Hey, so remember how we took that looooong break a couple months back? Well, contrary to Internet rumor, it wasn’t just because we went off our meds. (That was just me.) The main reason it happened was because my partner Andy got himself a fancy-pants new job as the music editor for LA Weekly. They still come out once a week in newsprint form, which seems kinda last century to me, but everyone I talk to assures me it’s still a pretty big deal. So yeah, you should all congratulate him and shit.
Anyway, this means Andy now gets to sneak some weird content onto the LA Weekly website from time to time. He was freelancing for them before, so he’s already gotten some weirdness on there, but now that he’s a shot caller it may become a regular thing. Our devious scheme to spread weird music to the masses is coming to fruition!
So here’s the first weird train pulling out of the LA Weekly station on Andy’s watch: a recap of 10 of our favorite weird videos from the past year. Yeah, Andy threw “Turn Down for What” in there, but the rest of it’s pretty out there for a website that still puts itself into newsprint form once a week.
Andy’s still trying to impress his bosses, so be sure to check out the full list on LAWeekly.com so they gets lots of page views and shit. Maybe you could even leave a comment or tweet it or post a selfie of you jerking off to it on Snapchat or whatever you damn kids do these days. Basically, just spread the word, K?
We had a feeling that after their last video, the Yo Gabba Gabba-esque “Public Enemy,” Russian rap-ravers Little Big were going to return to the dark side. And boy did they ever. “Dead Unicorn,” their latest, combines child rape, skin suspension, human centipedes and the Saw movies with, well, unicorns. Dead ones. It’s hard to watch and you won’t be able to look away.
Sorry you can’t unsee that.
On the brighter side: Little Big have promised some European tour dates in February and March, culminating in an appearance at the Paaspop Festival in the Netherlands April 3-5. Given the current shitty state of affairs between Russia and the U.S., we’re not holding our breath for any Stateside dates, but maybe—like a magical, non-sewn-together-from-dead-bodies unicorn—they’ll pleasantly surprise us.
Just in time for autumn’s end, lo-fi queen Petunia-Liebling MacPumpkin has released a video for “Autumn Leaves,” the seventh in her series of visual accompaniments to songs from her 2012 album, Fish Drive Edsels. This may be her most visually arresting work yet, thanks to animation and illustrations by British artist Jodie Lowther. It’s a bit like watching a painting come to life. A painting that just took a few hits of acid.
The next track on Fish Drive Edsels likely to get the video treatment is “Bagboy Cowboy,” a song about a trip to the grocery store. To buy fishheads, no doubt.
We’re back! Did you miss us? We promise to resume regularly posting Weird Bands of the Week and occasionally updating our Weird 100 chart, but other site updates will probably be more infrequent because we’ve both got demanding day jobs now. For our ever-popular Weird of the Day picks, follow us on Twitter or Facebook. And now, back to the weirdness…
This week’s “band” is a solo artist from New York named Thomas Truax (pronounced “True-Ax”) who plays guitar and a variety of homemade instruments, mostly of the beat-making variety. He started out as the bassist/vocalist for a ’90s trio called Like Wow that was part of downtown Manhattan’s “antifolk” scene (did anyone actually like the term “antifolk”? didn’t think so), then turned solo around 2000 or so. His signature instrument, seen above, is called the Hornicator. It’s a modified gramophone horn that he can both sing into and use as a twangy percussion instrument by plucking a string wrapped around its neck. It apparently also has a kazoo inside it, because really, any halfway decent homemade instrument may as well include a kazoo.
Musically, Truax tends to play his own spin on mutant, lo-fi blues, evoking shades of everything from Nick Cave to Jon Spencer to another weird artist famous for cleverly constructed analog drum machines, Mr. Quintron. He’s done an entire album of songs from David Lynch films and another of original songs to accompany a production of Henrik Ibsen’s Peer Gynt. More recently, he’s teamed up with ex-Dresden Doll drummer Brian Viglione. But it’s his solo live shows, where he unleashes his Hornicator and a variety of steampunky percussion instruments with evocative names like the Sister Spinster and the Mother Superior, that really showcase Truax’s weirdness.
Truax has also made more than his fair share of memorable music videos over the years. Here’s our favorite, suggested by reader Chas (thanks, Chas!), for a typically offbeat Truax original called “Prove It to My Daughter” that doubles as both a song and a hypnosis session:
One of the weirdest music and art venues in the world is in, of all places, Phoenix, Arizona. There, the self-described “world’s oldest gay Canadian rapper,” Space Alien Donald, does shows and hosts art exhibits in a little house near the airport called Funny World. We hope to visit soon, because it sounds like the kind of place that The Man could shut down at any moment. Especially in a place like Arizona, where anyone suspected of being an alien is just one broken taillight away from getting deported.
Actually, when Space Alien Donald bought Funny World in 2011, he was apparently told by the city that it would be torn down in six months to make way for a parking lot. But three years later, it’s still there. Even in Arizona, the weirdos are winning.
How did a 70-something gay Canadian rapper wind up hosting semi-legal punk shows in his house in Phoenix? We’re a little hazy on the specifics, but according to this article in something called the Downtown Devil, the man born Donald Roth moved to the U.S. from Ontario in the ’60s to work in electronics. After working in Silicon Valley, where he faked his school records to get jobs, he eventually settled in Prescott, a small city north of Phoenix, where he began developing his sci-fi inspired alter ego, Space Alien Donald.
Donald calls himself a rapper, but that’s not quite accurate. He really just kind of sing-speaks lyrics about science, astronomy, aliens and one of his favorite topics, a hypothetical particle called the tachyon that, like many things in Space Alien Donald songs, may be legit science or may be a bunch of pseudo-scientific hooey. He does this over synth backing tracks that sometimes are just the preset beats and chord progressions built into cheap electronic keyboards. So basically, he’s like nerdcore meets Mission Man meets a less schizophrenic Wesley Willis. Only older and more Canadian.
Donald just released his latest album, Must Be Funny, on Related Records. It’s got songs about how aliens built the moon and it has penises on the cover and it’s awesome. You can stream the whole thing over on Bandcamp and buy it for five bucks if you’re awesome, too. Here’s one of our favorite tracks:
To get more of the full Space Alien Donald story, this documentary, made by one of the residents of Funny World (yeah, people live there, too), tells you all you need to know:
Big thanks to Kai of Toxic Chicken for introducing us to Space Alien Donald’s weirdness.
Polish hip-hop duo Donatan and Cleo went back down to the farm for their latest single/video, “BRAĆ,” and you know what that means: More high-sterical combinations of Polish rural life and hip-hop video clichés. Sexy vixens washing an old tractor like it’s a Bentley? Check! Old Polish dudes doing vodka shots like they’re sipping Cristal in the club? Check! Roosters wandering around for no reason? Checkity-check-check, baby. Slavschool in full effect!
The new video also features a new collaborator: A Polish/Ukrainian band called Enej, who bring the requisite Slavic folk flavor to the proceedings by way of a little gypsy-punk accordion and horns. Here’s what they usually sound like, so we gotta say, Donatan does a good job recasting them in a hip-hop context.