To our South American readers: ¡Hola! How’s it hanging? Except for Brazil, we’ve kinda ignored you guys, and for that, we are sorry. You have your fair share of weirdos, too…starting with Argentina’s Reynols.
Reynols was started in 1993 by a drummer with Down syndrome named Miguel Tomasin and his two music teachers, Alan Courtis and Roberto Conlazo. They also had a fourth member named Christian Dergarabedian early on, and at some point Roberto’s brother Patricio got involved, so most photos and videos of the band show four members. According to Courtis and Conlazo, Tomasin introduced himself to them by saying, “Hello, I’m the world’s most famous drummer.” And the rest, as they say, is history.
Inspired by Tomasin’s unique way of looking at the world, Reynols make music that most people probably wouldn’t consider music. Their first album, Hydrogenated Vegetable Fat (Gordura vegetal Hidrogenada), was a “dematerialized CD,” which is another way of saying that it was sold as an empty CD case with nothing in it. Because it doesn’t exist, Courtis and Conlazo explain, it’s everywhere. “Everybody has that record, even people who haven’t been born yet,” Courtis told one interviewer. “Napoleon has that record, Plato has the record, Jim Morrison has the record.”
They’ve also released Chickens Symphony for 10,000, a field recording done inside a chicken coop, and Blank Tapes, an album consisting entirely of tape hiss, from tapes the band claims they collected from all over the world. “The cheap tapes sound better than the expensive ones,” says Conlazo. “TTK tapes from Singapore. Maxwell tapes (not Maxell!) from Taiwan. The idea was to use all the possibilities, a lot of different frequencies.”
They’ve also made “music” based on the sound of banging things against the Eiffel Tower and gravestones of famous people. “They’re all very different. For example the Oscar Wilde statue sounds incredible. We played it with roses. We use different things to play each grave.”
When they make music in a more conventional band configuration, it’s still pretty weird, especially because Tomasin does all the vocals, wailing in a made-up language about a parallel universe called Minecxio. His bandmates accompany him with detuned guitars, effects pedals, feedback and the occasion ram’s horn. It’s trippy and noisy. But mostly noisy.
Weird though they may be, Reynols was a pretty successful cult band for about a decade, releasing a ton of records on labels from all over the world. They toured the U.S and Europe at least once, although Tomasin couldn’t travel with them to Europe for reasons that are unclear, so they brought along a big yellow poster of his face instead.
Oh, and they were also once nearly arrested for a street performance in which they played guitars plugged into pumpkins. Pumpkins don’t actually make very good amps, so the guitars didn’t make much noise, but apparently the authorities felt that the performance was “setting a bad example for the tourists.”
In 2004, Reynols announced they were breaking up. Since then, Alan Courtis has released tons more experimental music on his own, while Miguel Tomasin and Rob Conlazo have continued to work together occasionally, but seem to be much less active. Someone made a documentary about them in 2004 called Buscando a Reynols, but as far as we can tell, that was pretty much the last time anyone’s done anything to document the group or its members.
We’ll leave you with a live recording of Reynols in Chicago from 2001, which someone was kind enough to upload so posterity could hear how completely batshit these guys were. If anyone knows more about the Reynols story post-2004, let us know and we’ll update this post. Oh, and many thanks to reader MrAgalloch, who suggested we take the plunge down the Reynols rabbit hole.
- Reynols interview from Paris Transatlantic, March 2003
- Reynols interview from Furious.com, updated Jan. 2004 with announcement that “Reynols’ life-cycle has come to its natural end”