Už jsme doma


Uz-jsme-doma

Until today, we had only included one band from the Czech Republic on The Weird List, a spazzy duo called Harmony Bay, whom we described as “like a cross between Naked City, Pryapisme and Mr. Bungle.” If we weren’t so fucking lazy, we would have done a little digging into the history of Czech rock and discovered that they also owe a pretty huge debt to Už jsme doma, one of the longest-running and oddest bands to come from the land of Václav Havel and Budweiser (the good Czech kind, not the shitty American kind).

As reader Dave Rolsky pointed out when he brought Už jsme doma to our attention (thanks, Dave!), not everything in the band’s lengthy catalog necessarily qualifies as weird. At times, they can just sound like a particularly herky-jerky ska-punk band. But when The Residents enlist you as their backing band — as they did when they performed their album Freak Show in Prague in 1995 — you gotta be pretty weird.

Už jsme doma (whose name translates to literally to “We’re Home Now”) first began performing together in 1985, when Czechoslovakia was still under communist rule and rock music was banned. At the core of the band’s rotating lineup was founding member Jindra Dolanský on saxophone and Miroslav Wanek, who joined in ’86, on bass, guitar and vocals. By 1989, as communist restrictions began to loosen, they had grown into a slightly more above-ground collective with three saxophones and multiple vocalists, which you can see in action below at a concert filmed in Bratislava, the capital of Slovakia. This incarnation of Už jsme doma, though awesome, was sadly short-lived.

With the arrival of the Velvet Revolution in late 1989 and the fall of Eastern Bloc communism the following year, Už jsme doma could finally come out of the shadows and begin releasing proper albums and playing proper venues. Over the next decade, the band put out some of their most experimental and acclaimed work, starting with 1990’s Uprostřed slov (In the Middle of Words) and carrying through till Uši (Ears), their last album to feature Dolanský’s serpentine saxophone.

Since 2001, lead singer and multi-instrumentalist Wanek has led Už jsme doma, continuing to mash together punk, prog and jazz with an Eastern European melodic sensibility — imagine if Frank Zappa and Béla Bartók co-wrote the next Gogol Bordello album and you’re about halfway to describing more recent albums like Jeskyně (Caves), which also features a pretty great animated video for the track “Mariana” by Jakub Čermák.

Už jsme doma remain active to this day and recently celebrated their 30th anniversary. They released their latest album Tři křížky (Three Crosses), in 2015, and still regularly tour the Czech Republic and other parts of Europe, though as far as we can tell they haven’t visited the States in some time. Maybe getting all the necessary visas is too much of a hassle, or maybe we’re just not ready for a band that sounds like a Czech version of The Mothers of Invention.

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