here at TWBITW), Terri resurfaced in 2011 with new music and a holiday-themed video that showed she hadn’t lost her knack for kitschy YouTube fodder:
Since her comeback, Terri’s released another two albums’ worth of frozen-in-the-’80s pop anthems: The Wild One, a country-tinged effort with awesome cover art, and last year’s No Rules, which features some of her rockingest tunes to date. We’ll leave you with the video for the No Rules track “Skyrockets,” which was shot right here in L.A. (or, more specifically, “on location in Beverly Hills, Malibu & Hollywood”) and proves that, even after 20 years, Jan Terri is still, as I believe the kids like to say, unfuckwitable.
So it seems that while the rest of us were unwrapping presents and/or going out for dim sum this past Dec. 25th, the folks over at weirdo label Electric Phantom were hard at work. They released two Christmas Day videos from their top artists, Petunia-Liebling MacPumpkin and Chimney Crow—but they also threw in a twist: Petunia does a Chimney Crow song, and the Chimney Crow does a MacPumpkin song! It’s like that Peter Gabriel Scratch My Back project, except that it’s actually worth listening to.
If you want the full story of how this little project came about, watch this video and all will be revealed. (You’ll also find out which member of Chimney Crow is obsessed with The Residents—I would’ve assumed they all were, but it turns out the other guys are more into horses and stuff.)
But let’s get right to the good bits. Here’s Petunia turning Chimney Crow’s “Teddybear and His Bullet” into a spooky, skeletal hymn:
And here’s Chimney Crow sneaking a nifty little dance groove in under the funhouse nursery rhymes of P.L. MacP’s “Houseplants.” With audio-visual aids, no less!
So thanks for these little surprise Christmas presents, Electric Phantom. We look forward to more of your inimitable weirdness in 2014.