There’s nothing that makes our hearts and various other organs swell with greater pride than the sight of two entrants on our esteemed Weird List making beautiful music together. So when murderously dark cabaret cellist Miss Von Trapp shared with us this video of her and chap-hop luminary Professor Elemental giving the Pogues’ “Fairytale of New York” a good jolly rogering, our hearts were swollen fair to bursting. The less said about what it did to our other organs, the better.
Christmas came early here at Weird Band HQ this weekend, in the form of a brand new video from Chimney Crow, the mysterious electro-pop ensemble with the creepy basement. Previously, the only visual accompaniment for the über-funky “Run for My Life” was some found and highly distorted video of a bunch of B-boys, but now Chimney Crow have created an original stop-motion clip for the track, which features cartoon versions of the Crow crew busting some moves of their own.
By the way, in case you’re not familiar the song’s subject matter: DMT is a very powerful psychedelic substance that we don’t recommend ingesting while watching this video. Or at all, really, unless you’re accompanied by an experienced shaman and maybe an EMT or two.
Here’s a fun little thing we recently ran across on ClubDevo.com: a Polish film student named Natalia Brożyńska recently completed a short stop-action animated film called “Searching for Devo,” featuring (with the band’s blessing) the demo version of “Blockhead.” The whole thing is beautifully shot and looks like it probably took more hours to do than we’ve spent on this entire blog in four years. Here’s what Gerald Casale had to say about it: “This sincere, labor-intensive, retro stop-action animation piece from a young girl in Poland is the latest proof that music is indeed the universal language. I felt like Devo were anthropomorphized bacteria performing sonic surgery in a Blockhead’s colon.”
Even if you’re not a fan of the mumble-mouthed funk-rock Les Claypool turns out with Primus, you gotta admit the man has chops. Few humans have ever slapped a bass guitar with more frenetic precision. So what happens when you take away Claypool’s electric bass guitar and replace it with an acoustic resonator bass guitar? Well, basically you get an acoustic version of Primus—but hey, if you are a fan, there’s nothing wrong with that.
Claypool’s latest project is the self-explanatorily named Duo de Twang—there’s two of them, and they are indeed twangy. The other half of the Duo is Bryan Kehoe, whom Primus fans may recognize as the guitarist from Claypool’s 2008 mockumentary Electric Apricot: Quest for Festeroo. Armed only with an acoustic guitar, bass and some stomped percussion, Kehoe and Claypool manage to whip up a pretty good racket, as evidenced by this stripped-down version of “Jerry Was a Race Car Driver.” (If you can’t see the SoundCloud player below, click here.)
Duo de Twang’s debut album, Four Foot Shack, is due out Feb. 4th, 2014 on ATO Records. It’ll be a mix of traditional bluegrass tunes, some Primus and Claypool covers and…wait, “Stayin’ Alive”? Seriously? Looks like the ball’s in your court, Tragedy. Peep the full tracklist after this little video trailer.
“Four Foot Shack” (Les Claypool’s Duo de Twang)
“Wynona’s Big Brown Beaver” (Primus)
“Amos Moses” (Jerry Reed)
“Red State Girl” (Les Claypool)
“The Bridge Came Tumblin’ Down” (Stompin’ Tom Connors)
“Boonville Stomp” (Les Claypool)
“Stayin’ Alive” (Bee Gees)
“Rumble of the Diesel” (Les Claypool)
“Pipe Line” (The Chantays)
“Buzzards of Greenhill” (Les Claypool’s Fearless Flying Frog Brigade)
“Hendershot” (Les Claypool’s Fearless Flying Frog Brigade)
“Man in the Box” (Alice in Chains)
“D’s Diner” (Les Claypool’s Fearless Flying Frog Brigade)
“Battle of New Orleans” (Johnny Horton)
“Jerry Was a Race Car Driver” (Primus)
As promised, our favorite top-hat-wearing weirdo (sorry, Residents…you were this close!) Petunia-Liebling MacPumpkin continues to produce bizarre videos for each of the bizarre songs on her bizarre album, Fish Drive Edsels. Her third visual opus arrived this week for the short but startling “Aquatic Plumbing,” and it packs even more weirdness into 87 seconds than her first two videos put together. How does she do it? Magic! And creepy hand puppets. The one starring alongside her in this clip is apparently named Werman.
Petunia and her visual collaborators seems to be going through Fish Drive Edsels sequentially, which means the next video should be for “Green Glow,” a nightmarish nursery rhyme of a song that you can preview below. What surreal landscapes will Petunia wander through accompanied by its beautifully broken music-box melodies? I’m sure we’ll find out soon enough.
Time to get those gold pants dry-cleaned and spit-shined, weirdos. After way too long of a silence (OK, only since 2011, but we’re impatient), gem-sweater dance-pop queen Leslie Hall is coming back with a brand-new album of remixes and a 2014 tour. Can an album of remixes be brand-new? It can when Leslie’s doing it. She’s a rule breaker like that.
No word yet on the title of Leslie’s remix album, but we can tell you it’s due out this December and features new takes on Leslie & the LY’s classics by “Mash-Up Mad Man” Titus Jones. She’s following up its release with what is sure to be the most bedazzled national tour of early 2014. Lady Gaga and Katy Perry may as well just wave the white flag now.
Full tour dates after this delightful clip for Jones’ booty-shaking remix of “No Pants Policy.” We are blogging pantsless in its honor. Actually, we blog pantsless most of the time, but you probably could’ve guessed that.
Leslie and the LY’s 2014 tour dates:
1/12 San Francisco, CA – Rickshaw Stop
2/5 Kansas City, MO – The Riot Room
2/6 St Louis, MO – Plush Saint Louis
2/7 Chicago, IL – The Empty Bottle
2/8 Grand Rapids, MI – The Pyramid Scheme
2/9 Madison, WI – High Noon Saloon
2/10 Pontiac, MI – The Crofoot (The Pike Room)
2/11 Columbus, OH – TBA
2/13 Cambridge, MA – Middle East Restaurant and Nightclub
2/14 Providence, RI – AS220
2/15 Brooklyn, NY – Knitting Factory Brooklyn
2/16 Philadelphia, PA – Johnny Brenda’s
2/17 Washington, DC – DC9 Nightclub
2/19 Chapel Hill, NC – Local 506
2/20 Charlotte, NC – TBA
2/21 Atlanta, GA – The EARL
2/22 Birmingham, AL – Bottletree Cafe
2/23 Nashville, TN – 12th & Porter
2/24 New Orleans, LA – TBA
2/25 Houston, TX – Fitzgerald’s Houston
2/26 Dallas, TX – Club Dada
2/27 Austin, TX – Red 7
3/1 Tucson, AZ- club congress
3/2 Las Vegas, NV – TBA
3/3 San Diego, CA – Soda Bar
3/4 Los Angeles, CA – The Satellite
3/7 Seattle, WA – The Vera Project
3/8 Portland, OR – Branx Blow Pony
3/10 Salt Lake City, UT – Urban Lounge
3/12 Denver, CO – Hi-Dive Denver
3/13 Omaha, NE – The Waiting Room Lounge
3/14 Minneapolis, MN – Triple Rock Social Club
3/15 Des Moines, IA – Wooly’s
3/21 Iowa City, IA – Blue Moose Tap House
How do you say “crowdfunding” in Portuguese? Tribal-futurist electro-rock weirdos Blasted Mechanism have just launched a campaign on a Kickstarter-like Portuguese site called PPT to raise fan funding for their “eighth generation,” or “eighth album” as other, less tribal-futurist bands might call it. They’re hoping to rake in 8,000 Euros by Jan. 7th, 2014, so go visit their campaign page and give generously.
We probably should have figured this out back when we made them our Weird Band of the Week earlier this year, but apparently Blasted Mechanism totally reinvents their look with each album—hence the “generation” term. Past looks, as handily recapped in their PPT project video, include Mind at Large, Namaste and our favorite, the totally bonkers, Japenese-meets-Aztec (Japaztec?) superhero outfits from their fifth generation, Sound in Light. Actually, the costumes from each generation are pretty freaking cool—except maybe generation one, Balayashi, when they kinda looked and sounded like a bad Red Hot Chili Peppers knockoff. But hey, it’s cool. We all made bad style choices in the ’90s.
So what form will the eighth generation of Blasted Mechanism take? We’ll just have to chip in and find out.