Sometimes when we do our monthly Weird Band Poll, a band gets robbed. Any other month, they would have crushed it, but they had the bad luck to be up against someone super-popular, super-weird or possibly just super-unethical when it comes to repeat voting. (We try to prevent it, but let’s face it, this is the Internet we’re talking about. Most of you could probably use Bitcoin to buy blow and download a thousand Prince bootlegs right now if you weren’t such fine, upstanding citizens.) Such a band is Toxic Chicken, who narrowly lost out last month to Well Worn Boot. And while WWB totally deserved the win, TC gave them a run worthy of a belated Weird Band of the Week shout-out.
Toxic Chicken is the work of a Dutch guy named Kai Nobuko, who currently resides in Bangkok. When pressed for details on his backstory, Mr. Chicken obliged us with a rambling and highly entertaining bio, which we’ll attempt to condense here. Long story short: Like a lot of weird bands, the whole thing started as sort of a joke and now it’s his main gig. (Not unlike the story of this very blog, actually. But that’s a tale for another time.)
Kai wrote his first Toxic Chicken track as a joke submission for a music contest in the Netherlands. “It was a track I made by using the phonebook and calling random numbers,” he recalls. “Unfortunately the contest people liked it.” As a finalist, he had to come in and perform, so he hired a metal band and had them just stand around while he played a tape and made sandwiches for the audience.
After that, every Toxic Chicken performance was a little different, but always featured food in some way. Someone stole his synths early on so he mostly just performed on a laptop, occasionally making chicken noises into a megaphone “as that feels so good to get things out of the system.”
His only regret from that era? “I regret playing too much with chocolate because it is a pain to remove it between the tiny gaps of the keys of the craptop.” Preachin’ to the choir, buddy!
Here’s a sample track from those early days, called “You are my dog.” Yes, it’s a love song addressed to a dog. Try not to read too much into, OK? The guy in the song just really loves his dog. That’s all. Probably.
Eventually Toxic Chicken moved to London where, inspired by a punk-rock show, he decided to trash his laptop as part of a performance. “It was satisfying at the time but regretted it later because I lost a lot of music,” he admits now. These days he uses cheap laptops and backs up his files.
He also occasionally does songs with his sister under the name Jointriders, which are, if anything, even crazier than his Toxic Chicken stuff. Here’s a sample:
“Basically every gig was one disaster after another,” is how The Toxic One describes this period. Our favorite story from this phase involves a show in Belgium where he got a “nice guy called Hamtaro” to dress up in a chicken costume and perform his entire set “so I could hang at the bar and perhaps dance to show that it’s possible.”
Sometime after that, Toxic Chicken got heavily into the “lobit” scene, in which electronic musicians deliberately compress their music to make it easier to stream and download—and, if you’re into the bright, tinny quality of compressed music, sound better, too. “It makes everything sound better,” TC insists. “Even terrible noise sounds like pretty ambient in a lobit rate.” Lobit artists tend to post their music for free on sites like Archive.org and Toxic Chicken is no exception. Here’s an EP from 2010 called GIFKIP ORCHESTRA that’s actually quite lovely. I have to admit I was skeptical about the whole “things sound better in lobit” argument, but it’s really true that by compressing his synths, Kai’s able to make them sound more convincingly like a chamber orchestra than any Prophet or Roland synth I’ve ever heard on a major-label release.
When lobit artists release physical product, they tend to prefer “obsolete” technologies like cassettes and floppy discs. Toxic Chicken went one better in this department when he released an EP called Baby Boom Disk that came on a floppy disc wrapped in a dirty diaper. (For the squeamish among you, you can now listen to the EP poop-free on Bandcamp.) He also claims to have released a “floppy compilation” encased in recycled elephant shit and a project called Flop-Pee that’s just field recordings of his musician friends pissing. Those sound kind of made-up to us but with this guy, who knows?
Toxic Chicken’s crowning achievement in the lobit scene may have been when he and his sometime partner-in-crime Graham (who runs a label called Wrieuw Recordings, which just put out the latest TC release, an EP called My Cat) organized a lobit music festival that took place entirely online, even though all the festival info said it was taking place in Lobith, the Netherlands. Sure enough, some unwitting souls actually showed in Lobith looking for the music, not realizing that Kai and Graham were just broadcasting the whole thing from a hair salon in England.
We’ll leave you with one Toxic Chicken classic and one of his more recent works. First, the recent stuff: This is a track from the My Cat EP, another touching love song called “If you are my cat I will be your chicken.” As the kids used to say: It’s got a great beat and you can dance to it.
And finally, one of Toxic Chicken’s crowning achievements, from way back in 2007: “Biscuits With Jesus,” the best video you will ever see that features Hitler doing a puppet show.
- Toxic Chicken on SoundCloud
- L0BIT (Kai’s current lobit label)
- SPTofSP (Kai’s former lobit label)
- Top of the Flops (Kai’s other former lobit label)
- Wrieuw Recordings on Bandcamp (home of the My Cat EP)
- Toxic Chicken on Archive.org
Posted on April 16, 2014, in Band of the Week and tagged bedroom electronica, electronica, lobit, music, nu-symphonic, synth-pop, toxic chicken, weird wednesdays. Bookmark the permalink. Leave a comment.