Beetlejuice michael keaton Despite its nostalgic nods, Tim Burton’s new feature film, a sequel to the famous 1988 film, gets lost in convoluted plots and off-the-mark jokes.
Tim Burton Revisits a Cult Classic with “Beetlejuice michael keaton” Sequel
It is our ex-department or our missing relative, in Beetlejuice michael keaton, the message is clear: it is better to leave the past alone. A lesson that Tim Burton might have done better to apply before revisiting one of his most cult works. In the fantasy comedy Beetlejuice michael keaton (1988), Michael Keaton played a sticky and unhygienic demon, who appeared as soon as his name was pronounced three times.
More than thirty-five years later, at the opening of the 81eedition of the Venice Film Festival (out of competition), here comes the sequel, the highly anticipated Beetlejuice michael keaton (in united states cinemas from September 11, 2024).
In thissequel, Lydia Deetz (Winona Ryder) has become a famous medium, star presenter of a paranormal reality TV show. Her teenage daughter, Astrid (Jenna Ortega), is struggling to get over her father’s death and refuses to believe in the existence of the ghosts that made her mother famous. As for Lydia’s mother-in-law (Catherine O’Hara), she is as self-centered as ever, family exploiting trauma to make works of contemporary art. Moderately entertaining however without succeeding in justifying its own existence, Beetlejuice michael keaton above all illustrators some of the most deleterious tendencies of Hollywood sequels.
The “legacyquel” fashion
Like most films classified in the popular category of”legacyquels”(a se sentquel to pass the baton between the old and new generations), this one is content to fulfill a specific set of functional. functional, by multiplying the nods to the original and reinterpreting some of its most cult scenes. Here, for example, the characters no longer doforced playback to “Day-O” by Harry Belafonte, purpose “MacArthur Park” by Donna Summer
Even for a Tim Burton agnostic , in this case nostalgia, operates. We are pleased to find the practical effects, sets and models that made the original attractive. And we are happy to let ourselves charmed by the casting, both old and new.
Unfortunately, this new opus multiplies the subplots without finding its point. The character of Beetlejuice michael keaton, still played by Michael Keaton, is similar here to a dreary ex, still obsessed with Lydia and a weak insisting on “getting her back”. At the same time, the demon in the striped follows is himself hunted by his menacing ex-wife, who has the power to suck souls, played by an underused Monica Bellucci in a slightly thankless role, despite her excellent scene.
In the world of the living, Astrid falls in love with a teenager whose secret is guessed too quickly and Lydialy reluctantly prepareds to marry herdiocre and insistent manager, Rory (Justin Theroux). Finally, all those beautiful people are hunted down by a cop beyond addicted to detective film clichés (Willem Dafoe, who seems to be the only one really having fun). Something to get lost in.
An unfinished and failed satire attempt
Beetlejuice michael keaton suffers above all from an even more painful tendency of pop culture: clumsy attempts to comment on the current era, everything especially that could be likened or far to the great villain and indefinable “culture woke” (in the same genre, we think of the series And Just Like That…,disastrous sequel to , which seeks so much in its phase.
In the film, the home hall of the afterlife is now full of eco-protests, the train Deetz neighbor has his own microbrewery, Delia makes jokes abouttiny housesand Lydia met Rory, her toxic guy, in a circle of speech during a ‘survivor retreat’.
The screenplay by Alfred Gough and Miles Millar (the creators of the Wednesday series chained the reheated jokes on therapeutic jargon(“this is a safe space”,ironic Beetlejuice Beetlejuice), the”non-sterming”Halloween costumes, or the narcissism of the influences. “Sugly that will be enough to amuse some of them: at the opening of the Mostra a scene where influences are sucked up by their mobile phones aroused applause cheered in the assembly.
Rory, Lydia’s falsely empathic boyfriend, seems to crystal especially the worst of contemporary psychological obsessions. When Lydia explains that she is being chased by Beetlejuice michael keaton, the latter replied that”it is clearly a construction created by your undigestedtrauma”. Later, he said he was trying to connect to his“innerchild”. The overuse of these concepts, popularized by overness coaches on Instagram, is an undeniable reality of our time and, as such, offers a rich satirical material.
But few of the works manage to capture it intelligently (one can cite, among the best examples, the Search Party series). Far from being incisive, the observations made in Beetlejuice michael keaton unfortunately remain on the surface and seem rather to reflect the misunderstanding of their authors in the face of the real concerns of their contemporaries.
So, despite always charming visual effects and a few funny gags (a little thought for Bob’s character), almost everything ends up falling flat in this suite, that seems to have made to have been to capitalize on fan nostalgia. For a film sooccupied pre with souls, Beetlejuice michael keaton isso missed badly.
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