Bloody Death Skull
Sometimes we get so excited that people in Poland or Brazil or South Africa are reading our blog that we neglect the weirdness in our own backyard. Yep, Los Angeles is a city full of freaks, contrary to the image most of y’all probably have in your heads of tanned, wannabe actors rollerblading between juice bars and Pilates classes (we have those, too, but no one here cares about them). And in their own, adorable way, Bloody Death Skull are as freaky as they come.
Musically, BDS aren’t all that weird, at least not in a hit-you-over-the-head way. Their songs are shaggy and shambling and cutened up by head Skull Daiana Feuer’s jangling ukulele and guileless, girlish vocals. Lyrically they can get pretty dark, with songs about death and prostitutes and drowning Mormons in swimming pools, but the grim subject matter is always served up with a wink. (Actually, depending on your point of view, I guess a song about drowning Mormons in swimming pools could be right up there with Pharrell’s “Happy.”) They cover lots of old murder ballads and doo wop love songs, which makes sense, and Ying Yang Twins, which doesn’t, but somehow works anyway.
Their live shows delight in the unexpected. They plays shows at strip clubs and former zoo animal enclosures. They dress up in elaborate costumes with inscrutable themes. When I saw them opening for Bob Log III, the theme was “things you might encounter in the forest,” which in Bloody Death Skull’s world includes alien princesses, soldiers in gas masks and a woman in a head-to-toe burqa representing “darkness.”
They have four core members—besides Feuer, there’s Donna Suppipat, Beth McSelf and Gerard Olson—but their live incarnation can have as many as 10 people onstage, many of them sitting cross-legged on the floor surrounded by xylophones and toy pianos and various things to bang on. The effect is both childlike and somehow psychedelic—by which I mean, they kinda look and sound like a bunch of people on heavy doses of psychedelics. Like, “Mind if I sit? ‘Cause my legs seem to have stopped working” doses.
(For the record: I’m pretty sure no one in the band is actually high. When they were done with their Bob Log III opening set, they all stood up and left the stage in a very orderly fashion, fastidiously picking up their giant collection of instruments as they went. But they sure do a convincing job of seeming out of their gourds during their set—except Feuer, who presides over the chaos with the wry charm and patience of a den mother for a particularly low-functioning Girl Scout troop.)
I’ve done as much as I can to explain the weirdness and adorableness of Bloody Death Skull without showing you some videos, so here they are. First up: a sweet desert murder lullaby called “Psycho,” starring a ravenous tiger/panda. I believe the technical term for such a hybrid creature is “tiganda.”
Next, here’s a little taste of their live show. They did not have the tap dancer when I saw them, but they did have a Theremin. They like to mix it up.
And finally, the video that is quite possibly their masterpiece (at least so far): “Girls Like You,” which uses stop-motion Barbies to tell a heartwarming tale about prostitutes and the non-prostitutes who love them.
- Bloody Death Skull on Facebook
- Bloody Death Skull on Bandcamp
- Bloody Death Skull’s YouTube channel
- Bloody Death Skull’s Tumblr
Posted on August 6, 2014, in Band of the Week and tagged bloody death skull, dark doo wop, doo wop, folk, indie folk, lo-fi, music, toy instruments, weird wednesdays, wonky pop. Bookmark the permalink. 2 Comments.