Weirdify Playlist 8: Covers for Kooks

[Note: The above image was, er, borrowed from Richard Cheese & Lounge Against the Machine’s excellent greatest-hits compilation of loungified rap and rock classics, Sunny Side of the Moon. If you’re not familiar with Richard’s stuff, you should go to www.richardcheese.com right now and check it out. Especially because if you do, there’s still a chance he won’t take us to court and/or steal our wives for using his album art without permission. Thanks.]

Nothing announces your weirdness to the world better than a really demented version of a familiar song. It’s like saying, “You know how this song sounded in its original form? We’re the total opposite of that. Or we might just be YouTube whores hoping to score a few extra views with our medley of Lady Gaga songs played on bassoons.* Either way, are we wacky or what?”

Here, then, is a brief Spotify playlist of some of our favorite weird cover songs, from bands that rank high on the Weird List, bands that probably should be on the Weird List, and a few bands that are by no stretch of the imagination weird, but cool enough to include, anyway (you’re welcome, Ben Folds). Obviously, this list only scratches the surface of the vast universe of weird covers, and we’ll probably revisit it at some point. Probably with less Led Zeppelin. Although we make no promises on that.

(*Sadly, The Breaking Winds’ Lady Gaga medley is not available on Spotify and thus, not on this playlist. We’re not made of magic, people!)

1. Laibach, “Sympathy for the Devil.” Taking a familiar song from the classic rock canon and declaiming it like some pretentious dorkwad at a poetry slam is the oldest trick in the weird-cover-tune book (I was tempted to include William Shatner’s “Lucy in the Sky With Diamonds,” arguably the definitive example, but I’m pretty you’ve all heard it). But something about Laibach’s gravelly, Teutonic spin on the Rolling Stones’ old pseudo-Satanic jam makes it sound like the most original idea in the world.

2. Ben Folds, “Bitches Ain’t Shit.” Another well-worn cover trick is the painfully white version of a familiar hip-hop/R&B song (see also: The Gourds’ “Gin and Juice,” Jonathan Coulton’s “Baby Got Back,” etc.). In this case, Ben Folds’ version of Snoop and Dr. Dre’s misogynistic anthem stands out for me, mostly because it finds an unexpected core of heartache and melancholy underneath all the posturing. It’s the softer side of gangsta rap.

3. Hurra Torpedo, “Total Eclipse of the Heart.” Norway’s favorite kitchen appliance rockers give Bonnie Tyler’s ridiculous ’80s power ballad the beating it so richly deserves.

4. Tragedy, “More Than a Woman.” Tragedy do one thing, and they do it well: Hair metal covers of Bee Gees songs. Any questions? Moving on…

5. Metalachi, “Immigrant Song.” Another high-concept cover band, Metalachi do mariachi versions of metal songs. Most of it works better than you might expect—but even when it doesn’t quite work, as on this hilarious Hindenburg of a Led Zeppelin cover, the results are still pretty fantastic.

6. Nouvelle Vague, “God Save the Queen.” If you’ve ever heard one of your favorite ’80s songs transformed into a lilting bossa nova ballad, you’ve heard Nouvelle Vague, a French/English cover band whose versions of  Gen X oldies like “Melt With You” and “Dancing With Myself” have been licensed to death. Their catalog tends to be a little too hipster-wedding-soundtrack for our purposes, but this pretty acoustic Sex Pistols cover is just left-field enough to make Johnny Rotten hurl in his grave. Which, in a way, makes it possibly the most punk-rock Sex Pistols cover of all time.

7. Me First and the Gimme Gimmes, “Fire and Rain.” The flipside to the pretty Sex Pistols cover is, of course, a punk-rock cover of a James Taylor song. Me First, a “supergroup” side project featuring members of NOFX, Foo Fighters and the Swingin’ Utters, have run the unexpected-punk-cover concept so far into the ground that they’re now covering Japanese bands, but something about a rockin’ “Fire and Rain” still makes us giggle like Beavis and Butt-Head.

8. Edmund Welles, “Big Bottom.” Yes, this is a Spinal Tap cover played entirely on bass clarinets. And yes, it goes to 11.

9. The Bad Plus, “Barracuda.” We should hasten to point out that The Bad Plus, a power-jazz trio from Minnesota, have done killer instrumental versions of several familiar pop and classic rock tunes. This track, however, is not one of them. Have you lost the singer yet, guys? You have? The jazz gods be praised.

10. Richard Cheese, “Baby Got Back.” With all due respect to Jonathan Coulton’s delightful version of this same Sir Mix-a-Lot classic, we highly prefer Richard Cheese’s lounge lizard take (also, the cover of his best-of album, The Sunny Side of the Moon, was too good not steal for our playlist artwork). And in case you’re noticing a theme between this and “Big Bottom”: Yes, we do like big butts and we cannot lie.

11. Señor Coconut, “Smoke on the Water.” This dude has worked his cha-cha magic on everything from Kraftwerk to Prince. But since we decided to take this playlist in more of a classic-rock direction, nothing says “geriatric DJs spinning classic-rock steez” more than a little Deep Purple.

12. The Moog Cookbook, “Ain’t Talkin’ ‘Bout Love.” Van Halen played on vintage synths! OK, Van Halen themselves did this on 1984, but there’s still something pretty unsettling about hearing a programmed robot voice intoning, “If you want it, got to plead for it, baby.”

13. Dread Zeppelin, “Whole Lotta Love.” Possibly the most high-concept tribute band of all time (and yes, we have dropped the ball by not adding them to the Weird List yet), Dread Zeppelin play reggae versions of Led Zeppelin songs, as sung by an Elvis impersonator. Mercy.

14. Tiny Tim, “I Love Rock and Roll.” At the height of his popularity, Tiny Tim turned his quivering falsetto loose on any number of popular songs, from “On the Good Ship Lollipop” to “I Got You, Babe.” And while his falsetto is indeed a marvel, it sounds downright quaint compared to the Tom Jones-like bray he unleashed on Chameleon, an overlooked 1980 oddity that features this amazing version of the song made famous by Joan Jett. Honestly, you don’t have to listen to the whole thing, unless you really want to hear what it sounds like when an aging eccentric bludgeons a song to death as though it’s solely responsible for the decline of his career.

Hope you enjoyed this week’s mix.

Advertisements

Tragedy

We’ve blogged about cover bands before on TWBITW, so we won’t repeat our general observations about the general suckage of cover bands. We’ll just say that, when your whole career is based on somebody else’s songs, it’s a fine line between having a clever gimmick and being truly weird–and it’s one Tragedy manages to strut along with more attitude than John Travolta wolfing down two stacked slices of Lenny’s thin crust during the opening credits of Saturday Night Fever.

In Tragedy’s case, the clever gimmick is pretty simple: they’re a metal band that does Bee Gees songs (or, as they like to say, they’re the tri-state NYC area’s greatest all-metal Bee Gees tribute band…got that?). But as with most truly weird bands, it’s all in the execution, people. Instead of a one-note gimmick, they actually manage to be a pretty solid metal band, with a knack for finding all the right headbanging analoges to the Gibb bros’ disco touches. And they do it without, as far as I can tell, ever resorting to “I Was Made for Lovin You”-style disco/rock cheese. So… “How Deep Is Your Love?” becomes the lighter flicking monster ballad, “You Should Be Dancing” turns into a Spinal Tap/Iron Maiden-style epic…and so on. It’s all sort of brilliantly stupid (right down to the band member names, like Garry Bibb and Andy Gibbous Waning), in the way most good metal is.

Tragedy’s signature song, of course, is “Stayin’ Alive.” Here’s the video. Enjoy.

Links: