Monthly Archives: September 2015

Dakh Daughters Band

Dakh Daughters

Sometimes one weird band leads you to an even better, weirder band. That’s what happened this week when we started looking into a Ukrainian band called DakhaBrakha, who have a show in L.A. next week (with Tuvan throat singers Huun Huur Tu, no less). DakhaBrakha describe their music as “ethnic chaos,” which sounded pretty promising — but it turns out that, although they’re a perfectly good band with a cool NPR Tiny Desk concert to their credit, they’re not that weird. Unique? Absolutely. But our minds were not blown — until we stumbled across a another project their cellist, Nina Harenetska, is sometimes part of, called the Dakh Daughters Band. We’ve been binge-watching their videos ever since and we’re still picking pieces of our brains off the keyboard.

Dakh Daughters Band is the product of Dakh Contemporary Art Center, a theater in Kiev. It’s seven actresses who also happen to be fantastic singers and multi-instrumentalists. Each song they perform is a mini-cabaret full of sung-spoken monologues, eerie Ukrainian folk harmonies, percussion, strings, stringed instruments turned into percussion, wailing, weeping, white face paint, moaning and gnashing of teeth. It’s like The Bacchae meets The Tiger Lillies meets Dead Can Dance, except even more awesome than that. Here’s their most famous video:

I mean, holy fucking shit, right? Just when you think, “OK, that one’s clearly the star of the troupe,” another one starts singing and steals the show. And then another. And another. They’re all amazing! How many kick-ass women are in the Ukraine?

As good as the “Rozy/Donbass” video is, clips of Dakh Daughters’ live performances are even more riveting. Prepare to witness the sexiest accordion-fueled murder ballad ever performed:

The Dakh Daughters started their self-described “freak cabaret” in 2012 as a one-night project for a performance in Paris. Apart from a bio on a website called What’s On Kyiv and a short Wikipedia page, very little has been written about them in English, so we don’t know much else about them, except that another of their members, Ruslana Khazipova, is in another Ukrainian band called Perkalaba, who play a sort of Ukrainian-gypsy version of ska-punk. And they’re playing Lyon, France in 2016. And we’re really fucking jealous of Lyon.

The Daughters’ latest music video is actually a cover of a Perkalaba song called “Zozulytsya.” In it, the girls seem to be trapped in some kind of cage in which they’re forced to play their instruments using household objects like wooden spoons and giant keys and whatnot. They’re also not wearing their trademark white facepaint, which I guess makes this their equivalent to KISS’ “Lick It Up,” only way less sucky. Give this one a few minutes; it builds. Oh, how it builds.

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Fadades

Fadades

A little over a year ago, we introduced our readers to Fadades, a one-man black metal project from France that is either the best genre piss-take since Vegan Black Metal Chef or the greatest misunderstood metal genius this side of Dwarr. Either way, his music videos, which generally feature lots of Egyptian iconography and UFOs and Monsieur Fadades shaking his fist in the air while he roars like a constipated Brian Johnson, are endlessly entertaining, even though his music — always presented in 5.1 surround sound! — consists of little more than inexpertly played, doom-metal guitar chords, lurching, arrhythmic blast beats and the occasional celestial choir and thunderclap.

That video, for a song called “La Colère de Ramsès” or “The Wrath of Ramses,” was discovered by the metal community in 2012, briefly turning Fadades into a viral sensation. But it was originally posted in 2010, and was actually its mysterious creator’s eighth attempt to find visuals worthy of his primitive but oddly compelling take on black metal. Tracing Fadades’ origins back before “La Colère de Ramsès” is actually a pretty interesting exercise in seeing how some weirdos are made, not born. When he was just starting out, there was little indication that Fadades would go on to become the black-metal nut job we all know and love today.

Fadades’ very first video, “DAS,” uploaded in 2008, features some sweet computer graphics and, about four seconds in, what appears to be a fleeting glimpse of Fadades himself sans makeup, looking quite normal and clean-cut, actually. Even the music itself, more of a cross between industrial and groove metal, isn’t all that mind-blowing.

For his next video, “Nucléaire,” he’s still operating in a groove-metal/industrial/EBM vein, but his vocals are beginning to develop that tell-tale Fadades death rattle. He also shows up again briefly in this one looking like a clean-cut college grad, only now he’s at least strapped on a spiked cuff and studded leather shoulder strap. With these tiny steps, the metamorphosis begins!

After a series of weird but not very good videos that cribbed most of their visuals from video games, Fadades finally took his great leap forward in early 2010 with “La Fureur d’Outre-Tombe” (“Fury From the Grave”). The Fadades character emerges here fully formed, with black rooster wig, fishnet shirt, elaborately spiked cuffs and tongue gymnastics all in place. The Egpytology stuff would come later; here, he’s just rocking out against the rather conventional black metal backdrop of an old graveyard, presumably somewhere near his hometown of Mulhouse in Alsace, near the German/Swiss border.

And he’s been rocking the one-man metal and bizarro music videos ever since. Through 2012, he churned out his ridiculous videos at a pretty steady clip, including this one, which may be our favorite, because it features Fadades crash-landing his UFO on a planet the color of Pepto-Bismol and using his raygun to do battle with killer fern fronds and a giant perfume bottle. Can’t wait to watch it now, can you?

Since 2012, Fadades’ output has been more sporadic, but he’s still out there somewhere, wandering the Egyptian desert and/or the frostbitten wastes of whatever part of Alsace black metal fans congregate in. Actually, scratch that last part — Fadades clearly doesn’t go anywhere other people congregate, even black metal fans. If ever there was a lone wolf of outsider metal, it’s Fadades.

We’ll leave you with Fadades’ latest video, “Jurassic Extinction,” which he just released last month. In it, our hero uses his awesome homemade guitar, the Hyperbolika (seriously, it’s a pretty sick-looking axe), to ignite a nuclear holocaust that triggers the extinction of the dinosaurs. At least we think that’s what’s happening. In any case, it features both Fadades and computer-animated dinosaurs, so you know it’s going to rule.

P.S. Shout-out to readers Lou and Yummi Tomato, the former for introducing us to Fadades and the latter for reminding us that for some unknown and inexcusable reason, we had yet to add him to the Weird List. About time we did, right?

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