We’re back! Did you miss us? We promise to resume regularly posting Weird Bands of the Week and occasionally updating our Weird 100 chart, but other site updates will probably be more infrequent because we’ve both got demanding day jobs now. For our ever-popular Weird of the Day picks, follow us on Twitter or Facebook. And now, back to the weirdness…
This week’s “band” is a solo artist from New York named Thomas Truax (pronounced “True-Ax”) who plays guitar and a variety of homemade instruments, mostly of the beat-making variety. He started out as the bassist/vocalist for a ’90s trio called Like Wow that was part of downtown Manhattan’s “antifolk” scene (did anyone actually like the term “antifolk”? didn’t think so), then turned solo around 2000 or so. His signature instrument, seen above, is called the Hornicator. It’s a modified gramophone horn that he can both sing into and use as a twangy percussion instrument by plucking a string wrapped around its neck. It apparently also has a kazoo inside it, because really, any halfway decent homemade instrument may as well include a kazoo.
Musically, Truax tends to play his own spin on mutant, lo-fi blues, evoking shades of everything from Nick Cave to Jon Spencer to another weird artist famous for cleverly constructed analog drum machines, Mr. Quintron. He’s done an entire album of songs from David Lynch films and another of original songs to accompany a production of Henrik Ibsen’s Peer Gynt. More recently, he’s teamed up with ex-Dresden Doll drummer Brian Viglione. But it’s his solo live shows, where he unleashes his Hornicator and a variety of steampunky percussion instruments with evocative names like the Sister Spinster and the Mother Superior, that really showcase Truax’s weirdness.
Truax has also made more than his fair share of memorable music videos over the years. Here’s our favorite, suggested by reader Chas (thanks, Chas!), for a typically offbeat Truax original called “Prove It to My Daughter” that doubles as both a song and a hypnosis session: