Weird of the Day: Anton Maiden, “Can I Play With Madness”

Anton Maiden

Gnome-hating Finns and Weird Band Poll runners-up Tonttu wrote to us this morning and shared a link to an amazing, computerized cover of Iron Maiden’s “Can I Play With Madness,” created back in 1999 by a Swedish teenager named Anton Gustafsson, who called himself Anton Maiden.

Sadly, for Anton, the answer to the question “Can I Play With Madness” was apparently “Yes”: He committed suicide at the age of 23. But he left behind a huge and awesome collection of MIDI/chiptune Iron Maiden covers that continue to piss off purists and inspire nerdy headbangers to this day. If programmed synths can shred, then Anton Maiden’s are the shredmasters against which all others must be judged.

You can check out more of Anton’s stuff on his website (which is in Swedish, but you’ll figure it out).

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Weird of the Day: Meneo, “Larele”

Meneo

Yes, it’s another bold leap forward in blog innovation here at TWBITW. After doing our #WTFoftheDay and later #WeirdoftheDay posts on Facebook and Twitter for nearly two years, we finally decided to cut the social media cord and move that shit over to this here lil’ ol’ WordPress site. Finally, we can just call it “Weird of the Day” without that stupid fucking hashtag! (I mean, we could’ve done that all along, but when you’re limited to 140 characters, you conserve space any way you can.)

We couldn’t make just any song and/or video our first Weird of the Day blog post, so thank pixelated 8-bit Jesus that a reader named Angus came to our rescue. Angus introduced us to a gentleman from Barcelona named Meneo who makes what he calls “electrotropical” and his label calls “Gameboy reggaeton” and we call “music that makes us twerk uncontrollably while sangria spurts out our noses.” And no, we haven’t even been drinking sangria.

For more Meneo, hit up his SoundCloud page.

Hear “Lesbian Bordello (Warp Zone),” the first track from Pryapisme’s new 8-bit pink cassette EP

Pryapisme Blastbit Rococollider

Hey, remember last month, when we told you that our favorite experimental/Nintendocore French band Pryapisme was releasing a collection of 8-bit tracks and remixes on limited-edition (and Satan-endorsed, judging from the cover art) pink cassette? Well, as the Feb. 3rd release date for that set, Blastbit Rococollider, draws nigh, we’re finally getting a little taste of the chiptune insanity that’s in store for us. Here’s one of the EP’s six tracks, “Lesbian Bordello (Warp Zone).” Hang on to your joysticks.

As previously mentioned, Blastbit Rococollider will be released in an extremely limited run of just 100 cassettes, and it appears that no pre-orders will be accepted. So bookmark this page on the Apathia Records website and on Feb. 3rd, be prepared to hit the refresh button like you’re mowing down lesbian zombies in a post-apocalyptic bordello. Good luck!

Pryapisme to release 8-bit EP “Blastbit Rococollider” on limited-edition pink cassette tapes

Pryapisme3

French Nintendocore rockers Pryapisme must love the ’80s. Not only are they releasing a new limited-edition EP only on pink cassette tape, they’re filling entirely with 8-bit music—you know, that tinny, lo-fi electronic stuff that sounds like two Atari 2600’s getting freaky. It’s called Blastbit Rococollider and appears to contain 8-bit remixes/remakes of tracks from their first two albums, Hyperblast Super Collider and Rococo Holocaust. They’re only making 100 copies, but if I can get my hands on one, I plan to break out my old canary-yellow Sport Walkman and make it the soundtrack to a weekend-long binge-playing session on my Asteroids emulator. Don’t judge me.

Here’s the track list for Blastbit Rococollider, which comes out Feb. 3rd on Apathia Records. To (attempt to) order a copy, keep an eye on the Apathia website.

World A :
Level 1 : Quenelle quenelle fourrure (Intro)
Level 2 : La notion de chiralité de spin et d’oscillation de saveur des particules supersymetriques définissant un champs scalaire lors d’une transition de conifold en cosmologie branaire dans un modèle ekpyrotique (Scrolling map)
Level 3 : Lesbian bordello (Warp zone)

World B :
Level 4 : Un druide est giboyeux lorsqu’il se prend pour un neutrino ( Platform )
Level 5 : Darkness lobotomy insurrection (Final boss)
Level 6 : Sanglié par un cornid (Bonus stage)

Räuberhöhle

Krawalla and Barchin of Rauberhohle

I don’t know about you, but after all the shit that went down in April, I could use a little happy action in May. So let’s start the month off on a candy-colored electro-punk note, shall we? Meet Räuberhöhle, the happiest band ever to emerge from Berlin. (Sorry, Einstürzende Neubauten.)

Räuberhöhle, which is German for “Robber’s Cave,” is the brainchild of a tattooed, J-pop-obsessed Kirsten Dunst lookalike called Krawalla Chan. Since 1999, Krawalla has been turning out bleepy, hyper-caffeinated electro-pop over which she sing-shouts like a cross between Kathleen Hanna and an army of rioting Japanese schoolgirls. There are elements of punk, disco,  electroclash, chiptune and Japanese synth-pop, none of which would be weird in and of itself, but all of which Krawalla combines in some highly quirky and occasionally brilliant ways. Add to that a live show that often features puppets and a guy in a bear suit (named Bärchin) and you got yourself one unique bundle of ausgezeichnet.

Given Krawalla’s candy-raver/My Little Pony cosplay aesthetic and the fact that many of her songs have titles like “Shake Yr Anus” and “My Heart Bleeps Noisy Beeps,” you’d be forgiven for assuming that Räuberhöhle is just a feelgood party band. But she’s also written an anti-Pope song and has another one titled “The Collective Face Of German Volkszorn” which we’re pretty sure is political even though we’re not actually sure what it’s about. It has lots of spoken-word samples of German people sounding angry, so it must be about something.

Mostly, though, Krawalla writes songs about having fun and feeling good about yourself—especially if you’re a girl or, as she charmingly puts it on her website in broken English, “Gays, women, handicapped. These whole fringe groups… I am down with them as long as the personal level is okay.” Take this awesome video for the song “I’m not part of the shit,” which is all about letting your freak flag fly and not being, well, part of the shit.

But perhaps no video better sums up the fearless wackadoodlery of Räuberhöhle than this clip for “Shake Yr Anus,” in which Krawalla and her furry friends torment mall security and (no, really) fart glitter. Many thanks to reader Irrealidad for sharing this with us a few weeks back. It’s the best thing to happen to anuses since…no, that’s a sentence better left unfinished.

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Gidropony

Today’s weird band was brought to our attention by a reader called Hola-Ebola, who is rapidly emerging as our new MVR (Most Valuable Reader). Hola-Ebola (“H to the Ezzo” to his friends) also turned us on to Dirty Sanchez. Truly, H-E, you are a veritable geyser of weirdness.

This band is called Gidropony, which is apparently Russian for “hydroponic”–or so says the one English-language article was could find on this band. That article also notes that the band hails from the small industrial city of Saransk, about 400 miles east of Moscow, in what is apparently the Russian equivalent of the Rust Belt. And there’s definitely something uniquely Russian about Gidropony’s mishmash sound, which mixes the crazy videogame synths of chiptune with elements of punk, electro and drum ‘n’ bass in what sounds like some bored Russian kids’ vague, thirdhand idea of what hipsters in Brooklyn must be listening to. They’re like the aural equivalent of cheap knockoff Levi’s, or that fake version of Donkey Kong you downloaded off BitTorrent that bombs your PC with Russian porn pop-ups.

Gidropony, who appear to be made up of a guy-girl duo plus some additional live musicians, call their sound “discoviolence” (also name of one of their records, which you can actually buy on Amazon) or sometimes just “trash.” Occasionally it’s downright catchy, other times it sounds like someone having a Nintendo-induced seizure. And when they make videos for their songs, they really delve into the pop-culture scrap heap, as they do on this fairly mind-blowing clip. Warning: it gets dirty. And we’re not just saying that to get you to watch to the end.

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Gangpol & Mit

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Several of you good people out there—most recently, our homey James Sooy over at Unsound Music—have suggested that we check out this duo called Gangpol & Mit. Or sometimes it’s Gangpol und Mit—even though we’re pretty sure they’re from France. Anyway, whatever the hell they’re called, we finally decided to fire up some of their videos on YouTube, and man. Meet your new favorite legal high, people. This is some trippy shit.

Gangpol & Mit are actually both musicians and graphic designers, and most of their songs come with nifty cartoon videos that are sort of a cross between that swingin’ ’60s tiki guy Shag and “Itchy & Scratchy” from The Simpsons. They all look totally groovy, baby, but they nearly always end in horrible violence. (That’s actually a pretty good nutshell description of the ’60s in general, come to think of it.)

The music, much like the cartoons, usually has some groovy elements, but it tends to erupt into electro-spazz freakouts and/or 8-bit breakdowns at unexpected moments. Put the two elements together—music and cartoon videos—and madcap hilarity ensues.

It’s impossible to single out just one Gangpol & Mit video as their weirdest, but this suggestion from James Sooy is definitely right up there. Stay with it, it really goes off the deep end at about the one-minute mark.

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