Back when they were still all just kids, Mayhem guitarist Euronymous and then-drummer Manheim had a short-lived side project called the Langhus Experimental Grave chamber Orchestra, or L.E.G.O. for short. The project has achieved somewhat mythic status among black metal fans, mainly because as far as anyone could tell, they only performed a few times and never recorded a note. On his blog back in 2009, Manheim casually mentioned that someone had videotaped one of their shows, but no copy of that videotape had ever surfaced online or elsewhere. Until now.
Today, a Mayhem fan by the name of Finn Håkon “Snærkpung” Rødland finally posted the long-lost video on YouTube for all to see. It’s only 10 minutes long and mostly just features Manheim playing guitar with his back to the audience while Euronymous makes a valiant attempt to play drums, but it’s a pretty fascinating document of the band’s early history nonetheless. They were so young! And—let’s be honest—they’re painfully shy, awkward performers. It’s hard to believe one of them would go on to become one of the most influential figures in heavy metal history.
Manheim’s 2009 description of this performance, which was apparently their first as L.E.G.O., provides some context for what we’re seeing:
“We needed to give the concept we were talking about a name, and having had a few drinks, Metallion (from Slayer Mag) had a moment of clearness when listening to our strange talk. Like an almost dead person suddenly springing into life he opened his eyes, put his finger up in the air and declared ‘A fly’s death!’ We immediately loved the idea, and decided to arrange the piece according to a fly’s life from birth to death. I do think Metallion almost immediately went back to sleep, but we stayed up building the concept.
“One day we held the concert and it is on video tape. Probably it is out there in the internet cloud. I remember playing the violin for the first time in my life that evening. It was a wonderful way of showing the agony a fly must feel when it is reaching its time of death. :-)”
So there you have it: The life and death of a fly, as reenacted by a couple of 18-year-old metalheads who were also listening to a lot of experimental and avant-garde music by artists like Conrad Schnitzler and Diamanda Galas. Turns out there may have been more things influencing the Norwegian black metal scene besides Venom records and Satanism.