One of the hazards of doing a blog like TWBITW is that you tend to get pretty jaded. Jake and I sift through so much oddball music that after awhile, we start to get a little hung up on the dog and pony aspect of the whole thing. It’s like—yeah, okay, you guys sound kinda weird, but do you wear goofy costumes or claim to be from another planet? No? Next!
But every so often, someone introduces us to a piece of music that’s just so downright bizarre, so totally unlike anything we’ve ever heard, it really doesn’t need any kind of wacky backstory or WTF visual accompaniment. Such was the case with French musician-composer Ghédalia Tazartès and his 1979 masterpiece, Diasporas.
We got wind of this completely wackadoodle album thanks to a cool little reissue label called Dais Records, who have only been around since 2007 but have already rescued a shit-ton of weird music from the scrapheap. Apparently it’s not quite available yet—we’re not sure what the release date is—but we got an email with a download of the track “Un Amour Si Grand Qu’il Nie Son Objet” and it pretty much knocked us on our asses. You can hear the whole sighing, moaning, nine-minute monstrosity in the YouTube clip below. [Update: No, you can’t. And the Diasporas reissue is sold out. Read more below.] Trust us: Don’t listen to it alone after dark or in an altered state of consciousness. Actually, listening to this will probably alter your consciousness all by itself.
We haven’t been able to find out too much else about Tazartès. We do know that he still occasionally does concerts (and he and his music are as bizarre as ever) and, according to his French Wikipedia page, he still releases music. He also apparently operates out of a home studio in Paris that looks like something out of a Jean-Pierre Jeunet movie. He was interviewed in the September 2008 issue of Wire but as far as we can tell, the interview’s not available online. The only other English-language article we could find on him is this unreadably pretentious mess. So he remains a bit of enigma, at least to us poor Americans. Hopefully the Dais reissue will help to change that.
We could attempt to describe Tazartès’ music–French avant-garde gypsy trance minimalism?–but really, there’s not much point. You just have to hear it. This guy is attuned to some other frequencies, for real.
P.S. We originally embedded a YouTube clip of this track from a YouTube channel called Undergroundedful, but the whole channel has since been taken down due to copyright claims. While we totally recognize the right of copyright owners to protect their work, we also think it’s a bummer when obscure and hard-to-find music gets taken off the Internet and put further out of the reach of potential new audiences. Anyhow, hopefully the above YouTube video stays up a while longer.
P.P.S. Okay, so the second YouTube clip was also removed due to copyright claims. Apparently Mr. Tazartes, or one of his representatives, really doesn’t want the Internet to know he exists. But hey, third time’s a charm, maybe?
P.P.P.S. A kindly reader provided a Soundcloud link to “Un Amour Si Grand Qu’il Nie Son Objet” in the comments, but we decided to delete it because, unfortunately, we have to be careful about such things. If anyone knows of any authorized Tazartes music available online, let us know about it, please! We’d like our readers to hear more of his weirdly beautiful stuff for themselves.
- Ghédalia Tazartès discography (from Forced Exposure)
- More info on Ghédalia Tazartès (from Julie Tippex)
- Ghédalia Tazartès’ catalog on Amazon.com (MP3s)