Winny Puhh are back and just as batshit as ever

Winny Puhh

Thank god for you folks out there in Readerland. If it wasn’t for you, we’d never get caught up on all the weird music we missed during our last hiatus. Topping the list of shit we slept on: a new album from Estonian spazz-punks Winny Puhh, who released their latest album Kes küsib? (Who Asks?) on Sept. 28. Big ups to reader Jimmy Miller for dropping that knowledge bomb into the spider hole we’ve been hiding in these past few months.

We’ve only been able to find two tracks from Kes küsib? online, but they’re pretty insane even by Winny Puhh’s unhinged, hanging-from-the-ceiling standards. Let’s give them a listen, shall we?

That was pretty great, but this next track ups the ante with some throat singing while also managing to be kinda catchy.

Apparently, Kes küsib? was the number one album in Estonia at one point. Which officially makes Estonia the coolest country on the planet. Sorry, Japan. You had a good run.

There doesn’t seem to be any way for us Americans to legally purchase Kes küsib?, unless you trust your Google translator and/or limited grasp of Estonian to guide you through this site, which appears to be selling legit copies of it for 13 Euros. [Update: One observant reader pointed out to us that the site has an English translation button. So Estonian fluency not required after all.] It’s also on a shit-ton of Russian torrent sites, but we’re not gonna link to those ’cause they’re shady. If you really want a Russian black market MP3 copy of Kes küsib?, we’re sure you have what it takes to figure it out.

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Weird of the Day: Pulsallama, “The Devil Lives in My Husband’s Body”

Pulsallama

Reader Eddie sent us a link to this video by an all-female ’80s group from New York called Pulsallama, a short-lived art-punk ensemble made up almost entirely of percussionists, plus some bass guitar and the occasional horn line (because this was the ’80s, after all). According to their Facebook page, their sound was sometimes described, pretty accurately, as “13 girls fighting over a cowbell” (though they eventually slimmed down to a svelte seven-piece). After opening for The Clash and releasing a couple of singles, they disbanded in 1982.

This song, “The Devil Lives in My Husband’s Body,” was a minor college radio hit, which is just further proof of something we’ve been saying for years: The ’80s were an awesome time for weird music.

If you want to learn more about Pulsallama, fringe culture experts Dangerous Minds (who else?) have a great summary of the band’s brief career.

Weird of the Day: Melvins, “The Talking Horse”

Melvins

In our write-up for Tera Melos, our reigning Weird Band of the Week, we noted that all of their brilliant music videos are the work of one man, a director named Behn Fannin. We decided to dive into the rest of Fannin’s catalog in search of further gems of weirdness and came up with this classic from punk/sludge metal legends the Melvins, from their 2006 album, (A) Senile Animal. Our new favorite video director Fannin’s been doing twisted things with creepy puppets and visual non sequiturs for a long time, it seems.

If you want to see more of Fannin’s work, check out his Vimeo channel.

Weird of the Day: Tartar Control, “Smoking Crack”

Tartar Control

Hey, so here’s another L.A. band we’ve been meaning to write about for awhile. Tartar Control claim to be God-fearing Mormons from Salt Lake City who try to spread religion through the power of snotty punk rock, but I’m not so sure. I think they might be actual snotty L.A. punk rockers who are just ripping off these guys. Oh, wait, their drummer is a robot? I take it all back then. They must be actual Mormons and their act is totally original! (Mormons love robots. It’s why their Chosen One is Mitt Romney.)

Anyway, Sean, Robert and Robot have a new album coming out in October called We Forgive You. You do? Thanks, Tartar Control! Glad that dead hooker is finally off our conscience.

While we wait for forgiveness, here’s a video for “Smoking Crack” off their first album, Holy Crap! Tartar Control forgives us, but who forgives Tartar Control?

For more Tartar Control, floss regularly and visit the band’s website.

Heiter bis Wolkig

Heiter bis Wolkig

Meet our latest poll winners: Heiter bis Wolkig, self-described purveyors of “weird German cabaret bullshit.” And when it’s German bullshit, you better bring a plunger. That sausage and sauerkraut diet is murder on the ol’ gut pipes, if you catch my drift.

Anyway, we actually don’t know much about these guys, because they didn’t tell us much and nearly everything that’s been written online about them is in German. But hey, Google Translator to the rescue!

Apparently, Heiter bis Wolkig started way back in the ’80s as some kind of college theater art prank. A bunch of schoolmates from Cologne started making parody songs as part of a cabaret night and I guess things kinda just snowballed from there. They even had a sorta-hit in 1992 with a song called “Hey Rote Zora,” a parody of “Here Comes Pippi Longstocking.” If you speak German, I guess it’s fucking hysterical… although even for us non-Germans, the part where it turns into a snot-punk rave-up is pretty fun stuff.

In case you’re wondering, Heiter bis Wolkig either means “Partly Sunny” or “Partly Cloudy” or possibly both those things, because Germans are complicated.

Back in the day, Heiter bis Wolkig was a whole gang, but only two of them, Marco and Micha, have been crazy enough to keep at it into their forties. God bless ’em, right? Seems like they revived Heiter bis Wolkig in 2012 after a long hiatus with a couple of releases: a “maxi-CD” called Pop Ma$$akker and a single called “Generation D.” No, I don’t know what a maxi-CD is, either. It’s either a CD that doubles as a tampon or it’s what we Americans call an EP or “extended play” release.

Anyway, Heiter bis Wolkig’s new stuff is still super-satirical, but it covers more ground genre-wise. Here they are making fun Lady Gaga-style electro-pop, while running around London in fat suits because I have no idea why:

Actually, maybe “satirical” isn’t the right word for lyrics like “Stupid Gaga music for fucking silly skanks.” How about we just call it put-down pop? That’s catchy, right?

Here they are making fun of pop-punk. Yeah, they’re shooting fish in barrels here, but there’s something ever so slightly off about the whole thing that makes it just downright delightful. Also, they throw in a “fucking motherfucker” madrigal interlude, just cuz. And they’re wearing white jumpsuits that say “ZOMBIEPROOF” on them. Because fans of pop-punk are a bunch of fucking zombies, I guess? I dunno, the fact that half of it makes no sense at all is what makes it work.

And finally, here’s the German version of their Lady Gaga parody, which honestly works even better than the English version. Side note: Back in my skate-punk days, I totally used to own that baseball cap.

So anyway, congrats on winning our poll, Heiter bis Wolkig! We look forward to you shitting on other forms of music us Americans love soon. Maybe dubstep? Dubstep is always a good target.

Links:

“Devo Hardcore Live!” is coming via PledgeMusic

DEVO

Remember when we told you about how awesome the Hardcore DEVO tour was? Still bummed that you missed it? Or you went, but you just can’t get enough “Bamboo Bimbo” and “Clockout”? Well, good news: DEVO documented one of the shows on the tour and is gearing up to release the whole thing in a variety of formats via MVD Entertainment and the crowdfunding site PledgeMusic.

For as little as $10, you can get a digital download of Devo Hardcore Live!—or you can spring for a little extra and get the soundtrack on CD or vinyl, as well as the film itself on DVD or Blu Ray. There are also goodies like signed T-shirts, concert posters and set lists. The trailer for the film posted on the PledgeMusic site looks pretty sharp, so this should be a great memento for you hardcore Devo-tees out there.

The campaign is already nearly 50% funded (PledgeMusic doesn’t reveal total dollar amounts), but don’t think of this as a donation. It’s more like a glorified pre-order.

We’ll leave you with a more lo-fi glimpse of the Hardcore DEVO tour. This is “Jocko Homo,” from the Seattle stop of the tour, just a few days before they filmed the whole thing in Oakland. Yep, still pretty weird after all these years.

Weird Band Night happened, and it was awesome

California Institute of Abnormalarts
Photo by Gruesome Gereg

Well, it only took us five years, but we finally hosted our first-ever Weird Band Night, and it was amazing. Why didn’t we do this sooner? Because we’re control freaks and booking live music is the art of wrangling chaos. So many things are so completely out of your control that all you can really do is line up the bands and the venue and tell everyone you’ve ever met that they need to be there and then sit back and hope for the best.

But despite a setback or two (we forgive you, Haunted Garage), Weird Band Night was a rousing success. OK, the venue could have been a little fuller, and the show could have run a little more on schedule. And Satanic Puppeteer Orchestra’s name could’ve been spelled correctly on the marquee. But no one died and the bands were on fire. Plus the California Institute of Abnormalarts (CIA) might literally be the Weirdest Venue in the World (complete with its own oddities museum containing no fewer than two actual mummies) so we couldn’t have asked for a better place to host it for us. We’re putting this one in the win column!

First up we had the Satanic Puppeteer Orchestra from San Diego, playing their first L.A. show. As with all opening bands, they had to contend with the lower energy of a small audience, but they powered through a hilarious set that answered such burning questions as “What’s the most expensive way to feed a zebra?” (answer: Pop Tarts) and “Which species of bird are potentially poisonous?” (answer: all of them).

SPO-CIA-sm

Satanic Puppeteer Orchestra
SPO-20, robot frontman of the Satanic Puppeteer Orchestra

For a one-man/one-robot act, SPO had quite the impressive setup, complete with their own lighting and an audiovisual presentation that included vintage educational videos and lyric subtitles, so you could decipher the Stephen Hawking-like vocals of the band’s frontrobot, SPO-20.

SPO at the CIA
Photo by Gruesome Gereg

Next up: The Rhythm Coffin, the ghoulish cavalry who swooped in and saved the day when Haunted Garage were forced to cancel on short notice. Their set was a big horror-punk/surf/rockabilly singalong with lots of great audience interaction, especially when they tossed what felt like about 300 styrofoam dummy heads into the crowd. This was ostensibly only for one song, “The Headless Head Bop,” but once the heads were unleashed, you pretty much had to keep your own head on a swivel for the rest of their set, lest you get beaned from behind by an overeager Coffin fan.

The Rhythm Coffin
Rhythm Coffin lead ghoul Gruesome Gereg (Photo by Paul Koudounaris)
Eerie Emma
Rhythm Coffin “Ghoulie Girl” Eerie Emma (Photo by Paul Koudounaris)
The Rhythm Coffin
Scary Carrie, Gruesome Gereg and GhoulHectic Clownie (Photo by Paul Koudounaris)

Last but certainly not least: The Radioactive Chicken Heads. What can I say about these guys? Every single song was a show unto itself. They broke out so many props and costumes and extra performers that, had I not met lead singer Carrot Topp in street clothes before the show, I might have started wondering if Dave Brockie faked his death and was now playing in a chicken-themed punk band from Orange Country. Their show was GWAR-like in its mind-boggling parade of wacky characters and costumes.

Carrot Top, Radioactive Chicken Heads
Carrot Topp of Radioactive Chicken Heads (Photo by Paul Koudounaris)
Radioactive Chicken Heads
Chicken Heads (left to right): El Pollo Diablo, Sgt. Psyclopps, Carrot Topp, Cheri Tomato, Bird Brain
I'm not really sure what this thing was. It almost ate Carrot Topp, but he managed to escape.
I’m not really sure what this thing was. It almost ate Carrot Topp, but he managed to escape.
Radioactive Chicken Heads
Double Carrot Topps! For the song “I Looked Into the Mirror.”
Radioactive Chicken Heads
Carrot Topp, Bird Brain and drummer Puke Boy
Carrot Topp and Badd Bunny
Carrot Topp does battle with the Badd Bunny, one of many adversaries who, for some reason, manage to get into every Radioactive Chicken Heads show
Radioactive Chicken Heads
This adorable little girl got onstage to help introduce the song “I Eat Kids.” Don’t worry, she’s fine. (Photo by Paul Koudounaris)
Punky Rooster and El Pollo Diablo (Photo by Paul Koudounaris)
Punky Rooster and El Pollo Diablo (Photo by Paul Koudounaris)

Thanks again to all the bands, Carl and everyone at the CIA, and most of all, all the friends and fans who came out to support the show. I hope you had half as much fun as we did.