Christeene ’bout to brang it to London for 10 nights, motherfuckers


When we heard Texas tranny terrorist Christeene was hitting England and Europe last summer, we were pretty sure she would cause some kind of international incident. But I guess white trash and Eurotrash have more in common than we thought, because she’s heading back to the EU…that’s pronounced “Eww,” y’all…for another string of dates, starting with 10 nights at the Soho Theatre. Soho’s like, all posh and shit, right? Well, la-di-fuckin’-dah! Hope Christeene doesn’t come home talking like Maggie Smith and holding her pinkie in the air when she sips her Four Loko.

“Christeene: The Christeene Machine,” as her Soho show is called, starts tomorrow night, June 24th, and closes July 5th. For full dates and tickets, go here.

This promo video says Christeene will be traipsing around Europe until Aug. 30th, but we’re not sure where else she’s off to after she rips Soho a new one. We’ll try to keep you in the loop.


Brace yourselves, Europe. Christeene is comin’!

Christeene at SXSW
Photo by Ivete Lucas

You Europeans love to look down on us Americans, don’t you? With our guns and TMZ and politicians dumber than a sack of hammers. Well, we’re about to give you a new reason to feel superior to us. For a whole month, we’re sending you our skankiest drag queen, Christeene, to serenade you with songs about weeping pussies, anal sex and tropical abortions. La Cage aux Folles she ain’t, folks.

Cristeene’s first-ever tour east of the Atlantic includes stops at the SONAR Festival and muthafuckin’ Glastonbury. Not even the Rolling Stones are cool enough to play both SONAR and Glasto. Christeene is killin’ it, y’all.

She’s also playing a date in New York, which isn’t part of Europe but may as well be.

June 7 – NYC – Webster Hall Studio
June 12 – LISBON – Musicbox
June 14 – BARCELONA – SONAR Festival
June 21 – MANCHESTER – Islington Mill
June 22 – LONDON – Duckie
June 23 – LONDON – Lecture/Soho Theater
June 24 – LONDON – Vogue Fabrics
June 25 – LONDON – Vogue Fabrics
June 28 – SOMERSET – Glastonbury Festival
June 29 – BERLIN – Haus der Berliner Festspiele

So Europe: Now that we’re giving you Christeene, you can give us Winny Puhh, right? I mean, fair is fair.

New Christeene video “Big Shot” is kind of creeping us out


When we got a message a few days ago from our favorite Texas shemale, Christeene, telling us she had a new video on the way, we had to strap on the Depends so we wouldn’t shit ourselves. Christeene’s videos are pretty much always trashy, tasteless and awesome. And this one is for the track “Big Shot,” which is definitely one of our faves off her bananas album, Waste Up Kneez Down. How can you not love a track with lines like, “Needle riding to the  red on the jizz tank”?

Well, Christeene and her pals at Three Dollar Cinema clearly went all-out for “Big Shot.” Production-wise, this thing is like a fucking Lady Gaga video. It’s also pretty darned disturbing, even by Christeene standards. Are those two creepy dudes raping her? Why do all her stuffed animals come to life and start attacking her? Who strapped her to the ceiling? What’s with all the fucking rabbits?

We recommend watching the video in its original high-rez form over on Vimeo, but if you’re too lazy to click a link, we embedded it below, too. Sweet dreams, y’all.

Weird Album Review, Christeene, “Waste Up Kneez Down”

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It’s another first here at Weird Band HQ: our first-ever album review. We’ve got Christeene’s Waste Up Kneez Down cued up and ready to go under the knife of our razor-sharp critical acumen. You ready, Christeene? More importantly, are we?

Remember about 10 years ago when “electroclash” was all the rage? We’re gonna describe Christeene’s sound as “electrotrash.” Her mix of filthy lyrics and throbbing dance grooves definitely owes a debt to electroclash’s more provocative artists, like Peaches and Princess Superstar, but she’s bringing her own Southern swag to the party. Also, she’s actually a dude in slutwave drag, which adds a layer of kink and gender confusion to her music that electroclash’s nasty girls couldn’t pull off so handily. (“Pull off so handily,” by the way, will only sound like a possible sexual double entendre to you if you haven’t heard this record. After you’ve heard it, it sounds like a line from Sesame Street.)

The album starts strong with a trio of down ‘n’ dirty dance tracks, of which “Fix My Dick” is the clear highlight—in part because it is, lyrically, the lowlight. “I’ll let you chew on my crabcakes, the hell with the first date, just slide me the beefsteak” is actually one of the least gross lines in the song. But “I need a woman gonna eat my dirty shame” might be the most telling. Christeene is an equal-opportunity hoe-bag who will tangle men and women alike in her cum-caked fishnets. But it’s the women who make her feel filthier.

We’re not big fans of the album’s next track, a lilting ballad called “Workin’ on Grandma,” in part because we still have no idea what the fuck it’s about. Is it literally about Christeene’s grandma? And why is she so desperate to convince grandma to stay? Is the rent tight? Is “workin’ on grandma” some kind of gay sex thing we’re unfamiliar with? Maybe Christeene will enlighten us one day.

“39 34 39,” an ode to Christeene’s (wo)manly curves, sounds like a cross between Prince’s “Dirty Mind” and DeBarge. No, seriously. Just imagine El DeBarge crooning “My pussy ain’t poppin’ for free” and you’ll see what we mean.

“Big Shot,” by contrast, comes on as cyber-sleek as Depeche Mode, until Christeene staggers into frame and starts wet-humping the Korg synthesizers. Violator? I hardly know her! (Yeah, we just made a Depeche Mode joke. How ya like us now?)

“Tropical Abortion” might be the most tasteless song on the album, which is saying a lot. That’s probably why Christeene and her main producers, JJ Booya and Powerhammer, dressed it up in a faux-Caribbean New Wave romp worthy of…well, maybe not Gloria Estefan. Billy Ocean?

After the throwaway “Oprah Angelz” comes “Bustin’ Brown,” a slow-grind Southern rap ode to “breakin’ laws in your behind.” Yes, it’s a sodomy jam for the ladies, complete with a critique of all us “straight motherfuckers” who don’t know how to do it right. (No comment, Christeene.) This is the part where she rhymes “Whatchu talkin’ ‘bout, Willis?” with “You fuckin’ like you tryin’ to kill us.” Which might be our favorite part of the whole album. Until….

Sigh. How do we explain the awesomeness that is “Tears From My Pussy”? We can’t, so we’ll just let you hear it for yourself. This is right up there with Beck’s “Debra” in the annals of R&B parody songs that are better than 99% of actual R&B songs. It has a fucking children’s choir, for fuck’s sake! Singing about pussies! (Relax, they probably thought they were singing about cats. Also, our carefully trained critics’ ears tell us it may not be a real children’s choir.)

Musically, “African Mayonnaise” isn’t the strongest song on the album, but lyrically, it’s the closest the man behind Christeene, Paul Soileau, comes to spelling out Christeene’s agenda. “I am your new celebrity,” goes the song’s refrain, “I am your new America/I am the piece of filthy meat y’all take home and treat to yourself.” And later: “Come take a piece of me and burn it in your back room.” It’s his/her sneaky way of reminding us that, as foul as Christeene’s sleazeball anthems can get, all she’s really doing is reflecting our increasingly depraved, hypocrisy-ridden culture back at us. Or maybe we’re reading too much into it and she’s just channeling America’s endless parade of talentless fame whores.

Waste Up Kneez Down ends with a surprisingly solemn (by Christeene’s standards, anyway) piano ballad, then a live version of “Tears From My Pussy” featuring what sounds like the world’s most under-rehearsed chamber orchestra. At first, it sounds like a full-blown train wreck, but stay with it until about the 4:30 mark, when a few violins finally find the right key and the whole thing slowly, miraculously, transforms into something kinda beautiful. Sorta like Christeene herself. (See how we did that?)

So, to sum up: If you like your electro-party jams with a queer eye for the pig sty, buy this fucking album. And no, we have no idea what the last sentence means, either, but buy it anyway! Your friends will be amazed, appalled and ultimately delighted when you throw this shit on at your next wine and cheese night.

Photo by Shot in the City. Swiped from CultureMap Austin.

Christeene’s debut album, “Waste Up Kneez Down,” is coming on May 26

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Good news from deep in the…uh, well probably not the heart of Texas. The colon? Wherever it’s being spawned from, Christeene’s debut album has a release date!

For those of y’all not familiar: Christeene is the self-styled “drag terrorist” we first blogged about back in March, when s/he was just days away from wrapping up a Kickstarter campaign to fund the release of her first full-length LP. She hit her Kickstarter goal of $10,000 just 24 hours after we made her our Weird Band of the Week, which was probably just a coincidence, but which Jake and I chose to believe meant that a.) this blog is more influential than we realized and b.) we really should come up with a Kickstarter campaign of our own at some point, because apparently you people are soft touches.

Anyway, the fruits of that ten grand are finally due to arrive at the end of May, in the form of an album called Waste Up Kneez Down. And there’s gonna be a release party in Austin that you freaky Texans (not an oxymoron, I’m told) will not want to miss. I’ll let Christeene explain:

It’s been some hard hittin and heavy winnin here in Austin, and we are stanked as all hell to announce that the Official Album Release for WASTE UP KNEEZ DOWN is going to be on Saturday May 26th, Memorial Day Weekend here in Austin Texas at Elysium Nightclub! Haaaaaay!!!

Elysium is a dank and stank club where we released our EP three years ago, and we wanted to return to the scene of the crime with the album release.

The new songs produced by JJ Booya (Brett Hornsby) are fugggggin phenomenal, yallz. We can’t wait for you to fill your ears with this stank.

The album has 12 tracks plus a bonus track that’ll make ur nay nay cry.

Jake and I have been to Elysium and we can confirm that it is, indeed, dank and stank.

Here’s the promo video for Waste Up Kneez Down, which will forever change the way you view gay porn, ’80s aerobics videos and The Brady Bunch.


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Here at TWBITW, we’re always up for supporting a good cause. So when we learned that self-described drag terrorist and “sexually infused sewer of vile shamelessness” Christeene had only three days left on her Kickstarter campaign and was still more than $2,000 short of her goal, we just knew we had to leap into the breach. Even though we were a little afraid of using the word “breach” in a sentence about Christeene.

For those of y’all not familiar: Christeene Vail is the creation of singer/rapper/filmmaker/drag artist Paul Soileau, born at a queer open-mic in Austin about three years ago (Christeene, not Paul—Paul looks to have been born sometime in the late ’70s, though only his makeup technician knows for sure). Paul had performed for years as a more conventional drag queen named Rebecca Havemeyer, but he concocted Christeene because he wanted a persona that was more, in the words of one writer, “quick, destructive and fun—something to leave his audience speechless in less than five minutes.” Mission accomplished!

Christeene is a foul-mouthed, dirty-minded, trailer-trash naif who makes improbably catchy electro-pop with touches of R&B, hip-hop, dubstep and booty bass. She’s sort of what might have happened if Crazy Britney had spent less energy on shaving her head and attacking cars with umbrellas and more on actually making music as provocative as her pantyless bouts with the paparazzi.

Christeene’s performances and amazing, totally NSFW videos (made with filmmaker PJ Ravel under the name Three Dollar Cinema and mostly available on Funny or Die) are aural and visual assaults of gold teeth, smeared lipstick, flashed privates, ass-cheek-spreading backup dancers, and gender-bending songs and raps about ass play (“Bustin’ Brown”), sad hookers (“Tears From My Pussy”) and what we can only assume is old-people sex (“Workin’ on Grandma”). It’s not for the faint-hearted, even though Christeene herself maintains an endearingly childlike, Adam Sandler-ish quality throughout.

Arguably the weirdest—inarguably the most downright nasty—thing Christeene’s ever produced is “Bustin’ Brown,” a song about anal sex (“breakin’ laws in your bee-hind”), with a video that mostly takes place inside a giant colon. But for sheer NSFW hilarity, we have to agree with reader Hirsh, who first brought Christeene to our attention on our Submit a Band page by posting the “Fix My Dick” video along with the that-about-sums-it-up comment, “Mmmm yes.” (Did I mention this video is NSFW? I really, really can’t stress that enough.)

If you enjoyed that, please for the love of Jesus proceed immediately to Christeene’s Kickstarter page and give generously so that her debut album, Waste Up, Kneez Down, may see the light of day. Jake just stole one of my credit cards and gave five bucks, and if that raging homophobe can support this hot mess with someone’s else money, you sure as shit can, too. (I kid. Jake’s not a homophobe. He just gets squeamish about hairy guys in thongs.)

[Update: Well, shit. Christeene just hit her $10,000 Kickstarter goal with 46 hours to go—and barely 24 hours after we first wrote this post. Y’all just got the Weird Band Bump, Christeene! Congrats.]