Arrington de Dionyso goes rude boy on new Malaikat dan Singa song “I Create in the Broken System”

Malaikat Dan Singa
Photo by Lucinda Roanoke

It’s been a year or three since we last heard from Malaikat dan Singa, the Tuvan throat-singing trance-punk project of Old Time Relijun lead singer Arrington de Dionyso. But just the other day, we got an email from Arrington himself, alerting us to the arrival of a brand-new Malaikat dan Singa album and music video. Thanks, Arrington! It’s because of proactive artists like you that we get to sit on our asses looking at Passed Out Juggalos all day instead of trawling the Interwebs for, y’know, music news and stuff.

Anyway, the album is called Open the Crown and it’s out now on the ever awesome K Records. Based on what we’ve heard of it, we’re happy to report that Arrington is full freakout mode, complete with throat singing, bass clarinet and ranting and raving in his preferred rock ‘n’ roll language, Indonesian—although he now mostly belts out in English. The other new wrinkle here, besides the semi-intelligible English lyrics, is a growing interest in the hip-skankin’ beats, loose-limbed basslines and tape echo of Jamaican dub and reggae—an interest that becomes a full-blown homage in the first Open the Crown song to be released in video form, “I Create in the Broken System.” You might think there’s no connection between throat singing and rude boy toasting, but there’s something in Arrington’s growling delivery that’s totally Tibet by way of Trench Town. Also, there are cheetahs and lions.

You can preview more tracks from Open the Crown and I dunno, maybe buy the damn thing for just $6.99 on the K Records website. Think of it as doing your small part to stick it to The Broken System.

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Weirdify Playlist 3: Noise Ordnance

Hi, kids. Jake here, finally delivering y’all a playlist with some balls. Also, some power tools, Tuvan throat singing and field recordings of surgical procedures. That’s how I roll.

ShareMyPlaylists is thwarting me and not recognizing half these tracks, so here’s a direct link to the full playlist on Spotify. You’ll get 20 whole tracks of skull-crushing, ear-diddling insanity:

1. Lightning Bolt, “Assassins”
2. Fantomas, “Page 28”
3. Deerhoof, “The Great Car Tomb”
4. The Locust, “Who Wants a Dose of the Clap?”
5. Nimrod, “Ripsnort”
6. Arrington de Dionyso, “Susu Naga”
7. The Residents, “Smelly Tongues”
8. Captain Beefheart, “Skeleton Makes Good”
9. White Mice, “Passsthefissst”
10. Kylie Minoise, “Corpse Sex Show Outrage!”
11. Genocide Organ, “Genocide”
12. Iwrestledabearonce, “Alaskan Flounder Basket”
13. Yip-Yip, “California Fart”
14. Justice Yeldham, “300104 Hamburg”
15. Einsturzende Neubauten, “Negativ Nein”
16. Cabaret Voltaire, “News From Nowhere”
17. Cattle Decapitation, “Gestation of Smegma”
18. Goatwhore, “Sacrament of Emptiness and Despair”
19. Otto Von Schirach, “Septic Sewer Soup”
20. Matmos, “L.A.S.I.K.”

Management not responsible for lost or damaged hearing. Happy listening!

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Arrington de Dionyso Malaikat dan Singa

Hi, kids! How was your summer? Ours was pretty darn rad, I gotta say. We found lots of weird music, made some new friends (hi, Emotron!), launched our online store, and spent just enough of it drunk to take the edge off this whole recession thing. Also, Weirdest Band in the World celebrated its one-year anniversary…did you get us anything? No? That’s okay…your presence is our present. (Don’t you hate when people say that?)

Anyway, Jake and I are tan, rested, and ready to bring you another year of really weird bands. First up: a new project from a lunatic named Arrington de Dionyso. Arrington’s main gig is serving as lead singer of Pacific Northwest noise-punks Old Time Relijun. We’ve known about OTR for awhile, and although they’re kinda weird, we never really considered them TWBITW-worthy. They throw in the occasional touches of free-jazz skronk, but still—our minds weren’t blown.

But this Malaikat dan Singa project is pretty off-the-charts, for a number of reasons. First, de Dionyso sings all the band’s songs in Indonesian. Why? Well, according to one official bio, “the Indonesian language allows de Dionyso to communicate on levels more deeply subliminal than those accessible in his native English.”  Not sure we buy that, but yes, it does give the songs an added layer of weirdness.

Second, de Dionyso occasionally incorporates Tuvan throat singing into his vocals, which gives the songs an added element of Far Eastern mystical juju and—because he puts his own punk-rock spin on throat singing’s eerie, inhuman tones—a vibe that could probably best be described as acid-rock for zombies. Seriously, it’s ugly, creepy, but occasionally trance-inducing stuff. In fact, de Dionyso apparently calls it “trance-punk.” Which is as good a description as any.

Oh, and some of the lyrics are apparently Indonesian translations of William Blake poems. Hey, why not?

Malaikat dan Singa’s self-titled debut is out now on K Records, and you can stream the whole thing on their website. [Update: You can no longer stream the whole thing on their website. You snooze, you lose!] Check it out and tell us de Dionyso isn’t the loopiest rock vocalist this side of Mike Patton. (He also seems to share Patton’s restless spirit—besides Old Time Relijun and Malaikat dan Singa, he also fronts a free-jazz group called The Naked Future and paints a lot.)

Malaikat’s live shows don’t seem to translate real well to video—de Dionyso is always a compelling figure, but the rest of the band is pretty much just up there chopping wood and giving him a steady groove to freak out on top of. But this animated video, done by a guy named Ben Wolfinsohn for his My Odd Days project, captures the band’s unhinged spirit pretty well. We especially like that he chose to make de Dionyso look like a guy who just wandered in from an office Christmas party.

UPDATE: Shortly after we posted this, we were contacted by Arrington himself (we’re not worthy!) who pointed us to a cool feature on him on this art ‘n culture site called The Black Harbor. We especially recommend checking out the second of the three videos on that page, where he demonstrates how he uses an antique record lathe and plastic picnic plates to make homemade records that he then sometimes incorporates into his shows. Very nifty stuff.

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