Blog Archives

Andy posted his 10 favorite weird videos of 2014 on his day job’s site. Don’t tell his bosses.

ZebraKatz2

Zebra Katz: he made a pretty weird video this year

Hey, so remember how we took that looooong break a couple months back? Well, contrary to Internet rumor, it wasn’t just because we went off our meds. (That was just me.) The main reason it happened was because my partner Andy got himself a fancy-pants new job as the music editor for LA Weekly. They still come out once a week in newsprint form, which seems kinda last century to me, but everyone I talk to assures me it’s still a pretty big deal. So yeah, you should all congratulate him and shit.

Anyway, this means Andy now gets to sneak some weird content onto the LA Weekly website from time to time. He was freelancing for them before, so he’s already gotten some weirdness on there, but now that he’s a shot caller it may become a regular thing. Our devious scheme to spread weird music to the masses is coming to fruition!

So here’s the first weird train pulling out of the LA Weekly station on Andy’s watch: a recap of 10 of our favorite weird videos from the past year. Yeah, Andy threw “Turn Down for What” in there, but the rest of it’s pretty out there for a website that still puts itself into newsprint form once a week.

Andy’s still trying to impress his bosses, so be sure to check out the full list on LAWeekly.com so they gets lots of page views and shit. Maybe you could even leave a comment or tweet it or post a selfie of you jerking off to it on Snapchat or whatever you damn kids do these days. Basically, just spread the word, K?

That Sunn O))) + Scott Walker collaboration is every bit as bizarre as we’d hoped it would be

SunnO-ScottWalker

On paper, the pairing of doom metalheads Sun O))) and avant-garde singer Scott Walker could go either way. The two artists’ mutually exclusive eccentricities could either complement or cancel each other out—or, worse, get caught in the kind of pretension feedback loop that gave rise to Loutallica. When you venture as far off the reservation as Scott Walker does, the pitfalls are many, and it’s a fine line between genius and nonsense.

Fortunately, Soused, the unholy offspring of the Walker/Sun O))) union, is pretty much exactly what we’d hoped it would be: a drone metal opera, with Walker delivering ice-water arias over glacial guitars and frozen synths. The whole thing fairly vibrates with dread, especially when set to the ambiguous, Lynchian images of this short film by director Gisèle Vienne for opening track “Brando.”

Soused is available now via Amazon.com.

Little Big stitch together a “Dead Unicorn” in gruesome new video

Little Big

We had a feeling that after their last video, the Yo Gabba Gabba-esque “Public Enemy,” Russian rap-ravers Little Big were going to return to the dark side. And boy did they ever. “Dead Unicorn,” their latest, combines child rape, skin suspension, human centipedes and the Saw movies with, well, unicorns. Dead ones. It’s hard to watch and you won’t be able to look away.

Sorry you can’t unsee that.

On the brighter side: Little Big have promised some European tour dates in February and March, culminating in an appearance at the Paaspop Festival in the Netherlands April 3-5. Given the current shitty state of affairs between Russia and the U.S., we’re not holding our breath for any Stateside dates, but maybe—like a magical, non-sewn-together-from-dead-bodies unicorn—they’ll pleasantly surprise us.

Winny Puhh are back and just as batshit as ever

Winny Puhh

Thank god for you folks out there in Readerland. If it wasn’t for you, we’d never get caught up on all the weird music we missed during our last hiatus. Topping the list of shit we slept on: a new album from Estonian spazz-punks Winny Puhh, who released their latest album Kes küsib? (Who Asks?) on Sept. 28. Big ups to reader Jimmy Miller for dropping that knowledge bomb into the spider hole we’ve been hiding in these past few months.

We’ve only been able to find two tracks from Kes küsib? online, but they’re pretty insane even by Winny Puhh’s unhinged, hanging-from-the-ceiling standards. Let’s give them a listen, shall we?

That was pretty great, but this next track ups the ante with some throat singing while also managing to be kinda catchy.

Apparently, Kes küsib? was the number one album in Estonia at one point. Which officially makes Estonia the coolest country on the planet. Sorry, Japan. You had a good run.

There doesn’t seem to be any way for us Americans to legally purchase Kes küsib?, unless you trust your Google translator and/or limited grasp of Estonian to guide you through this site, which appears to be selling legit copies of it for 13 Euros. [Update: One observant reader pointed out to us that the site has an English translation button. So Estonian fluency not required after all.] It’s also on a shit-ton of Russian torrent sites, but we’re not gonna link to those ’cause they’re shady. If you really want a Russian black market MP3 copy of Kes küsib?, we’re sure you have what it takes to figure it out.

Donatan and Cleo are back with more Slavschool awesomeness: “BRAĆ”

Cleo and Donatan

Polish hip-hop duo Donatan and Cleo went back down to the farm for their latest single/video, “BRAĆ,” and you know what that means: More high-sterical combinations of Polish rural life and hip-hop video clichés. Sexy vixens washing an old tractor like it’s a Bentley? Check! Old Polish dudes doing vodka shots like they’re sipping Cristal in the club? Check! Roosters wandering around for no reason? Checkity-check-check, baby. Slavschool in full effect!

The new video also features a new collaborator: A Polish/Ukrainian band called Enej, who bring the requisite Slavic folk flavor to the proceedings by way of a little gypsy-punk accordion and horns. Here’s what they usually sound like, so we gotta say, Donatan does a good job recasting them in a hip-hop context.

Negativland turns Disney animatronic outtakes into “Right Might”

Negativland

Any kid who’s ever gone to Disneyland has probably been dragged by their parents to the park’s least entertaining attraction, Great Moments With Mr. Lincoln, at which a creepily dead-eyed Abe Lincoln animatronic intones bits and pieces of the celebrated president’s most famous speeches. If you were ever one of those kids, you’ll probably get a kick out of Negativland‘s latest bit of pop-culture appropriation, “Right Might,” which uses chopped-up outtakes from Disney’s Lincoln voice recordings to deliver a goofily incoherent and frequently interrupted imperialist screed.

The backstory of “Right Might” is maybe even more entertaining than the track itself (which you can stream below). A few years ago, a Disney insider offered to send Negativland a bootleg copy of the Disney audio archives, which included outtakes from most of Disneyland and Disney World’s various theme park ride soundtracks. The corporate prankster eventually sent the Negativland guys nearly 100 CD-R’s filled with sound effects and voiceovers from decommissioned Disney rides, as well as various outtakes, bloopers and alternate takes from rides still in use. Among the treasures never before heard outside the Mouse House: hours of raw, unedited studio recordings of actor Royal Dano declaiming what would become the speeches for Great Moments With Mr. Lincoln.

“Right Might” will appear on Negativland’s first album in six years, It’s All in Your Head, out Oct. 28th on the band’s own Seeland Records.

Goldilocks terrorizes helpless bears in new MC Frontalot video

MC Frontalot

MC Frontalot‘s new album Question Bedtime mostly features fairy tales unfamiliar to us folks raised on Mother Goose and the Brothers Grimm. On those few occasions when the good MC does take on a more well-worn story, he always flips the script on it. Case in point: “Gold Locks,” which imagines what the story of Goldilocks and the Three Bears would sound like as a bedtime story told to young bears. Needless to say, from the bears’ perspective, Goldilocks (played by rapper Jean Grae) is a horrible monster who, if you’re not good, will sneak into your house and eat all your food. And you, if you’re not careful.

For now, the video is an Entertainment Weekly exclusive, so you’ll have to cruise over to EW.com to watch it there. It’s OK, boo, you’re allowed to see other websites.

In other Frontalot news: Having just conquered America, he’s off to Europe next. Here are those dates:

9/24 in Southampton, EN @ Talking Heads
9/25 in Newton Abbot, EN @ The Jolly Farmer
9/26 in Perranporth, EN @ Watering Hole
9/28 in Bristol, EN @ Thekla
9/29 in Swansea, Wales @ Sin City
9/30 in Stourbridge, EN @ The River Rooms
10/1 in St. Albans, EN @ The Horn
10/2 in High Wycombe, Buckinghamshire @ Bucks Student Union
10/3 in Bedford, EN @ Esquires Beford
10/4 in Hatfield, EN @ Forum Hertfordshire
10/8 in Cork, IR @ Cyprus Avenue
10/9 in Dublin, IR @ Café En Sein
10/10 in Newry, UK @ Magnet Young Adult Center
10/11 in Sligo, IR @ 5th on Teeling
10/13 in Holyhead, EN @ Canolfan Ucheldre Centre
10/14 in Liverpool, EN @ East Village Arts Club
10/15 in Manchester, EN @ Manchester Academy
10/16 in Wakefield, EN @ Warehouse 23
10/17 in Cleethorpes, EN @ The Beachcomber
10/18 in Newcastle upon Tyne @ Think Tank in Riverside
10/19 in Glasgow, Scotland @ O2 ABC 2
10/20 in Blackburn, Lancashire @ King Georges Hall
10/21 in Stoke on Trent @ The Sugarmill
10/22 in Guilford, EN @ Boileroom
10/23 in Southend On Sea, EN @ Chinnery’s
10/24 in London, EN @ The Garage
10/25 in Milton Keynes @ The Craufurd Arms

Behold Vulvatron, GWAR’s awesome new female lead singer

Vulvatron

The post-Oderus incarnation of GWAR continues to exceed our expectations. Instead of replacing the irreplaceable entity that was Oderus/Dave Brockie, the band’s reportedly totally revamped their stage show and added not one, but two new lead vocalists fill Oderus’ massive platform boots.

After unleashing Blothar on the unsuspecting masses at the GWAR-B-Q, they presented his female counterpart, Vulvatron, at Riot Fest in Chicago this past weekend. And she is pretty much everything one could hope for in a lady GWAR demon. She’s hot. She shoots blood from her massive breasts. She takes great selfies. And she fucks shit up with the boys. We’re sold.

Vulvatron’s human counterpart is one Kim “Kylla” Dylla, who’s just as much of a badass IRL, as the kids all say these days. Just check out her CV on her website: degrees in art and computer science, a painter and costume designer, wrestler, frontwoman of her own metal band Thismeansyou. She’s going to have human filth lining up around the block after every GWAR show hoping to be her disposable sex slaves.

Speaking of GWAR shows: The band’s also announced a massive, 45-date tour that’s also being billed as the band’s quest to find the missing Oderus. Here’s what guitarist Balsac the Jaws of Death says about the tour on the GWAR website:

“Dark clouds of war and ill omen have gathered around GWAR. In our hour of greatest peril, Oderus has left us and our enemies stand poised, ready to strike while they sense weakness. But we shall no longer cower in our Antarctic stronghold, awaiting Destiny’s final blow. This Fall GWAR sets out on the most trying quest of our career. We shall scour our leader’s favorite stomping ground, North America, leaving no city unsearched, no venue unraised, and no sheep unmolested. GWAR will venture to the depths of Hell or to the very end of Time itself, and though I fear what we may encounter out there, I know that we can never return home until we have the answer we seek: ‘Where is Oderus Urungus?’”

So what say you, GWARmy? Do you stand ready to help your demon overlords in their hour of need? Are you ready to get sprayed with blood from the almighty udder of Blothar and the unspeakable breasts of Vulvatron? Goddamn right you are.

Here are the dates:

GWAR W/ Decapitated and American Sharks:

10/15: Norfolk, VA @ The Norva
10/16: Sayreville, NJ @ Starland Ballroom
10/17: Stroudsburg, PA @ Sherman Theater
10/18: Worcester, MA @ The Palladium – “Rock and Shock Festival”
10/19: Buffalo, NY @ The Town Ballroom
10/21: Louisville, KY @ Expo Five
10/22: Memphis, TN @ New Daisy Theater
10/23: Dallas, TX @ Gas Monkey Live
10/24: New Orleans, LA @ House of Blues
10/25: Austin, TX @ Emo’s – “Housecore Horror Film Festival*
10/26: Houston, TX @ Warehouse Live
10/28: Oklahoma City, OK @ Diamond Ballroom
10/29: Sauget, IL @ Pop’s Nightclub
10/30: Lawrence, KS @ Granada Theater
10/31: Denver, CO @ The Summit Music Hall**
11/1: Albuquerque, NM @ Sunshine Theater
11/2: Tempe, AZ @ The Marquee
11/3: Santa Ana, CA @ The Observatory
11/4: Reno, NV @ Knitting Factory Concert House
11/5: San Francisco, CA @ The Regency Ballroom
11/6: Hollywood, CA @ House of Blues
11/7: Las Vegas, NV @ Hard Rock Live
11/8: Magna, UT @ The Great Salt Air
11/10: Boise, ID @ Knitting Factory Concert House
11/11: Portland, OR @ Roseland Theater
11/12: Seattle, WA @ Showbox SODO

GWAR W/ TBA and American Sharks:

11/14: Vancouver, BC and Commodore Ballroom

GWAR W/ Corrosion of Conformity and American Sharks:

11/15: Spokane, WA @ Knitting Factory Concert House
11/16: Calgary, AB @ MacEwan Hall Ballroom
11/17: Edmonton, AB @ Union Hall
11/19: Fargo, ND @ The Venue
11/20: Minneapolis, MN @ Skyway Theater
11/21: Milwaukee, WI @ The Rave
11/22: Detroit, MI @ Harpo’s
11/23: Grand Rapids, MI @ The Intersection
11/25: Indianapolis, IN @ The Vogue
11/26: Cleveland, OH @ House of Blues
11/28: Charlotte, NC @ Tremont Music Hall
11/29: Philadelphia, PA @ Electric Factory
11/30: New York, NY @ Irving Plaza
12/2: Nashville, TN @ Exit/In
12/3: Asheville, NC @ The Orange Peel
12/4: Pensacola, FL @ Vinyl Music Hall
12/5: Orlando, FL @ Firestone Live
12/6: Atlanta, GA @ The Masquerade
12/7: Columbus, OH @ Newport Music Hall
12/8: Millvale, PA @ Mr. Smalls Theater
12/9: Toronto, ON @ Opera House
12/10: Montreal, QC @ Virgin Mobile Corona Theater
12/11: Clifton Park, NY @ Upstate Concert Hall
12/12: New Haven, CT @ Toad’s Place
12/13: Baltimore, MD @ Baltimore Sound Stage

*No American Sharks
** Havok plays on this show

Primus oral history book, “Primus: Over the Electric Grapevine,” due out tomorrow

Primus

Good news for Primus fans who like reading and stuff: Tomorrow marks the arrival of the awkwardly titled but sure to be awesome Primus: Over the Electric Grapevine: Insight Into Primus and the World of Les Claypool, the first oral history of the influential, bass-slappin’, beaver-ticklin’ alt-rock legends. We’re supposedly getting our mitts on a review copy soon, so we’ll provide more details then. All we can tell you right now is that it was compiled by journalist Greg Prato and features interviews with all the major players in Primus—Les Claypool, Larry LaLonde, Tim “Herb” Alexander, Jay Lane, Bryan Mantia and Todd Huth—as well as friends, fans and occasional collaborators like Trey Anastasio, Stewart Copeland, Tom Morello, Geddy Lee, Kirk Hammett, Tom Waits, Chuck D and Hank3. You can pre-order a hardcover or Kindle version here.

In other Primus news: On Friday, they released another track from their forthcoming Primus & the Chocolate Factory, their tribute to the music of Willy Wonka and the Chocolate Factory, due out Oct. 21st on ATO Records. “Golden Ticket” turns the light-hearted original into a primal space-blues stomp—but in a light-hearted way. Les even whistles at one point. Yep, even by Primus standards, this one’s clearly gonna get pretty weird.

“La Isla Bonita”: now the name of both a Madonna song and a Deerhoof album

Deerhoof

Bay Area noise-rockers Deerhoof were in a pretty festive mood on their last album, 2012’s Breakup Song, and it sounds like they’re going to keep the party raging on their next LP. Due out Nov. 4th on Polyvinyl, it’s got the Madonna-evoking title La Isla Bonita—and while neither track released from it so far could be mistaken for Madge’s 1987 foray into Latin pop, they’re both downright pop-tastic by Deerhoof standards. In fact, we love ‘em so much we’ll include them both in this post, before we tell you about the ‘Hoof’s fall tour dates.

First up: “Exit Only,” a stomping, punk-rock rave-up:

Next, “Paradise Girls,” which I guess you could describe as Deerhoof’s version of a feminist empowerment anthem. Girls who are smart and/or play the bass do indeed rule. Satomi Matsuzaki oughta know, ’cause she’s both.

La Isla Bonita is available for pre-order now from the Polyvinyl website. Now here are those tour dates we promised you. See you at the Troubadour!

Deerhoof National Tour Dates:

11/4: Brooklyn, NY @ Baby’s All Right (w/ Tim Barnes, Xenia Rubinos)
11/5: Brooklyn, NY @ Baby’s All Right (w/ Assembly, Zannie Owens w/ Mount Yucca)
11/6: Brooklyn, NY @ Baby’s All Right (w/ White Reaper, Trans Am)
11/7: Falls Church, VA @ State Theatre (w/ White Reaper, Xenia Rubinos)
11/8: Charlottesville, VA @ The Southern (w/ White Reaper, Xenia Rubinos)
11/9: Philadelphia, PA @ Union Transfer (w/ White Reaper, Cibo Matto)
11/11: Chicago, IL @ Bottom Lounge (w/ White Reaper, Priests)
11/12: Kalamazoo, MI @ Louie’s Back Room (w/ White Reaper, Priests)
11/13: Toronto, ON @ Lee’s Palace (w/ White Reaper, Priests)
11/14: Montreal, QC @ Cabaret Piccolo Rialto (w/ White Reaper, Priests)
11/15: Pawtucket, RI @ The Met (w/ Priests, Lightning Bolt)
11/17: Los Angeles, CA @ The Troubadour (w/ Go Dark, Crystal Skulls)
11/18: San Francisco, CA @ Great American Music Hall (w/ Go Dark, Crystal Skulls)
11/20: Portland, OR @ Doug Fir Lounge (w/ Go Dark, Busdriver)
11/21: Seattle, WA @ Neumo’s (w/ Go Dark, Busdriver)
11/22: Vancouver, BC @ Fortune (w/ Go Dark, Busdriver)

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