This week’s band comes to us from a reader named Alex Thermostellar Duddy (Thermduddy, to his bros) and from the dark, twisted heart of the early ’80s. Back then, much of Italy was getting its hairy-chested groove on to the synth-heavy sounds of Italo-disco, a whole weird genre unto itself that might have been the missing link between Kraftwerk and Detroit techno. Or it might just have been what happens when a bunch of Italian dudes with cheap synthesizers and a Giorgio Moroder jones try to make dance music after an all-night cocaine and Chianti bender. And I know it doesn’t sound like I mean that as a compliment, but I do. Italo-disco rules. It just rules in a trashy, gold-chain, uniquely Italian way.
One of the Italo-disco scene’s less heralded producers, a guy named Stefano Pulga, originally conceived Pink Project as a one-off—a slightly tongue-in-cheek disco rework of Pink Floyd’s “Another Brick in the Wall (Part 2)” and Alan Parsons Project’s “Mammagamma.” It was a mashup decades before that term even existed—except that, given the more primitive quality of samplers back in the day (and the looser laws governing cover songs, as opposed to wholesale sampling), it was easier for Pulga to just get together with some of his Italo-disco buddies and a hired children’s choir and record the whole thing themselves. Released under the title “Disco Project,” it was probably never meant to be more than a curiosity piece, while Pulga turned his attention back to his solo stuff and his other, semi-successful group, Kano, who were churning out fairly awful Italo-disco hits like this.
But then something unexpected happened: “Disco Project,” at least in Italy, became a hit. The track’s popularity in 1982 reached such heights that Pink Project began getting invitations to appear on American Bandstand-style Italian TV shows—which was sort of a problem, because as a band, Pink Project didn’t really exist. Pulga solved this rather ingeniously by hiring some performers (one of whom may or may not have been Pulga himself) to show up disguised in black hooded monk’s robes and mime playing the song. Combined in this clip with a fresh-faced children’s choir, the effect is both disturbing and totally ridiculous.
Flush with the success of “Disco Project,” Pulga decided to put out a sequel of sorts: another mashup, this time of Michael Jackson’s “Billie Jean” and The Greg Kihn Band’s “Jeopardy,” released under the title “B-Project.” As far as we’ve been able to find out, it was never a hit, but it’s even more fantastic than the Floyd/Parsons medley. And when Pink Project got invited to appear on another TV show, Pulga one-upped himself by…well, just watch and you’ll see.
Pink Project’s recorded output also consisted several other mashups, including a Police/Vangelis hybrid we quite like, a collision of Trio’s “Da Da Da” and Falco’s “Der Kommissar” called (obviously) “Der Da Da Da,” and a “Rockit”/”Superstition” mash that, sadly, is nowhere as awesome as that combo sounds. They also released a few original tracks, although the less said about them, the better.
All of Pink Project’s singles and their two albums, Domino and Split, are out of print, and there’s not much more info about the project on the web, at least in English. Even Stefano Pulga’s official website only mentions the group in passing (and in Italian, so we’re not sure what he says about it, except that it was “un prodotto nuovo”). But all of their stuff is widely available on YouTube and collector’s websites like Discogs, as well as a few of those naughty Torrent sites, if that’s your thing.
So what do you think? Italo-disco ’80s mashups—superior to hipster ’00s mashups? We say yes. Especially when delivered by guys dressed up like a low-budget cross between Xanadu and Lord of the Rings.