September Weird Band Poll: Vote for The Artsy Chicks, Can Can Heads, L.A.Drones!, Shibboleth, The Velveteen, or WE
This is our biggest Weird Band Poll™ yet, people! No, it literally is. We usually only have four or five bands and this month we’ve got six. We like to keep you on your toes.
Here’s the dealio (don’t you hate when people say “dealio”?): Voting ends midnight Pacific time on Sunday, Sept. 14. The winner of the poll will be named our Weird Band of the Week starting on Wednesday, Sept. 17. Don’t cheat and vote multiple times, for fuck’s sake. It’s not like there’s some cash prize at stake. Save your cheating for more important shit, like marriage and taxes.
[Sorry, this poll has closed. Check back here Wednesday, when the winner will be revealed. And bookmark this page to partake of future polls. We do a new one every month(ish).]
For more on this month’s bands, read on:
The Artsy Chicks
There are zero chicks in the Artsy Chicks, so the name is kinda false advertising. But their music is pretty freaky, so we’ll let it slide. They’re a five-piece from Montreal and they do everything from free-form jazz-rock experimentation to finger-poppin’ surf rock. Here’s a link to the weirder of their two albums, Kwoto Zeetrus, and here’s their less weird album, which is more surf-inspired but still has some nice, skronky sax.
Can Can Heads
Another crazy quintet with some wailing sax, this time from Finland. Can Can Heads describe themselves as “violent music with a gentle heart.” If that’s a little too vague for you, they also say they’re “heavily influenced by No Wave, Skronk, Free Jazz, Hardcore Punk, all things noisy.” Most of their songs seem to be under two minutes long, except one seven-minute joint called “The Great Depression,” which makes sense, because that actual Great Depression lasted for-fucking-ever, as my granddaddy was fond of pointing out. Here’s a link to their latest album, Butter Life, and here’s something that looks like an agriculture instructional video but is actually a clip for their song “Breakdiscodance.”
L.A.Drones are a duo from right here in Los Angeles, which probably explains the exclamation point in their name. Us L.A. folks tend to get very excited about ourselves. Their name is a play on the Spanish word “Ladrones,” which means “thieves,” because much of their music is made up of samples stolen from other songs. Not that my Spanish is that good…pretty much all I know how to say is “Mas cerveza, por favor,” but that’s what L.A.Drones! tell us their name means. Being thieves, they wear masks. They list their influences as “Electro, KrautRock, Dub, Acid, Space, Noise.” Here’s their Facebook page and here’s a live video of them performing the song “Horrible Dreams.”
Shibboleth are a trio from Ireland that call their music “experimental dark-ambient,” which sounds about right. Sometimes it almost sounds like doom metal, other times it’s like weird, lo-fi Goth rock with banjos. We don’t know much else about them…they just emailed us with a few links and said, “We think we’re pretty weird.” Agreed, fellas. Here’s their EP Farewell on Bandcamp and here’s a zero-budget but pretty creepy video for their song “The Cannibal’s Standpoint.”
The Velveteen are also from right here in Southern California, but up the road a ways in Ventura, which is like a sleepier version of L.A. with less movie stars and more surfers. They’re a four-piece, assuming you count their puppet Fum, which you totally should because he’s the lead singer. They’re named after their guitarist/trumpet-playing rabbit, Baron Von Velveteen, who also plays bass in another weird band called Cirque Noir, and also have a keyboard/melodica player named Professor Z and a drummer named Christopher Coyle, who really needs to step up his game and come up with a wacky alter ego if he’s gonna be part of this band. Oh, and I guess they just added another puppet named Foe, so maybe they’re a five-piece now. They’re pretty new on the scene, having just played their first gig this past May. Here’s a live clip, and here’s their website.
You might call England’s WE a high-concept band. They take famous pop songs and do robotic electro-pop covers on them in which they replace the word “I” with the word “We.” That’s it. That’s literally the only thing they do. According to their website, “WE translate the monstrous, violent, and traumatic, revolutionary process of the abolition of identity into pluralized pop.” If you say so, dudes! Get in on all the pluralized pop action on their SoundCloud page, where you can hear such “We”-ified classics as “WE Want to Hold Your Hand,” “WE Kissed a Girl” and “(WE Will Be Your) Father Figure.”
So there you have it. Remember to cast your vote before midnight Sunday, Sept. 14, and may the weirdest band win.