When Charlie Salas-Humara started his Panther project in Portland, Oregon around 2006, he wasn’t really expecting it to become his main gig. The goal, he said later in a video interview, was “mostly just to irritate people.” Legend has it that for Panther’s first gig, he showed up to an acoustic singer-songwriter night with a drum machine. I’m sure he succeeded in pissing plenty of people off at that gig and others since, but he also produced some of the most entertainingly awkward, tongue-in-cheek electro-funk of the late ’00s. Especially on Panther’s first album, Secret Lawns, on which Salas-Humara comes off like Demetri Martin doing a Beck parody.
Beginning with their second album, 14 KT God, Panther became a duo, thanks to the addition of drummer Joe Kelly. They also signed to Kill Rock Stars, which is hardly the biggest label on the planet but was a pretty huge step up from the tiny Fryk Beat imprint that put out Secret Lawns. Perhaps inevitably, Panther’s KRS output became more accessible, sounding like the work of an actual band rather than a Prince stalker alone in his bedroom. But they still had a knack for quirky videos like “Birds That Move,” from their 2009 swan song EP, Entropy.
As far as we’ve able to discern, Salas-Humara hasn’t released any new Panther music since Entropy. He’s been busy with numerous other projects, including a solo synth-drone joint called Grapefruit; an experimental five-piece called Regular Music that once released an album in the form of a tiny speaker housed inside a CD case; and Sun Angle, a sort of post-rock/punk/cumbia fusion trio. Together it adds up to one of the weirdest and most unique bodies of work we’ve run across in ages, although none of it tops the brilliant absurdity of Panther’s finest moment, a song and video called “You Don’t Want Your Nails Done” that we’ve featured before and will now feature again, because we love it so.