We’ve made no secret before in these virtual pages of our love for outsider musician, puppeteer and alien abductee David Liebe Hart. But we’ve neglected to sing the praises of Half Japanese, the long-running lo-fi rock act fronted by brothers Jad and David Fair. Since the late ’70s, they’ve churned out a massive catalog of tunes that manage to be deliriously catchy even when the guitars are out of tune (which they usually are). Kurt Cobain was a fan, as is Daniel Johnston. They’re great, and definitely weird enough to eventually earn a spot on our ever-expanding list.
So what do you get when you cross David Liebe Hart with Jad Fair and another frequent Half Japanese member, Baltimore multi-instrumentalist and all-around weirdness connoisseur Jason Willett? Possibly the best album DLH has ever recorded: For Everyone, which sets Hart’s rants and digressions to music as endearingly off-kilter as his half-sung, half-guy-on-the-bus-talking-to-no-one-in-particular vocals. There are paeans to Valerie Harper and Beatrice Arthur, an ode to a dead pet fish, an electro-funk screed against fake dating profiles (“Robot Girls”), and controversial diatribes on everything from Disney characters (“I Like Donald Duck Better Than Mickey Mouse”) to classic sitcoms (“I Like Vivian Vance Better Than Lucille Ball”).
The album’s Hartiest moment, for my money, is “Lentil Beans,” on which the singer professes his romantic (and occasionally carnal) love for the titular legume. “If you were a lady, I’d marry you,” DLH declares. “You’re better than black-eyed peas.” Personally, lentils give me gas, but I admire the man’s passion for his food. Here, have a listen:
For Everyone is out today via Joyful Noise Recordings and available for stream or purchase (on limited edition orange vinyl — only 100 copies left as of this writing) from Bandcamp. With respect to Jonah Mociun — whose loopy electro-pop has provided DLH with excellent musical accompaniment for the past several years — Jad Fair and Jason Willett have provided the perfect soundtrack for David Liebe Hart’s peculiar brand of endearingly eccentric songwriting. It’s occasionally hilarious, occasionally creepy — poppy, atonal, avant-garde and accessible all at once. It reminds me a little of what might happen if Wesley Willis, Tom Waits and Fun Boy Three (remember them?) joined forces, but really, it’s one of the most original things you’ll hear all year.
I have an uncontrollable urge to leave you with another track, so here’s “Haunted by Frankenstein.” Bump this at your Halloween party and give extra candy to the folks willing to dance to it.