Blog Archives

Mac Sabbath

Mac Sabbath

Every once in awhile, a new weird band comes along with a concept that is so completely fucking brilliant, you can’t believe no one else thought of it sooner. That was the reaction we first had when a friend of ours here in L.A. invited us to see a McDonald’s-themed Black Sabbath cover band called…wait for it…Mac Sabbath! Genius, right?

It was so genius that we were sure they must suck…no idea could be that clever and well-executed. Turns out we needn’t have worried. You’re in good, puffy clown hands with Mac Sabbath…those hands belonging to one Mike Odd, the same twisted visionary behind another of our favorite weird local bands, Rosemary’s Billygoat. (Officially, Mike Odd is just Mac Sabbath’s manager. But let’s just say that must be Mike’s brother under the “Ronald Osbourne” makeup, because the resemblance is uncanny.)

We were apparently fortunate enough, by pure dumb luck, to attend Mac Sabbath’s first-ever live performance (blurry photographic evidence below) back in July and it was fucking amazing. Hamburglar came out first, tossing hamburgers at the audience as he took his place behind the drum kit. Then came the guitar player, Mayor Slayer McCheese, horns protruding from his cheeseburger mouth like he just ate a whole steer. Then came Grimace, and of COURSE Grimace plays the fucking bass. Most bass players have a little Grimace in them. If you painted my high school garage band’s bass player purple, he’d basically be Grimace with slightly more hair.

Ronald Mc…sorry, Osbourne, came out sporting red and yellow fringed sleeves and took up position behind a mic stand shaped like a giant milkshake straw. The band launched into “Sweet Beef” and the rewritten Sabbath songs just got more ridiculous from there: “Frying Pan” instead of “Iron Man,” “Pair-a-buns” instead of “Paranoid,” you get the idea. I’m pretty sure “Rat Salad” is still just “Rat Salad,” though.

The highlight came when Ronald reached into his takeout bag, pulled out a hamburger with bat wings, and took a massive bite out of it. Or maybe the highlight was when he started using a giant straw to sneak slurps of audience members’ drinks. Or maybe the highlight was just watching Grimace play the bass. Seriously, I could not get over that part.

I’ll leave you with a live video of the band performing “Frying Pan,” complete with subtitles so you can appreciate the full hilarity of what Mike Odd and company have aptly dubbed “Drive Thru Metal.” Supersize me, Mac Sabbath!

Oh and here’s our bragging-rights photo of their very first performance:

Mac Sabbath at Bergamot Station

Links:

About these ads

Thomas Truax

This photo by Andrew Werner; banner photo by Chris Saunders

This photo by Andrew Werner; banner photo by Chris Saunders

We’re back! Did you miss us? We promise to resume regularly posting Weird Bands of the Week and occasionally updating our Weird 100 chart, but other site updates will probably be more infrequent because we’ve both got demanding day jobs now. For our ever-popular Weird of the Day picks, follow us on Twitter or Facebook. And now, back to the weirdness…

This week’s “band” is a solo artist from New York named Thomas Truax (pronounced “True-Ax”) who plays guitar and a variety of homemade instruments, mostly of the beat-making variety. He started out as the bassist/vocalist for a ’90s trio called Like Wow that was part of downtown Manhattan’s “antifolk” scene (did anyone actually like the term “antifolk”? didn’t think so), then turned solo around 2000 or so. His signature instrument, seen above, is called the Hornicator. It’s a modified gramophone horn that he can both sing into and use as a twangy percussion instrument by plucking a string wrapped around its neck. It apparently also has a kazoo inside it, because really, any halfway decent homemade instrument may as well include a kazoo.

Musically, Truax tends to play his own spin on mutant, lo-fi blues, evoking shades of everything from Nick Cave to Jon Spencer to another weird artist famous for cleverly constructed analog drum machines, Mr. Quintron. He’s done an entire album of songs from David Lynch films and another of original songs to accompany a production of Henrik Ibsen’s Peer Gynt. More recently, he’s teamed up with ex-Dresden Doll drummer Brian Viglione. But it’s his solo live shows, where he unleashes his Hornicator and a variety of steampunky percussion instruments with evocative names like the Sister Spinster and the Mother Superior, that really showcase Truax’s weirdness.

Truax has also made more than his fair share of memorable music videos over the years. Here’s our favorite, suggested by reader Chas (thanks, Chas!), for a typically offbeat Truax original called “Prove It to My Daughter” that doubles as both a song and a hypnosis session:

Links:

Primus oral history book, “Primus: Over the Electric Grapevine,” due out tomorrow

Primus

Good news for Primus fans who like reading and stuff: Tomorrow marks the arrival of the awkwardly titled but sure to be awesome Primus: Over the Electric Grapevine: Insight Into Primus and the World of Les Claypool, the first oral history of the influential, bass-slappin’, beaver-ticklin’ alt-rock legends. We’re supposedly getting our mitts on a review copy soon, so we’ll provide more details then. All we can tell you right now is that it was compiled by journalist Greg Prato and features interviews with all the major players in Primus—Les Claypool, Larry LaLonde, Tim “Herb” Alexander, Jay Lane, Bryan Mantia and Todd Huth—as well as friends, fans and occasional collaborators like Trey Anastasio, Stewart Copeland, Tom Morello, Geddy Lee, Kirk Hammett, Tom Waits, Chuck D and Hank3. You can pre-order a hardcover or Kindle version here.

In other Primus news: On Friday, they released another track from their forthcoming Primus & the Chocolate Factory, their tribute to the music of Willy Wonka and the Chocolate Factory, due out Oct. 21st on ATO Records. “Golden Ticket” turns the light-hearted original into a primal space-blues stomp—but in a light-hearted way. Les even whistles at one point. Yep, even by Primus standards, this one’s clearly gonna get pretty weird.

Weird of the Day: Tartar Control, “Smoking Crack”

Tartar Control

Hey, so here’s another L.A. band we’ve been meaning to write about for awhile. Tartar Control claim to be God-fearing Mormons from Salt Lake City who try to spread religion through the power of snotty punk rock, but I’m not so sure. I think they might be actual snotty L.A. punk rockers who are just ripping off these guys. Oh, wait, their drummer is a robot? I take it all back then. They must be actual Mormons and their act is totally original! (Mormons love robots. It’s why their Chosen One is Mitt Romney.)

Anyway, Sean, Robert and Robot have a new album coming out in October called We Forgive You. You do? Thanks, Tartar Control! Glad that dead hooker is finally off our conscience.

While we wait for forgiveness, here’s a video for “Smoking Crack” off their first album, Holy Crap! Tartar Control forgives us, but who forgives Tartar Control?

For more Tartar Control, floss regularly and visit the band’s website.

Weird of the Day: Darth Vegas, “Nano Nano”

Darth Vegas

Today’s weirdness comes to us all the way from Australia (and a suggestion by reader Roman). Darth Vegas might best be described as vaudeville metal. Their music ping-pongs between bone-crushing drop-D chords, sing-song circus-tent music, finger-poppin’ jazz, frenetic ska and sunny surf-rock, usually every three seconds or so. They get compared to Mr. Bungle a lot—like, pretty much in every YouTube comment—and they definitely wear their Mike Patton Fan Club badges on their sleeves. But they bring enough of their own cleverless and technical chops to the party that their stuff stands on its own.

Here’s the first track off their self-titled 2003 album. If you don’t like it, wait a few seconds.

For more Darth Vegas, visit their website, or check out their catalog on Amazon.

This year’s GWAR-B-Q with feature a Oderus-less incarnation of GWAR

GWAR-B-Q 2014

So apparently GWAR will be performing at the fifth annual GWAR-B-Q in Richmond, Virginny, on Aug. 16th. And I’m not gonna lie…I have mixed feelings about this. When GWAR front-monster Oderus Urungus ditched Earth back in March, I kinda assumed it was the end of the line for his merry band of blood-spewing thrash-heads. But they’ve decided to carry on without him, which strikes me as the worst idea since Loutallica. But hey, talk me down from my ledge, Jizmak Da Gusha (from an interview with Metal Insider):

We have Mike Bishop, the original Beefcake bass player of GWAR. He’s coming back to fold to do some singing duties, but Balsac, Pustulus, Beefcake, they’re all singing. Cyborg, Destructo, Bone Snapper, all the GWAR characters have songs to fill in, and we’ve kind of taken the idea back to the original, old school, Scumdogs idea. Where Oderus, he was just the anchor, there were so many characters and so many different people singing songs, and so much action and gore and death on the stage in the old days that it wasn’t like it was more recently, where we stripped away all of that and made Oderus the focal point. The old Scumdogs of GWAR, there’s chaos everywhere, and Oderus is just the anchor to it. So we’re kind of going back to the old format, embracing it… I think people are going to respond to it. No one would respect us if we just threw another guy in the costume and said “Oh here’s Oderus’ replacement.” There is no way to replace Dave Brockie, not in a million years.

OK, I’m less scared now. A reunion of all former GWAR Scumdogs, with everyone taking turns on lead vocals? This could be good. It could be like a big GWAR circus, all honoring Dave/Oderus’ memory. OK, I’m totally in! Also, I may have just teared up a little. Sorry, GWAR makes me sentimental.

In addition to GWAR 2.0, the GWAR-B-Q is also going to feature such skull-crushing experts at Hatebreed, Goatwhore, The Misfits, The Meatmen, and fuckin’ Ice-T and Body Count. For tickets, go here.

In other GWAR news: Plans are moving ahead to open the first GWARbar in Richmond, featuring “intergalactic gourmet junk food” and, of course, GWAR-brand beer (start with the Impaled Pale Ale and switch to the Killsner when you’re too drunk to stand). GWAR’s own Mike Derks, aka Balsac the Jaws of Death, will be the chef. By the way, if you click that GWARbar link at the top of this paragraph, you will see that the name “Balsac the Jaws of Death” just got printed in the Washington Post. This makes us happy.

I’m going to play this post out with a classic clip of GWAR on The Joan Rivers Show sometime around 1990, partially because it gives you a chance to see Mike Bishop, the original Beefcake, in action. But mostly because it’s funny as fuck.

Primus are doing their take on “Willy Wonka and the Chocolate Factory”

Primus and the Chocolate Factory

Primus’ next album might be, at least conceptually, their weirdest yet: They’re doing their own spin on the music from the immortal 1971 film Willy Wonka and the Chocolate Factory. The album, called Primus & the Chocolate Factory (with the Fungi Ensemble), is set for release Oct. 21st on ATO Records and features the “definitive” Primus lineup: Les Claypool, guitarist Larry LaLonde and returning drummer Tim Alexander, with help from members of the Les Claypool Frog Brigade (operating, we presume, under the name Fungi Ensemble). It’s the first time the Claypool/LaLonde/Alexander lineup has recorded a full-length album together since 1995’s Tales From the Punchbowl.

In discussing his motivation for doing a Willy Wonka-inspired album, Claypool doesn’t mince words: According to the press release, he was largely inspired by his hatred of the 2005 Tim Burton film version of Roald Dahl’s classic children’s book. “I think like a good portion of the planet, we were all pretty put off by the remake of the Willy Wonka movie — the Tim Burton version,” says Claypool. “Look, I love me some Tim Burton, when he writes his own stuff, and I respect what Johnny Depp has done over the years.  Hell, Ed Wood is one of my favorite films, but that (Charlie and the Chocolate Factory) is just unwatchable and believe me I’ve tried…twice as a matter of fact. Even my kids hated it.”

I’m not exactly sure how Primus’ Zappa-esque take on songs like “Pure Imagination,” which you can hear below, is any truer to the spirit of the original Gene Wilder film version of Chocolate Factory…but I gotta admit, it’s unlike anything Primus has ever done before. Have a listen.

In other Primus news: The band shared an update via Facebook yesterday on the condition of Tim Alexander, who underwent heart surgery a couple weeks back. Sounds like the surgery was a success and he’s doing well. Here’s the full text of the post (which also includes mention of some cancelled September dates):

Tim has been home from the hospital for about 5 days and is making great progress. Thanks to all Tim’s friends in the music community and the fans for having Tim in their thoughts over the past two weeks. He is up walking around, starting some physical therapy and his wits about him as well. Unfortunately, we had to cancel the 2 set shows in Maplewood, Fargo and Clive as Tim wont be ready to play 2 sets in September. Tim is resting up at home and getting ready for his return to the stage on Oct 22nd at the Tower Theater in Philadelphia. We’ll be making a special announcement about both Riot Fest shows sometime in the near future.

That Oct. 22nd date marks the start of the Primus & the Chocolate Factory tour, which runs through November, with more dates to be announced. As Claypool says, “it gives me an excuse to wear a purple velvet waistcoat and brown top hat for the next 18 months.”

Primus & the Chocolate Factory tour dates:

10/22 – Tower Theatre – Upper Darby, PA
10/24 – Palace Theatre – Albany, NY
10/25 – Orpheum Theatre – Boston, MA
10/26 – Flynn Center for Performing Arts – Burlington, VT
10/28 – Palace Theater – Waterbury, CT
10/29 – Hippodrome – Baltimore, MD
10/31 – Beacon Theatre – New York, NY
11/01 – State Theatre – New Brunswick, NJ
11/02 – Main Street Armory – Rochester, NY
11/03 – The Fillmore Detroit – Detroit, MI
11/05 – Peabody Opera House – St. Louis, MO
11/07 – Taft Theatre – Cincinnati, OH
11/08 – Tabernacle – Atlanta, GA
11/09 – Hard Rock Live – Orlando, FL
11/11 – The Fillmore Miami Beach at The Jackie Gleason Theater – Miami Beach, FL
11/12 – Ruth Eckerd Hall – Clearwater, FL
11/14 – Hard Rock Hotel & Casino – Biloxi, MS
11/15 – ACL live at the Moody Theater – Austin, TX
11/16 – The Majestic Theatre – Dallas, TX
11/17 – Majestic Theatre – San Antonio, TX
11/19 – Orpheum Theatre Phoenix – Phoenix, AZ
11/21 – Orpheum Theatre LA – Los Angeles, CA

Weird of the Day: Eilert Pilarm, “Jailhouse Rock”

Eilert Pilarm

You know what this blog needs? More Elvis impersonators. Who doesn’t love a fat guy in a jumpsuit singing “Love Me Tender” and “Blue Suede Shoes”? Don’t bother answering that, because whether you love it or not, we’re gonna ram some Elvis down your throats anyway.

First up: Sweden’s weirdest and I’m gonna say best (because how much competition can be there be, really?) facsimile of The King, a middle-aged, mush-mouthed dude who goes by the name Eilert Pilarm. Like all great Elvis impersonators, Eilert doesn’t seem to actually know all the words to most Elvis songs, but he barrels through them anyway, with a lack of rhythm and timing that perfectly complements his inability to pronounce the word “Jailhouse.” Enjoy.

Shout out to reader bambiraptor666 for introducing us to Eilert Pilarm. Bambi calls him “The best Elvis impersonator in the world!” and it’s hard to argue, mostly because we’re lazy.

Mr. Vast

Mr. Vast

So as usual, we got something wrong when we first wrote about this week’s weird artiste, the inimitable Mr. Vast. We said he’s from Germany. But that’s not quite right. He is apparently based, at the moment, in Germany. But he’s British. His accent should have tipped us off, but we were probably day-drinking again. Anyway, our apologies to the entire nation of Great Britain for not properly crediting you with bestowing Mr. Vast upon the world.

Mr. Vast is the alter ego of one Henry Sargeant, an actor, musician and performance artist whose previous musical project was (or maybe still is—they’re still releasing music and Sargeant might still be involved) a jokey crew called Wevie Stonder. He relocated to Germany in 2005 and took a break from Art to become a Dad. (Not that those two occupations are mutually exclusive, but the hours are pretty brutal in both.) He returned to music in 2012 as a solo artist called Mr. Vast, making what I shall tentatively describe as tongue-in-cheek New Wave electro-glam-pop until somebody comes up with something catchier to describe his bizarre but surprisingly infectious tunes.

At his best, Mr. Vast reminds us a little of our current favorite Australian weirdo, Kirin J Callinan. Like Callinan, there’s something highly theatrical and fully formed about Mr. Vast, like he’s already a rock star and the world just hasn’t discovered him yet. Also like Callinan, he’s capable of being both unabashedly pop and slightly avant-garde, often in the same song, and doing both in a way that feels both fully committed and slightly tongue-in-cheek. Take, for example, “Teflon Country,” which might be a country-fried psych-rock parody, or it might be actual country-fried psych-rock, albeit one with a junkyard dog impersonation in the middle of it:

That’s from Mr. Vast’s one and only album, by the way, a brilliant, 14-track opus called Grievous Bodily Charm that we pretty much can’t stop listening to. It’s got sci-fi Afro-pop workouts (“Process of Illumination”), fuzz-toned heavy rock freakouts (“Henry the 8th”), Groove Armada-style downtempo makeout music (“Elemental,” which contains the high-five-worthy lyric, “The sangria made me angrier”). You can listen to the whole thing on SoundCloud and decide for yourselves if it’s a masterpiece. We’re leaning towards yes, but it might be the sangria talking.

We’ll leave you with a few videos, because that’s how we do it. First up: An extended experiment in toast physics called “Buttercide.” For the record, this is one of Mr. Vast’s weirder tracks, so if you can’t hang with it, don’t give up on him yet.

Next: The far funkier “Ease & Speed,” which we maintain is best described as Gary Numan meets Professor Elemental (I think last time we said Mr. B the Gentleman Rhymer, but hey, po-tay-to, po-tah-to).

And finally, here’s a glimpse of Mr. Vast live and in concert. Well, it’s not so much a glimpse as a bit fat fucking eyeful. Not since David Byrne has oversized costumery looked so sexy.

Links:

Tim Alexander, drummer for Primus and Puscifer, to undergo open heart surgery

Tim Alexander of Primus

Photo via Jambase

We’ll be putting our usual snark-fest on hold this weekend and sending lots of positive vibes towards Tim “Herb” Alexander, the amazingly ambidextrous drummer for Primus and Maynard James Keenan’s bizarro side project, Puscifer. Some time in the past few days, Alexander suffered a heart attack, and he’s scheduled for open heart surgery early next week. The news first broke via a post on Puscifer’s Facebook page. Today, a post by Les Claypool on Primus’s Facebook page confirmed the bad news:

Hello all,

As some of you my already know, our friend and über drummer Tim “Herb” Alexander is having a bypass procedure to remove blockage from arteries near his heart. He is a strong Herculean fellow and we all expect him to be up and around in no time but with all surgical endeavors we want to make sure he has the best energy working for him so let’s all throw our coins in the nearest fountain, wish on the first star of the night, blow out the birthday cake candles with him in mind, pray to whichever deity seems appropriate and generally send good thoughts his way so we can soon, once again, experience the glory that is the magnificent percussive rhythm of the mighty Tim Alexander.

Alexander joined Primus in 1988 and played on all those “classic” albums you probably had in your dorm room: Sailing the Seas of Cheese, Pork Soda, Tales From the Punchbowl. He’s been in and out of the band since, but had started performing with them again just last year, replacing Jay Lane. He joined Puscifer in 2010. He’s also played drums with Blue Man Group, Laundry and Attention Deficit.

Here’s hoping Tim’s surgery is a success and he’s back behind the kit doing stuff like this soon:

Follow

Get every new post delivered to your Inbox.

Join 304 other followers